Tomorrow will be the same

Emme, a 12-years-old girl, is surviving alone in a post-apocalyptic world, where plants and animals have gone through a monstruous mutation. She's starting to mutate herself and is desperate for a cure.

THE QUEST OF MISUNDERSTANDING AND THE PATH OF ACCIDENTAL REVENGE. One man sets on a journey to survive the outcomes of an apocalyptic world but turns into a grand adventure.

Composer Nico Muhly unveils his second new opera for the Met with this gripping reimagining of Winston Graham’s novel, set in the 1950s, about a beautiful, mysterious young woman who assumes multiple identities. Director Michael Mayer and his creative team have devised a fast-moving, cinematic world for this exhilarating story of denial and deceit, which also inspired a film by Alfred Hitchcock. Mezzo-soprano Isabel Leonard sings the enigmatic Marnie, and baritone Christopher Maltman is the man who pursues her—with disastrous results. Robert Spano conducts.

900 years after a nuclear war in the USA, mankind is back to the stone ages. Amazon women rule the tribes, while the men are weak and dumb - either kept as slaves or living wild as animals. Only Korvis and a friend are intelligent enough to flee and found a tribe of their own. Will they manage to teach the women to love men again?

Four fallen robot gladiators are rescued from the scrap pile, turned into an elite group of mercenaries and sent on a mission to bring about a new age of enlightenment in a post-apocalyptic universe.

It's post-apocalyptic future. The group of boys does not realize that one of them is not quite a person... he's the "Mowgli Project". It is also unknown whether Mowgli himself knows about this.

Deluge is a 2010 post-apocalyptic short film directed by Australian musician Lulu Collard.

A visual documentary of Einstürzende Neubauten, the German underground band, by Japanese cult director Sogo Ishii, made during their 1985 tour of Japan. The band makes an elaborate and remarkably choreographed appearance in the ruins of an old ironworks which was scheduled for demolition; footage of same was incorporated into the movie and a brief appearance on stage.

a Desert spirit who sees the past of human memories on each path in the desert.

Reich: Three Tales

The Opening of the Wells with music by the Czech composer, Bohuslav Martinu was supposed to be part of Laterna Magika II.: Tour programme in 1960. However, it was banned by the communist committee tasked with judging the performance from “a politically correct” point of view. The committee claimed that Radok’s manners and morals were behind the times, and that the director did not show the ultra-modern techniques of Czechoslovakian agriculture. The premiere was postponed and Radok was fired from the Laterna Magika Theatre. His young colleagues (including Milos Forman) were officially asked to finish the rehearsals without the controversial part, and to make other minor changes in other scenes (these changes were made). Alfred Radok considered this to an unforgivable betrayal, as he expected them to leave the theatre to support him.

AGONY

One comes to Earth after a few decades in space. But what if there is no Earth anymore? What if the only thing left of all the cities and countries are smouldering remains and radiating dust in the air?

After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.

After a catastrophe destroys most of humanity, recluse Del lives in his small, empty town, content with the utopia he has methodically created for himself, until an interloper, young Grace, disrupts his solitude.

A heist film with unusual circumstances set in post-apocalyptic Los Angeles.

Alone in the woods, a young man is pursued by a horrifying specter and by visions of his deceased sisters. A meditation on the precarious uncertainty of the American Dream and the role that uncontrollable forces play in our lives, The West is a Land of Infinite Beginnings is inspired by a harrowing scene from the opera Proving Up, by composer Missy Mazzoli and librettist Royce Vavrek.

Knots and Fields examines the aesthetic debates and tensions that have animated the Darmstadt courses over six decades, exploring their relevance today in an increasingly globalised environment.

Like many of John Adams’ operas, Doctor Atomic is based on recent world historical events—here, the effusive Robert Oppenheimer, “father of the atomic bomb,” anxiously awaits the bomb’s first test in Los Alamos, New Mexico. Adams adapted the work into a symphony, comprising its three main acts. In the second half of the program, Adams conducts his 2015 violin concerto, Scheherazade.2, which restages the tale of the One Thousand and One Nights heroine as a strong woman navigating a patriarchial society, incarnated by the solo violin part. The work was composed specifically for Canadian-American virtuoso Leila Josefowicz and co-commissioned by the Royal Concertgebouw Orchestra, who perform it to perfection. The evening then closes out with Tromba Lontana, an orchestral fanfare written to mark the 150th anniversary of Texas’s independence from Mexico in 1836.

In a post-apocalyptic world, a young man, driven by greed and risking his survival, crosses paths with the force of nature, which administers justice in its own way.