Atlantic Poems - La Force
A super 8 projection which references the essay “On the Jewish Question” by Karl Marx.
VIVA ÁGUA is a meditation on the philosophical work entitled ÁGUA VIVA written by Clarice Lispector in 1973. The film reflects on Lispector’s interior experimental monologue on the “instant-now” of time, the discomforts of language which are “beyond thought” and the harmonious dissonant reminders and remainders of that “sometime what is seen is ineffable.”
Food is a unifying force across our communities. In this short film, we share the stories of three Latinos - each from a different country but now living in the same American city - who come together to share flavors of their homeland, all of which include one central ingredient.
A silent film portraying winter across three continents.
A look at Christmas customs in Germany, some of which date back to pre-Christian times and are still observed in various German regions.
As we run, the layers of responsibility and identity we have gathered in our lives, the father, mother, lawyer, teacher, Manchester United-supporter labels, all fall away, leaving us with the raw human being underneath. With nothing but our own two legs moving us, we begin to get a vague, tingling sense of who, or what, we really are.
Encouraged by the polychrome onirism of the Ñuine land, Desiderio (58), a farmer from the south of Mexico, offers an offering to the Tupa, the ancient spirit of the hills to whom his grandparents went to to ask for rain and harvest. At nightfall, as he rests at the foot of a campfire, that mysterious being guides him to the core of an ancestral memory.
At only 19 years old, an Argentinian filmmaker emigrates to Miami looking for better opportunities. She soon finds herself falling for her very first boyfriend, someone she thought was good for her. That would quickly change, making her feel trapped in an abusive relationship that she would hide from everyone around her for years. In a detailed search for healing, she explores the events that led to the morning when he sexually assaulted her to understand that she is not to blame.
On June 14, 1977, the eve of the first democratic elections after Franco's regime, Llorenç Soler and his crew go out into the street and ask passers-by which party they are going to vote for.
Born the only child with genuine feelings in a world of apathy, Ejnar is called by an ancient spirit to fulfill a destiny.
Following the journey of Life as she meets the world for the first time.
what was the last dream you had?
Damaris and Alberto live in an isolated village in the Sierra Maestra Mountains of Cuba. Four months ago, their 12 year old son committed suicide.
A twelve year old boy, living in a "yurt" but in love with hip hop and computer games is caught between modernity and tradition, aspirations and poverty and decides to become a Buddhist monk.
In the summer of 1900, the first film camera was purchased by Mozaffar ad-Din Shah Qajar for Iran, and immediately the first Iranian moving images were captured by this camera. These images, in an obsessive manner, have embodied the mesmerized gaze of people. In the span of 79 years since the purchase of this camera, Iran has undergone two revolutions and two coups, and throughout all these moments, the camera has been present as the recorder of people's mesmerized gazes. These mesmerized gazes are in a way as if they are the ones looking at us, not the other way around. It seems like these gazes are trying to convey something, but what? No one knows. Now, we gaze at those who have gazed at us from a distant time.
Manel has been kissed by all the old women in the village. From the passion of Christ to the olive trees in the Catalan countryside, a landscape of resistance that evokes a sour humour, and at the same time a silence from times gone by.
A lyrical recreation of Lightnin’ Hopkins’ decision at age eight to stop chopping cotton and start singing for a living. Preserved by the Academy Film Archive in 2013.
Dialogue-free short detailing the daily tasks of a man and his wife.
Stylized with dramatic interiors and a distorted frame rate, this early documentary miniature from Szulkin depicts six sequences of solitary, repetitious labor.