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The evocative music of Claude Debussy has been described as the foundation of modern music. But how did the composer come to develop his unique style? On this video, maestro Francois-Xavier Roth and the London Symphony Orchestra present the UK premiere of a previously lost work by the young Debussy, alongside some of his earliest inspirations. Debussy's newly discovered Premiére Suite gives a rare insight into the mind of a young composer on the cusp of innovation. It's a work filled with Romantic and Eastern influences and glimpses of the unexpected harmonies that came to define Debussy's work. Paired alongside the composer's role models - from Wagner's powerful intertwining motifs, the abundant Spanish influences in Lalo's rarely-heard Cello Concerto performed here by Edgar Moreau, and Massenet's majestic Le Cid - Francois-Xavier Roth gives a fresh perspective on the much-loved composer.

With this performance of the Missa solemnis Nikolaus Harnoncourt, Honorary Guest Conductor of the Royal Concertgebouw Orchestra, once more attained the status of a living legend, due mostly to his wide-ranging expertise of music from the Baroque and Classical era. The highly acclaimed soloists are Marlis Petersen (Soprano), twice the singer of the year by the renowned Opernwelt magazine, Elisabeth Kulman (Alto), Werner Güra (Tenor), winner of the BBC Music Magazine Award for the best vocal performance, and Gerald Finley (Bass), Grammy-Awardwinner for the best opera recording. They are accompanied by the famous Netherlands Radio Choir.

Like many of John Adams’ operas, Doctor Atomic is based on recent world historical events—here, the effusive Robert Oppenheimer, “father of the atomic bomb,” anxiously awaits the bomb’s first test in Los Alamos, New Mexico. Adams adapted the work into a symphony, comprising its three main acts. In the second half of the program, Adams conducts his 2015 violin concerto, Scheherazade.2, which restages the tale of the One Thousand and One Nights heroine as a strong woman navigating a patriarchial society, incarnated by the solo violin part. The work was composed specifically for Canadian-American virtuoso Leila Josefowicz and co-commissioned by the Royal Concertgebouw Orchestra, who perform it to perfection. The evening then closes out with Tromba Lontana, an orchestral fanfare written to mark the 150th anniversary of Texas’s independence from Mexico in 1836.

Mozart’s Requiem – his final and unfinished masterpiece – is an extraordinary work. Discover the piece at the Salzburg Festival in the hands of conductor Teodor Currentzis, the ensemble musicAeterna, Anna Prohaska (soprano), Katharina Magiera (contralto), Mauro Peter (tenor), and Tareq Nazmi (bass). Few musical works are as steeped in legend as Mozart’s Requiem in D minor, K. 626. Commissioned anonymously by the eccentric count Franz von Walsegg, the funereal oeuvre would become Mozart’s last: when he died on December 5, 1791, only the Requiem aeternam and Kyrie movements were fully composed and orchestrated. Completed by other composers (Mozart’s student Franz Xaver Süssmayer in particular) using Mozart’s sketches and notes, the resulting work weaves the emotions we associate with death into a timeless musical exploration of every human being’s destiny, and constitutes a powerful final testament to its creator’s genius.

In the ancient theater of Delphi, against the backdrop of the ruins of the Temple of Apollo, musicAeterna, conducted by Teodor Currentzis, performs Ludwig van Beethoven’s 7th Symphony, in conjunction with a new choreography by Sasha Waltz and her company.

A documentary that explores the challenges that a life in music can bring.

John Eliot Gardiner goes in search of Bach the man and the musician. The famous portrait of Bach portrays a grumpy 62-year-old man in a wig and formal coat, yet his greatest works were composed 20 years earlier in an almost unrivalled blaze of creativity. We reveal a complex and passionate artist; a warm and convivial family man at the same time a rebellious spirit struggling with the hierarchies of state and church who wrote timeless music that is today known world-wide. Gardiner undertakes a 'Bach Tour' of Germany, and sifts the relatively few clues we have - some newly-found. Most of all, he uses the music to reveal the real Bach.

Milan Zelenka hraje Milana Tesaře

The wait is over! After two long years, Maestro André Rieu is performing again in his hometown of Maastricht! We are proud to present André's brand new summer concert - Happy Days are Here Again!

A doctor with a talent for playing the piano finds artistic inspiration in hospital patients and composes her last melody.

The 1987 Glyndebourne production of Ravel's L'enfant et les sortilèges, designed by Maurice Sendak and directed by Frank Corsaro.

Although he is unanimously credited with having democratised opera, making it accessible to the greatest number, focus is rarely put on the strategy he devised and implemented in order to carry out his actions, nor what his actions reveal of the man and artist, and of the resulting metamorphosis from opera singer to pop artist. Through this angle, this film sets out to pay tribute to the man who summed up his credo, obsession and life’s work, in the following way: “They led the public to believe that classical music belonged to a restricted elite. I was the way to prove to the world that was wrong.

Set against the backdrop of a 1960s jungle seaport in tropical Australia and the rich concert halls of wintry Vienna, talented eighteen year old pianist Paul Crabbe moves to an exotic outpost of far Northern Australia. There, he is forced to study under the only piano teacher his father can find – the eccentric, enigmatic Herr Keller, a Viennese refugee with a shadowed past. Living above a dilapidated hotel in the dripping heat of this seaport, Keller is known to the locals as 'Maestro', a broken, elegant drunkard. But who is he? Does he come from a lineage of great European pianists, or is he a fraud?

The unforgettable performances by Claudio Abbado and the LUCERNE FESTIVAL ORCHESTRA of Mahler’s Symphonies Nos. 1−7 are newly celebrated in a set which showcases their exceptional quality – both audiovisual and musical. Claudio Abbado has set new standards in the interpretation of Gustav Mahler’s works; he and his exclusive ensemble of hand-picked musicians held audiences spellbound in these concerts. REPERTOIRE: Mahler: Symphonies Nos. 1-7; Five lieder based on poems by Friedrich Rückert; Sergei Prokofiev: Piano Concerto No. 3 in C Major, Op. 26

Experience what Zell Music Director Riccardo Muti calls “the work of a divine architect” in this special encore presentation of Beethoven’s Ninth Symphony. Recorded live September 18, 2014, at Orchestra Hall during one of the opening programs of the Chicago Symphony Orchestra’s 2014/15 season, this performance features Muti leading the Orchestra and Chorus and distinguished soloists in one of history’s most powerful and inspiring artistic works. A masterpiece whose staggering influence can be seen across classical music, it concludes with the famous Ode to Joy, which calls for understanding, peace and universal goodwill. The Chicago Symphony Orchestra is grateful to an anonymous donor for generously underwriting the recording of this concert in 2014.

Antony Tudor's 1942 ballet "Pillar of Fire" in a 1973 performance with American Ballet Theater.

Anna Netrebko und Rolando Villazón singen "La Traviata"

Carmen fantázia

J. K. Vaňhal: Koncert G dur pro housle a orchestr

Midori spielt Brahms' Violinkonzert