A Powerful Passion

Thomas Haemmerli is about to celebrate his fortieth birthday when he learns of his mother's death. A further shock follows when he and his brother Erik discover her apartment, which is filthy and full to bursting with junk. It takes the brothers an entire month to clean out the place. Among the chaos, they find films going back to the 1930s, photos and other memorabilia.

This documentary from 1980 depicts a factory community in China where over 6000 workers process, spin and weave raw cotton into 90 million yards of high-quality cloth per year. Also seen are the workers' residential, social, recreational and educational facilities, all located on factory property. The film presents an engrossing study of a lifestyle that is very different from that of the Western world.

Sono Guido e non Guido

In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. Hopelessness and desperation are confronted through the collaborative effort of remembering and recording, a process that inspires unexpected strength and even solace in the face of death.

Filmmaker Evie Wray travels to rural Kansas in an attempt to reconnect with her mentally unstable mother, Evie, for the first time since Evie’s psychotic breakdown five years earlier. She finds a parent still chasing her demons, both real and imagined, struggling to make a career for herself as an abstract artist and searching for the Geodetic Center of the United States, the finding of which, Evie says, will bring about world peace.

Set against the backdrop of 'the beautiful game', Black and White Stripes tells the epic story of Italy's legendary Agnelli family and their team, Juventus F.C., as they set out to capture an elusive gold star in order to avoid annihilation. As the inspirational journey unfolds, the film weaves in game-changing moments from their heart-wrenching legacy - revealing the profound passion between family and team. On and off the field it's love, war and breathtaking cinema.

Familiar Phantoms is an experimental documentary short film about memory, history and trauma.

When the Tanana River bridge was installed in Salcha, Alaska, the community worried about the levee's effects on fish wildlife. Salcha Elementary School, along with the help of Tanana Valley Watershed Association, conducted a 10-year scientific project with students to study the effects the levee had on Piledriver Slough. Tori Brannan - the filmmaker's mother - is a retired principal at Salcha Elementary and was the project's centerpiece. She shares her experiences with the project, the community, and how her daughter's involvement strengthened their relationship.

At 88 years old, Ofelia reflects on her life under the attentive gaze of her grandchildren. Family, love, disputes, adventures, and tragedies. A story brimming with characters that, as a result of the passing of time, leaves Ofelia as the sole witness to recount it

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Katiana talks about her experiences as a woman in Haiti. As a woman, she faces many limitations and abuses from men who are more privileged than she is. Despite the difficulties of her condition, she has found the courage to achieve greater personal and financial independence.

We all carry hell with us. The filmmaker’s hell exists on a canvas, which he studied carefully in childhood. The mystical picture has many names: Circus, Hell, Game at the Arena. Decades later he finds the painting again. The film unravels as loose ponderings about the plight of being an artist and touches upon the filmmaker’s personal demons. Can he see the painting in a new light?

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

Megacities is a documentary about the slums of five different metropolitan cities.

Unfolding on three continents, this engaging documentary follows four groups of people whose lives are wrapped up in the complex world of chocolate.

ONLY IN THEATERS, a film by actor/director Raphael Sbarge, is an intimate and moving journey taken with the Laemmle family, spanning nearly three years of challenges, losses, and personal triumphs. Laemmle Theatres, the beloved 84-year-old arthouse cinema chain 3rd generation family business in Los Angeles, is facing seismic change and financial pressure. Yet the family behind this multigenerational business – whose sole mission has been to support the art of film – is determined to survive.

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

Barred from racing for breaking stride, a trotting horse finds a new career as a police officer's mount in Boston.

This portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship.

After working abroad for five years, filmmaker Ajahnis Charley returns home to Oshawa, Ontario, in the age of quarantine. In addition to reuniting with his family, he returns with a mission to share some deep personal truths. Surprising conversations ensue with his mother and three siblings creating, in this humorous and heart-wrenching story about our need to seek love and acceptance within our own families.