Outside, the first sun rays break the dawn. Sixteen years old Catarina can't fall asleep. Inconsequently, in the big city adults are moved by desire... Catarina found she is HIV positive. She wants to drag everyone else along.
In 1987, five young men, using brutally honest rhymes and hardcore beats, put their frustration and anger about life in the most dangerous place in America into the most powerful weapon they had: their music. Taking us back to where it all began, Straight Outta Compton tells the true story of how these cultural rebels—armed only with their lyrics, swagger, bravado and raw talent—stood up to the authorities that meant to keep them down and formed the world’s most dangerous group, N.W.A. And as they spoke the truth that no one had before and exposed life in the hood, their voice ignited a social revolution that is still reverberating today.
Julian is a short film about a girl named Anna who is struggling with moving on from an abusive relationship. She enters in a therapy program where she does therapeutic exercises to confront the past and move forward.
The director offers a rare glimpse of the actor and fashion muse Chloë Sevigny in the late 90s when she as an emerging ingénue. Shot on 16mm black and white, Sevigny plays air guitar and dress-up in a film that beautifully captures the spirit of the time.
Porcupine evokes the fragmented tale of a young man who breaks into an empty hospital to set up his online broadcast of poses and provocations; his audience includes real-life participants with anonymous tags like ‘bigballnz’ and ‘romeoazteca’.
Welcome to the front lines of AIDS activism, where the latest enemy raids are being run by a band of unlikely warriors: two drag queens, an HIV-positive man with tiny gemstones dotting his bald head, and his HIV-positive sister.
A solitary man struggles to cultivate beauty in a desolate urban world. Lonely and dislocated, he drifts in and out of a dream state envisioning the promise of regeneration. ROSEWATER tells a story of hope sustained through perseverance, ritual and, ultimately, revelation.
Free-spirited university student Rafaela’s carefree life is shaken when she falls pregnant. Desperate to get an abortion in a country where doing so could land her in jail and unable to fund one illegally, her situation shakes her world. But thankfully, she doesn’t face it alone by virtue of her best friend and sidekick, Gabriela. In her directorial debut, Hyland skilfully captures the incongruity of the inseparable duo’s lives as they move between their fuzzy pink apartment and the rough and raw backstreets of Santiago.
Luisa from Argentina and Fred from Germany are confronted with their social roles at their wedding. The German tradition of kidnapping the bride shakes the couple’s equality. There is no room for love in this role-play of marriage.
On a laid-back summer day, a young woman spends some time with her casual partner. Irmak Akgur directs "Limerence," a slice-of-life portrait that flows in uninhibited vignettes. Minimally plotted but tonally sharp, Akgur's film captures a couple of free spirits in their element - spending the day preening, dancing in the sun, making love. Built with convincing intimacy and naturalism, it culminates in a moment of carnal revelation.
On a desolate farm, a couple's prayers are answered after a visitor offers them a sinister deal. Blinded by their joy, they struggle to realize that what they once desired may lead to their own unraveling.
Matys is an outsider who moved from Ukraine to Czechia with his sister in search of a better life. It turns out the situation there is not ideal either. A glimpse of hope comes when Matys manages to get a job in a cottage located in the heart of a splendid forest.
Three separate short stories by Jan Drda from the collection The Dumb Barricade: The Dynamite Watchman, Hatred and Traces.
A college student heads to the forest to exchange an item for a special item he desires. But once he arrives, the deal changes which leads to violence.
Playing hooky from school, Tony, a student/chorister at the Cathedral of St. John the Divine, spends the afternoon at Central Park's Sailboat lake and retrieves a remote control device left behind by a pair of sailboat racers. Back in the schoolyard, Tony pretends that he has a car to go with the remote control. When another boy tries to take the control from him, it falls on the ground and a red remote-control sports car miraculously appears. The car "dances" to rap music and even brings Tony a can of soda. One day, a sinister-looking man with a briefcase steals the car and flees into the subway. Tony and his classmates pursue the thief to the Wall Street area and ask to inspect the briefcases of passing businessmen. Eluding the students, the crook hails a taxi and hurls the briefcase from the window. Next morning, Tony hears the sound of a sports car during a church service. Returning to its rightful owner, the magical car mysteriously reappears at the end of the processional.
A man and a woman in Lagos want to escape their everyday lives, but extricating themselves is no easy task. Two stories narrated with tenderness and restraint that only fleetingly touch, the dream of migrating to Europe floating above them all the while.
Three different scenarios, intercut, all using the same words but with very different meanings. A corrupt cop is more interested in the money on the criminals he catches than justice; a young woman discovers she's pregnant, and her boyfriend is unfeeling; and a young man calls a prostitute it's the first time for both, and neither can go through with it. Ultimately, all the stories come together.
One of a four-film series on the AIDS epidemic in India, this film examines the virus as Indian society's great class leveler, following its transmission through interweaving stories that link urban and rural India.
A painter gets infected by AIDS, and finds himself at disease clinic in Belgrade. He shared the hospital room with an ex-musician, junkie who tries to discontinue treatment and returns home to his wife. The painter believes in recovery through his paintings, believing that they have supernatural powers. In their room, the medics bring a boy suspected to be infected with the AIDS virus. Meanwhile, the musician's wife leaves him. Having desire for revenge, high on drugs and labile, he rapes nurse. The painter's health deteriorates and he dies. Shortly afterwards, the musician commits suicide. Only the boy remains in the room - a child of uncertain fate and in possession of dozens of "totemic paintings".
In a home for struggling girls, young Milo is transitioning gender with the support of care worker Nicki. One day, through the thin walls of the institution, Milo hears something they wish they hadn’t. They push the emergency button.