The Daisy Crown

Seven colors are assigned to eat the food of their own color. They don't question it, until one of them wants to take a different path.

To live is to dream and to fight to communicate and ward off loneliness. In this sexually-charged experimental, two men find each other in a time of need.

A young man meets a young woman under a bridge by a railroad. They shelter from the rain and exchange a kiss. The man grows sullen and leaves. The film starts with him and ends with her. It’s a straightforward anecdote told in traditional ways, the likes of which he’d forsake forever; that is, it uses actors, a soundtrack with music and post-dubbed sound effects, a photographer who frames everything professionally and a coherent edited narrative.

Mya prepares to fight the horrors lurking within.

One orphaned girl struggles to survive in the not so distant future where society has succumbed to violence and become a kill or be killed world.

The short film surrounds Cassie and her struggle, confusion, and eventual discovery of her OCD. We take a glimpse into her interactions with her friends and family, often paired with flashbacks (intrusive thoughts) of supposed violence towards herself and others. Unknowing of her condition, she is distraught at each thought, and as a result reluctant to share with her loved ones what she is going through.

On the same day several interrelated characters try to change their own lives and, in the process, change the lives of others.

Filmmaker-griot coming from the theater, it was with a camera, while the war in Vietnam occupied everyone's minds, that Sarah Maldoror gave visibility to the African wars of decolonization: Angola, Guinea Bissau, French Guinea, Cape Verde... Her short film Monangambée addresses the torture by the Portuguese army of a sympathizer of the Angolan resistance. At the end of editing, Sarah Maldoror approached the members of the Art Ensemble of Chicago during a Parisian concert and offered to add sound to her film. The next day they watched the film, were convinced and recorded their first soundtrack for free as evidence of African-American solidarity. Shot in Algiers, Monangambée is a film about torture and, more broadly, about the incomprehension between the colonized and the colonizers. It is based on a novel by the Angolan writer Luandino Vieira, then imprisoned by the Portuguese colonial power.

In the middle of two disappointing nights out, Kate and Lucy find themselves in the ladies. They begin as strangers but the mystical powers of this nightclub bathroom brings them closer together.

Whilst still grieving the loss of a close loved one, Michael (Harry Murdoch) finds that his new friend, Lisa (Jenny Smith) has a past so unbelievable that he is forced to move on and learn to be himself again.

Fifteen year-old Ben Garber has a secret. A secret which leads him to infiltrate the household of a family in a neighboring town...

Paul is visibly confused after a meeting, late in the night. He drives through the night, experiencing a chaos of his feelings and emotions. He celebrates, cries, laughs and screams. But why all this? Again and again his mood is interrupted by strange seeming incidents, in his immediate vicinity...

A woman comes back home after studying abroad.

Stories told along the river: a woman reunites with her ex-lover at a hydroelectric plant; meanwhile, a young man travels downstream to a temple in search of a cure for his insomnia.

A woman and boy visit an ominous graveyard.

The couple, Mariam (Marta Hazas) and Ale (Juan Caballero), are going to try an old sexual fantasy to solve their sexual problems: making a threesome with a stranger. An unknown person, Él (Sergio Mur) is the key piece of an erotic triangle where nothing goes as planned. Erotic drama, a story where feelings and sex mingle to form a web of emotions where not everything is what it seems.

Minutes before his death in the general ward of a city hospital, Ulises, a terminal patient in his fifties, reconstructs the fragments of his life. Lauro, a young and smiling nearby patient accompanies him on his final agony, reliving all Ulises' missed opportunities.

A pulsating ride, sexually charged with emotion, men discovering their taste for other men, awkward situations that force the characters to get in touch with that taste.

When a dysfunctional yet promising writer is unexpectedly pregnant, she must accept her circumstances and embark on the inevitable process of choice.

Indira decides to restart her life and move to London. However, on her last day, she dares to explore what she will leave behind.