Online Bodies

An experimental short shot on a f0.3 equivalent large format lens

Pandemonium

A fiction science monologue about artificial fertilization and its consequences, delivered by four characters interacting with the text.

Welcome Home.

A stunning, sweeping technohistory, tracing the human race from birth to obsolescence. Sacred geometry and ominous CGI intertwine with a retelling of the story of Noah to illuminate the illusion of authority and the nature of autonomy in the contemporary digital sphere. Featuring parking meters by master animator Jeremy Fernsler and a breathtaking score by Edward Kurland. The DVD version of Rubicon contains additional interactive material in the audio and subtitle tracks. Selected Screenings: Athens International Film and Video Festival, UFVA 2004 (Honorable Mention), Dallas Video Festival, NewFilmmakers at Anthology Film Archives

A film without a lens.

Three friends create an artificial intelligence to generate new TV shows, however the AI turns on them and begins torturing it's characters.

A photographer during the Soviet-Afghan war becomes obsessed with a mysterious figure that appears in his images every time the person photographed dies.

After the mysterious death of his father, Aaron O'Donnell, a ruthless capitalist, decides to take the reins as the leader of Borealis. However, his brother Andrew sets out to hijack his dictatorship and warn not only the residents of Borealis, but all future visitors of the danger Aaron poses.

In what could be considered a follow up to Al Qasimi’s 2020 work Mother of Fire, she once again invokes the figure of the jinn (spirits in Islamic mythology) to explore the ghosts of British imperialism in the UAE. As its spectre lingers on the horizon, two teenage girls seek to liberate a pirate damned to spend purgatory on a site now being developed into a hotel. Originally commissioned for Sharjah Biennial 15: Thinking Historically in the Present, Al Qasimi entangles historical narratives with contemporary notions of piracy. In examining how it has been historically and culturally represented, new perspectives of old mythographies come into focus. (Myriam Mouflih)

Born from steel and glass Kino Kopf is created by two inventors. They are assembled by their mother, a nurturing artist, and their Father a greedy entrepreneur. Kino Kopf is the first of its kind a sentient humanoid VHS camera. They are given a life by their mother but presented to the world by their father. Kino Kopf is the next big sensation and spurs a technological revolution. They are soon forgotten and alone as new models surpass them. Kino Kopf is left alone to contemplate if they ever had a soul, as visions of an electric cowboy dance through their dreams.

A Draughtsman Illusion

A vision from Limbo, where the canoeist of the eternal lake floats in his boat, between sleep and wakefulness. When he sleeps, he dreams of the everyday of a parallel time. when he wakes up, the same song haunts him again and again. his boat, “ara” (time, in guarani) travels through time like a shooting star.

This visual poetry is a celebration of the full spectrum of womanhood, from the complex vulnerability to the hidden power.

An overly anxious man mysteriously finds himself unable to leave a bathroom.

Resonances

A female hotel employee wanders around different guestrooms and searches for an unreachable dream. Wandering in other people’s dreams, she encounters a mysterious guest and hears a story about a woman who dances deep inside her dream and a dancing procession...

La manzana

A dancer encounters an unnatural menacing force to the beat of a rockabilly tune. Madness ensues as the surreal and nightmarish event unfolds setting the stage for the question of whats real and whats not. Is it a dream or hallucination?

In an indeterminate future, forbidden memories challenge a database containing all human memories. An experimental cinematic search between past and future, fiction and fact, Prishtina and Tirana. The future, a glitch.