Herr Samba

La hoja de la caleta

An epic love story spanning decades is sparked by a chance encounter between two men in provincial Mexico. Based on a true story, ambition and societal pressure propel an aspiring chef to leave his soulmate and make the treacherous journey to New York, where life will never be the same.

This anthology film, whose Chinese title begins with a romantic name for human excrement, premiered internationally at Rotterdam and won Best Screenplay from the Hong Kong Film Critics Society. A variety of Hong Kong people wrestle with nostalgia when facing an uncertain future. Their stories give way to a documentary featuring a young barista turned political candidate.

A family tribe of Cro-Magnons faces hardships, such as hunger, animal attacks, Neanderthal attacks, and death from injuries as they migrate to find a more bountiful land to live on.

An impressionistic look at Irish emigrants in London, representing the emigrant's journey, a confusion of anticipation, memories and experience.

Lori, a Syrian-Armenian girl living in Armenia, believes her father is taking her on a summer trip. When she learns that her family is really leaving Armenia after already fleeing the war in Syria, she tries whatever she can to stay in a place that has great meaning for her.

To escape from a lack of perspective in Kosovo, Hana decides to resort to the services of Emir, an illegal smuggler in Serbia that will drive her to Hungary. On the way, complications arise as Emir's unscrupulous associates try to take advantage of Hana's vulnerability. In the midst of the frozen winter, Hana's courage and determination and Emir's principles and beliefs will be put to the test.

A fantasy about a daughter’s yearning for her mother’s warmth and comfort, which turns into a nightmare about harsh reality of a group of homeless quarry workers. Masha arrives at the quarry with a heavy heart, burdened by a secret she hasn’t told anyone about. She wants to speak with her mother, Vera, but she has struggles of her own. A young woman finds herself in a deafening masculine environment where no one's listening. A journey to save herself quickly blurs into a venture to save her own mother. Ants crawling on the walls of the house, childhood photos and Russian food, are the harsh reality of one woman, and a comforting memory for the other.

Magdalena makes a journey to find her missing son, who disappeared on his way to the border with the United States. Accompanied only by her will and her memories, Magdalena enters a violent and desolated territory, the migration route in Mexico.

LEI and WONG clandestinely arrive to Ecuador, on their way to the port city of Guayaquil. From here LEI plans to continue her journey to New York, but CHANG, a bipolar mobster will decide her fate. WONG unwillingly gets entangled in the web of corruption that operates the encroachment of Chinese immigrants. His only objective is to bring his twelve-year-old son from China.

A migrant working-class couple, after losing their daughter to an ill-fated destiny, seeks friends in each other.

Bir Avuç Cennet

Speechless

Based on the famous novel of Milos Crnjanski, the story follows Serbian migrations from the Austro-Hungarian Empire during the XVIII century.

Screening of the synonymous Milos Crnjanski's poetic novel about the tragedy of Serbian people who scattered their energy and bones from Dnepr to Lotaringia during XVII and XIX century. The great Serbian migration topic is given through the military campaign of major Vuk Isakovic (Avtandil Makharadze) at the head of Slavonian-Danube regiment, from spring of 1744. to spring of the next year. The second topic follows tragic but passionate relationship between Vuk's younger brother and his wife, which ends with her long-lasting disease and death.

Sira, a former refugee, works as a translator for OFPRA (the French Office for the Protection of Stateless Persons and Migrants). She unscrupulously fleeces her clients, selling them fictions she creates to convince the authorities.

For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.

Deraldo, a popular poet from Northeast Brazil, arrives in the capital of São Paulo, making a living only from his poetry and pamphlets. All is well until he is mistaken for a multinational worker who killed the boss at a party where he received the title of symbolic worker.

The imprint of the past is made present by the return of three migrants to a community in the upper Mixteca region of Oaxaca, where the three stories intersect.

On a ferry travelling towards Lampedusa, we find a teenager on his first day of work as a gravedigger and a boy on his first mission as a diver. They do not know each other, but when they will set foot on the island, both their lives will change forever: one has to retrieve the bodies of drowned shipwreck victims, the other one has to bury them. A sort of dance between life and death, innocence and its loss.