Republic: Mustafa Kemal Pasha and Uşşakizade Latife Hanım got married.

With the intention to break free from the strict familial restrictions, a suicidal young woman sets up a marriage of convenience with a forty-year-old addict, an act that will lead to an outburst of envious love.

Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.

Documentary on the massacres commited in the Dersim region in Turkey in 1937/38.

Constantinople, Ottoman Empire, 1910. There are too many stray dogs on the streets, so the government decides to deport thousands of them on a desert island, off the coast of the city.

Idris, who has made a habit of coming home late, comes home early that day. He sees his wife trying to wipe the lipstick off of her lips, and at the same time, the window of the house is open in a cloudy sky. The feeling of doubt has already begun to gnaw through Idris like a bed bug.

Danton and Robespierre were close friends and fought together in the French Revolution, but by 1793 Robespierre was France's ruler, determined to wipe out opposition with a series of mass executions that became known as the Reign of Terror. Danton, well known as a spokesman of the people, had been living in relative solitude in the French countryside, but he returned to Paris to challenge Robespierre's violent rule and call for the people to demand their rights. Robespierre, however, could not accept such a challenge, even from a friend and colleague, and he blocked out a plan for the capture and execution of Danton and his allies.

Second part of the revolutionary historical drama, which takes up the events that occurred from August 10, 1792 until the end of the reign of terror with the execution of Robespierre.

Heimliche Ehen

The lives of six German-Turkish immigrants are drawn together by circumstance: An old man and a prostitute forging a partnership, a young scholar reconciling his past, two young women falling in love, and a mother putting the shattered pieces of her life back together.

In a small, poor village leaning over high rocky mountains, the villagers are simple and diligent people who struggle to cope with a harsh nature. They earn their living off the earth and a few animals they feed. Fathers always prefer one of their sons. Mothers command their daughters ruthlessly. Ömer, the son of the imam, wishes hopelessly for the death of his father. When he understands that wishful thinking does not have any concrete results, he begins to search for childish ways to kill his father. Yakup is in love with his teacher, and one day after seeing his father spying on the teacher he dreams too, like Ömer, of killing his father. Yıldız studies and tries to manage the household chores imposed by her mother. She learns with irritation about the secrets of the relationship between men and women.

The Lark Farm is set in a small Turkish town in 1915. It deals with the genocide of Armenians, looking closely at the fortunes, or rather, misfortunes of one wealthy Armenian family.

After returning from a concentration camp, Susanne finds an ex-soldier living in her apartment. Together the two try to move past their experiences during WWII.

In the 1990s many people in Kurdistan were taken into custody and interrogated under torture; their killers disposed of the bodies by throwing them out of helicopters, or burying them in acid-filled wells. Thousands were murdered/disappeared by paramilitary forces—such as Jitem and Hizbul-Kontra—that were financed and supported by the state, though they have always stuck to the line: “We didn’t do it.” The documentary looks at the case of seven people, including four children, who were disappeared from the town of Kerboran [Dargeçit] in 1995, and tells the story of their families’ tireless search for their bones

Fresh out of university, a Turkish young man with literary aspirations returns to his home village, and to his father, a debt-ridden man with a gambling problem.

On 15 July 2016, a faction within the Turkish Armed Forces, organized as the Peace at Home Council, attempted a coup d'état against state institutions, including the government and president Recep Tayyip Erdoğan. Seven female Special Forces officers were paramount in the defeat but lost their lives.

In 1920s Turkey, a young peasant is smitten with a beautiful young girl, who has been promised in marriage to the fat, dullard cousin of the province's powerful and corrupt governor. When an assassination attempt is made against the official, the young man flees his village and joins up with a group of outlaws fighting against the wealthy and powerful landowners who control the lives of the locals and make life miserable for them. The outlaws' successes prompt the governor to call in the Turkish army to capture or kill them.

A local construction worker and a Chinese engineer are assigned to build a bank in Bangui, the capital of the Central African Republic, one of the poorest countries in the world. But time is short and resources are scarce, and there are rumours in the countryside that a new civil war is brewing. And as if all this wasn’t bad enough, their relationships to their wives are falling apart. ‘Eat Bitter’ mirrors the existential and mundane problems of the two men, while an unlikely friendship and mutual trust blossoms between them. However, the chaotic microcosm of the construction site also mirrors China’s contradictory role in 21st century Africa, with the bank itself as the ultimate symbol of money, power and illusion. Director duo Pascale Appora-Gnekindy and Ningyi Sun themselves represent each of the two cultures, and their film has a unique eye for the human fallibility and irony of it all, but also for how we can reach each other despite all our many differences.

A young woman of about 17 years old, named Meryem (Ozgu Namal), has been raped, and her village's customs call for her to be killed to restore honor and dignity to her family and village. The eldest son of the village leader, Cemal (Murat Han), is ordered to take Meryem to Istanbul and kill her, but at the last minute he cannot complete the task.

During the Sarikamis Battle, the Ottoman army runs out of ammunition and appeals to the people of Van for help, who happen to have supplies. However, the First World War is on and all men are fighting at four corners of the empire and therefore can not respond to to the appeal. The young children of Van want to do something...

As woodsmen, brothers Kemal and Cemal struggle with an uncertain future, living in a house inherited by their father, on the outskirts of a village. Kemal has always been a father to his brother. Nalân, arrives one day with Kemal, and adopts the house as her own. Her presence soothes Cemal, who's shaken by his mother’s death.