The Age of Undutiful Children

Professor Owl gives a lecture on the evolution of Western musical instruments, starting with the advent of rudimentary brass, woodwind, string and percussion instruments by ancient cave dwellers at the dawn of history.

An owl teaches his class full of birds about melody. It's all around in nature. Only birds and man can sing; man "sings" even when he speaks. We see a quick survey of the stages of life, as captured by songs: the alphabet song for primary school, Here Comes the Bride, The Old Gray Mare, etc. Some inspirations for song are outlined in song: love, sailing, trains, the West, motherhood, etc., but "we never sing about brains." Finally, an example of how a simple melody can be expanded into a symphony: an elaborate version of the simple tune that opened the lesson

Adventuring to undiscovered peaks together, plotting midnight-raids on inner-city handrails, lapping your home run until that last ray of sunshine disappears behind a distant ridge - Skiing is Collective. Some call it a tribe mentality, others call it a shared sense of purpose. This film is our definition, written by a diverse team, each with their own ideas, their own forms of expression. "The Collective" is more than a sum of its parts. No matter who you are or where you come from - it feels good to be part of something special.

A young girl with seasonal amnesia encounters a man claiming to be God, together both of them try to recover her memories leading to big events.

When someone steals her hottest idea yet for a new video game, a beautiful programmer conspires with her most seductive friends to get revenge

Manikandan and Sindhu, final year college students, become parents accidentally. Situations separate them, forcing Manikandan to raise his child, Adhithya, as a single parent. What follows is a beautiful tale of a father and son and their journey against all odds.

Tommy Steele stars as a talent-spotter at a recording company who determines to organize a concert featuring all the most up-to-date singers and bands, in order that the orphanage where he was brought up be saved from closing.

The nearest neighbors left, taking their big-screen TV with them. This is bad news for Pete, as he liked to watch sports. Fortunately, the new neighbor is much more interesting: she is a professional dominatrix...

Professional assassin Drew Fontaine puts her talents to her own ends to pay off those involved in killing her Buddhist mentor and maybe in the disappearance of her father. Amongst those in the frame are a crowd of somewhat dysfunctional lesbian-led Nazis, an energetic Chinatown gang, and an overly laid-back porn-king playboy. Could be pretty messy.

Edgar impulsively invites his boss, Mr. Markham, to his home for dinner when his boss compliments him for giving coffee money to a down and out man. At the train station Edgar intervenes, keeping another man from beating a young man named Frankie, and Edgar takes Frankie home with him, even though the stranger warns Edgar that the young man is nothing but trouble.

A musical audiovisual journey in four parts. A young man finds himself unexpectedly taking an audiovisual odyssey into a world of surreality, slowly recounting his memories, revealing the puzzle pieces that led him to where he is, and maybe how he can get out.

The geeky owner of an antique shop accidentally releases a beautiful genie from her imprisonment. She grants him three wishes.

Part of Paramount Headliner: Hollywood Star Reporter series

A pretty, tomboyish teenager comes of age in an American small town.

A New York radio personality travels to the small town of Fernville to oversee a contest to identify retired safecracker Jimmy Valentine, believed to be living there under an assumed name. The close-knit town of upstanding citizens is understandably upset by this venture, all the moreso when some of its citizens begin to be murdered. The radio personality and the local newspaper's young daughter collaborate on solving the murders while revealing Valentine, who has become one of the suspects.

A deceased couple affectionately haunt a living friend while trying to get into heaven.

"The Truth About Love Tour: Live From Melbourne" is a 1 hour and 50 minute concert that was filmed in Melbourne during the Australian leg of the tour, where P!nk broke the record for most dates in one venue on the same tour, performing an astounding 18 shows to almost 250,000 fans – breaking her own record from her previous acclaimed Funhouse Tour in 2009. Pulling from her seven album repertoire, the show includes some of her biggest hits such as "Blow Me (One Last Kiss),"F***in' Perfect," "Try," "Raise Your Glass," and "So What" and P!nk's recent single, "Just Give Me A Reason" featuring Nate Ruess. "The Truth About Love Tour: Live From Melbourne" features the jaw-dropping theatrics and acrobatics that P!nk has become renowned for, collaborating with creative partner and show director Larn Poland to produce a visually stunning stage production that includes pyrotechnics, soaring stunts, and career-spanning hits.

"Move Me Brightly" is a film based around a musical gathering at Bob Weir's TRI Studios in San Rafael, California to mark what would have been Jerry Garcia's 70th birthday on 3rd August, 2012. The revolving line-up of performers included fellow Grateful Dead members along with many guest artists who joined together to celebrate Jerry Garcia's life and work. Grateful Dead bandmates and other musicians who played with or were inspired by him. It is fitting tribute to one of rock music's most creative and imaginative composers and performers. Features contributions from fellow Grateful Dead members Bob Weir, Phil Lesh, Bill Kreutzmann, Mickey Hart and Donna Jean Godchaux along with Garcia family members and guests including Carlos Santana, Furthur's Joe Russo & Jeff Chimenti, Phish's Mike Gordon, Black Crowes' Adam MacDougall, Vampire Weekend's Chris Tomson, Yellowbirds' Sam Cohen & Josh Kaufman and many more.

Arctic Monkeys produced a cracking headline set to conclude the second day of Rock en Seine 2011. Sheffield's finest were in thoroughbred fettle throughout their 90-minute set, taking a less exuberant, yet no less effective, route than the Foo Fighters into the hearts and minds of the soggy Parisian crowd.