Carnival time in Quebec, Canada, is also time for racing with sled-dogs, horse-drawn sleighs, hockey, curling the carving of ice-statues, obstacle races by youngsters, fireworks, and also the selection of a Carnival Queen.
This documentary chronicles the relocation of an entire town in Newfoundland, Canada.
eyes roam / dancing in step with / my feet which praise the ground
Liam, crippled by his fear of intimacy, remedies his hunger for touch through trips to the beach where he fantasizes a life of connection. His voyeuristic daydream is challenged by a young man, Brayden, who decides to pursue him.
Pandemonium
A commission for the San Francisco Exploratorium, this film-collage studies the water systems and architecture of the San Francisco waterfront, in abstract and formal contexts.
The G7 Summit that will take place in Charlevoix will bring together the leaders of the globe’s 7 major industrial powers. Thanks to an exclusive access and privileged position within the RCMP, we will bring you in the heart of the preparation and security operation surrounding such an event. It’s a privileged access for the first time in Canada, a historic and unique moment in television.
Two well-known Quebec artists (filmmaker Jacques Godbout and playwright René-Daniel Dubois) look at the Battle of the Plains of Abraham. Whose version of this historic event should prevail? Is history best served by documentary or fiction? We also meet Baron Georges Savarin de Marestan and Andrew Wolfe-Burroughs, direct descendants of Montcalm and Wolfe, both of whom died in the battle that would give birth to Canada and to the province of Quebec.
In the 1940's American-born Willard MacDonald jumped his troop train heading to WWII. Fearing authorities he lived as a hermit deep in the northern wilderness of Nova Scotia, Canada for more than 60 years inspiring folklore for generations.
A news special about a year after the shootings at the Quebec City mosque
La détresse au bout du rang
L'école de demain
Thirteen-year-old Mei is experiencing the awkwardness of being a teenager with a twist – when she gets too excited, she transforms into a giant red panda.
A spate of robberies in Southern California schools had an oddly specific target: tubas. In this work of creative nonfiction, d/Deaf first-time feature director Alison O’Daniel presents the impact of these crimes from an unexpected angle. The film unfolds mimicking a game of telephone, where sound’s feeble transmissibility is proven as the story bends and weaves to human interpretation and miscommunication. The result is a stunning contribution to cinematic language. O’Daniel has developed a syntax of deafness that offers a complex, overlaid, surprising new texture, which offers a dimensional experience of deafness and reorients the audience auditorily in an unfamiliar and exhilarating way.
16mm color work by Stan Vanderbeek that takes his work away from the cutups and the commentary and lands him in the psychedelic and abstract. Opticals, repetitions, camera moves and zooms are what make up the bulk of this exploration into fluids. The results bridge that realm between hangout art piece and intersteller stoner trip.
A film by Paul Clipson.
Two estranged brothers take a road trip through Sweden and in the process have to face themselves and each other.
The great appeal of this film is watching the beaver at work, busily and cheerfully demonstrating the characteristics for which it is famous. Sometimes, however, the beaver's industry runs counter to the plans of people. When the beaver's dam floods their father's hayfield, two boys devise a plan to save the beaver from their father's displeasure.
After escaping a Michigan prison, a charming career criminal assumes a new identity in Canada and goes on to rob a record 59 banks and jewellery stores while being hunted by a rogue task force. Based on the story of The Flying Bandit.