Impression

Les Mots gelés

The monotony of college life traps Murphey into disillusionment and apathy. She can't feel anything and can't figure out why until a phone call with her mother reminds her that there is life beyond school and that happiness is possible even when it has never felt further away.

Tivadar Csontváry Kosztka the one-ideaed Hungarian painter was thought to be crazy by his peers, but he eventually became a significant artist.

Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.

A solitary nurse bonds with a badly burned patient who survived an accident on an oil rig.

An orphan named Innocence leaves her county home after her foster-father dies. She travels to the city and makes a living as a novelist. Subsequently, she has an affair with a painter named Amadis de Jocelyn, who later dumps her.

After a wonderful time in Hungary Sissi falls extremely ill and must retreat to a Mediterranean climate to rest. The young empress’ mother takes her from Austria to recover in Madeira.

An intimate study of two women friends who come to each other because of troubles with everyday life and with men and thus try to enjoy a life based on their ideas.

Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.

The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.

A deadpan young man obsessed with death meets an eccentric septuagenarian who teaches him to live life to the fullest.

The family of a wealthy businessman gather to celebrate his 60th birthday. During the course of the party, his eldest son presents a speech that reveals a devastating secret that turns the night into a battle of truth and denial.

A woman and her daughter struggle to make their way through the aftermath of the Balkan war.

A distraught squatter tries to cope with his werewolf nature through drugs and music.

Andrew returns to his hometown for his mother’s funeral, a journey that reconnects him with old friends. The trip coincides with his decision to stop taking his powerful antidepressants. A chance meeting with Sam—a girl also struggling with various maladies—opens up the possibility of rekindling emotional connections, confronting his psychologist father, and perhaps beginning a new life.

An alcoholic ex-football player drinks his days away, having failed to come to terms with his sexuality and his real feelings for his football buddy who died after an ambiguous accident. His wife is crucified by her desperation to make him desire her: but he resists the affections of his wife. His reunion with his father—who is dying of cancer—jogs a host of memories and revelations for both father and son.

Piotr manages to buy a splendid though dilapidated villa from the eccentric 80-year-old painter Mimi. The woman treats him like her long-lost only son whereas Piotr tries to send her away to old people's home.

Michaela, an epileptic, enrolls in college to study education. She goes off her medication and soon begins hearing voices and seeing apparitions that tell her to avoid religious objects, although she is devoutly Roman Catholic. One priest scoffs at the idea that Michaela could be possessed by demons, but a younger pastor arranges an exorcism for the young woman.

The story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.

Marta (Lucie Patikova) was blinded in an accident brought on by her careless and indulgent younger sister. Now in a school for the blind, Marta keeps up her hope that she will one day see again, mainly because her mother - out of good intentions - has led her to believe that the blindness is only temporary. Before long, Marta comes to realize that her condition will last until she dies, and she begins to despair, hating her mother for giving her false hope. Only a dedicated psychologist, Dr. Mos (Oldrich Navratil) seems to have the means of retrieving Marta from her depression.