At twenty-six, Noel Starblanket was one of the youngest Indigenous chiefs in North America--twice elected chief of the Starblanket Reserve, and also elected vice-president of all-Saskatchewan Indigenous organization. His great-grandfather's advice was to "learn the wit and cunning of the White man." That he did. Here he is seen in action, a chief with a briefcase, working with government officials for grants, running for public office, talking down his opposition, and solving the domestic problems of his reserve.
Director Michèle Stephenson’s new documentary follows families of those affected by the 2013 legislation stripping citizenship from Dominicans of Haitian descent, uncovering the complex history and present-day politics of Haiti and the Dominican Republic through the grassroots electoral campaign of a young attorney named Rosa Iris.
Trump Card is an expose of the socialism, corruption and gangsterization that now define the Democratic Party. Whether it is the creeping socialism of Joe Biden or the overt socialism of Bernie Sanders, the film reveals what is unique about modern socialism, who is behind it, why it’s evil, and how we can work together with President Trump to stop it.
A look into the career and impact of "classical liberal" talk show host Dave Rubin
Ten notebooks depict an immersion in French neo-fascist circles during the 2010s.
"Zapatista" is the definitive look at the uprising in Chiapas. It is the story of a Mayan peasant rebellion armed with sticks and their word against a first world military. It is the story of a global movement that has fought 175,000 federal troops to a stand still and transformed Mexican and international political culture forever.
When does a democracy end and a theocracy begin? In Apocalypse in the Tropics, Petra Costa investigates the increasingly powerful grip Christian evangelical leaders hold over politics in Brazil. She gains extraordinary access to the country’s top political leaders, including President Lula and former president Bolsonaro, as well as to Brazil’s most famous televangelist: a magnetic pastor who aspires to play puppet master to the far-right leader.
Matt Walsh goes deep undercover in the world of diversity, equity, and inclusion. Prepare to be shocked by how far race hustlers will go and how much further Matt Walsh will go to expose the grift, uncovering absurdities that will leave you laughing.
This film analyzes the economic interests underpinning the conflict between Palestinians and Israelis, with a particular focus on the influence of international oil interests in the region. The analysis found here is inspired by the writings of the Palestinian writer and journalist Ghassan Kanafani.
Intent on escaping her coastal bubble, Alexandra Pelosi sets out on a cross-country trip to engage in conversations with fellow Americans in an effort to gain an unfiltered understanding of other perspectives.
Thirty years, three eras: they have been trying to save the Hungarian film industry again and again over the decades. Among these attempts were highs, lows, countless deals and compromises. And now some say that we are living in the saddest period of Hungarian filmmaking.
The film – documentary “Shooting vs Shooting” presents a group of astonishing stories about journalists who were afflicted in the Iraq war, by following a journalist’s journey in Baghdad in 2009 and the story of a mother who seeks for an answer to the question why her son got killed while his only weapon was his camera. “Shooting vs Shooting” narrates incredible moments and adventures, reveals unknown sides to the facts and shows the dramatic stories of media workers who lost their lives, trying to freely broadcast the truth to the public opinion. Through the documentary, we witness the absurdity of war, the responsibilities of governments and armies and the atrociousness of blinded fanatics.
Documentary about three female footballers from the Austrian football club FC Blau Weiß Linz - Union Kleinmünchen. The film portrays the athletes and their fight for recognition and equality in male-dominated football.
Crossfire is Lauren Southern's third documentary film project focusing on the issues surrounding policing, brutality, race, law and order. A heated debate today which has led to a massive political divide between those supporting officers, those defending reform and even many rioting violently in the streets.
This film shows the leaders of organizations that emerged after the Russian Revolution. It is the fragment of ‘Anniversary of the Revolution’ made by Vertov in 1918.
After the Robb Elementary school shooting in Texas, local Uvalde Leader-News journalists are left to report on the fallout – and on one of their staff members. Reporter Kimberly Rubio rises to national prominence as an advocate for gun reform after her ten-year-old daughter, Lexi, is killed in the shooting. Through the journalists’ reporting, we witness the social fabric of this small Texas town unravel as Kimberly and other victims’ families search for accountability from law enforcement and local leaders. The documentary also shines a light on the critical role of community journalism, at a time when local newspapers are folding rapidly across the country.
Rendez-vous de l'espérance
This documentary offers a glimpse into the 1997 federal election in the Halifax electoral district. Two strong female politicians, Liberal candidate Mary Clancy and NDP party leader Alexa McDonough, are caught in a tight competition in one of the most contested races in the country. Director Meredith Ralston follows the two women around the campaign trail for weeks, getting inside an election that was often described as “nasty.” Both larger than life and hungry to win, in quieter moments Clancy and McDonough reveal the strains and contradictions of their chosen careers. Why Women Run highlights the accomplishments of women in politics and the problems many women face participating in the political process.
A documentary that examines the cultural stereotype of the people of Appalachia and how that has affected America's relationship with its rural communities.
Two decades after the initial exposé of the corporation, this follow-up unveils a world now fully remade in its image and perilously close to fascism.