Séfar, A City of Mysteries

In 1950, the explorer Roger Frison-Roche made a crossing of more than a thousand kilometers on the back of a camel with the photographer Georges Tairraz II, in the heart of the Sahara, from Hoggar then Djanet in Algeria to Ghat in Libya. From their journey they brought back a large number of color films and documents. Among thousands of photos, they selected 47 images which reflect the various aspects of these immense spaces which occupy a third of Africa in the book "The Great Desert". “The Great Desert, 1000 kilometers on camelback” is the eponymous 85-minute documentary of this epic, released in 1950.

Comitiva Esperança

Révélations Monumentales: Pétra, la rose du désert

In the 18th century, the Barbary threat became serious. In July 1785, two American boats were returned to Algiers; In the winter of 1793, eleven American ships, their crews in chains, were in the hands of the dey of Algiers. To ensure the freedom of movement of its commercial fleet, the United States was obliged to conclude treaties with the main Barbary states, paying considerable sums of money as a guarantee of non-aggression. With Morocco, treaty of 1786, 30,000 dollars; Tripoli, November 4, 1796, $56,000; Tunis, August 1797, 107,000 dollars. But the most expensive and the most humiliating was with the dey of Algiers, on September 5, 1795, “treaty of peace and friendship” which cost nearly a million dollars (including 525,000 in ransom for freed American slaves). , with an obligation to pay 20,000 dollars upon the arrival of each new consul and 17,000 dollars in annual gifts to senior Algerian officials...

"Film shot on the 'bench' from hundreds of photos, buildings, streets, towns unusually colorful for a North Mediterranean eye. The editing was composed on a score because the shots are generally very short, up to two images, and they do not follow each other "cut" or crossed but in "racket". The progression of shots varies from faintly colored recognizable to strongly colored unrecognizable. The soundtrack is composed of Arabic music that gradually turns into free-jazz. » Mannheim Festival, 1973

At the dawn of the Christian era, Petra, capital of the rich kingdom of the Nabataeans, bordering the deserts of Arabia, Syria and the Negev, was absorbed by the Roman Empire and, after being sacked by the Bedouins, disappeared from the memory of mankind; but its secrets are gradually being revealed thanks to an enormous excavation work.

Up to one million gladiators are thought to have died in arenas across the Roman Empire. And, although fascination with gladiators has been high, the details of their lives and deaths remain fragmentary. Now, with the discovery of an ancient Roman burial site containing 80 skeletons thought to be gladiator warriors, National Geographic recreates the world of the Roman arena and how six gladiators lived, fought and died.

Le vrai visage des Vikings

It's the most extraordinary feat of engineering in history, and one of the most iconic man-made structures on the planet - the Great Wall of China, stretching thousands of miles across barren deserts and treacherous mountains before finally plunging into the sea. But why did the Chinese go to such staggering lengths to build it, and what are the secrets that have enabled it to survive for over 2,000 years? Now, ground breaking science is re-writing its complex history and de-coding its mysteries to reveal that there is much more to the Great Wall than just bricks and mortar. Cutting edge chemistry reveals that the secret to the Great Wall's remarkable strength is a simple ingredient found in every kitchen, and a new survey also determines that its length is truly amazing, as we finally solve the enigma at the heart of the world's greatest mega-structure.

In the heart of a metropolitan city of 15 million people and among the construction of a new billion-dollar transportation network, an archaeological sensation has been discovered: the ancient harbour of Theodosious, lost from the history books for over 1000 years.

In northern Peru, the unprecedented archaeological discovery of the largest known mass child sacrifice in the world opens the doors to the kingdom of Chimor. This international archaeological investigation carried out like a criminal investigation reveals the mysteries of the last civilization of the Andes before the arrival of the Incas.

Si Mohand u M'hand, l'insoumis

In 1960, nine-year-old Bachir dreamed of becoming the son of a martyr because he had heard that the children of martyrs would obtain everything after independence. He sets up a whole plan to get rid of a certain François, enemy of his country, while his father, Saddek, abandoned him with his mother and brothers. Through this fiction, the film looks at the life and visions of little Algerians during the War of National Liberation. Karim Traïdia looks back on his own childhood during the Algerian war (1945-1962). On a humorous note, it tells the adventures of a young child and his innocent friends against the backdrop of a raging merciless war.

The Director Mohammed Soudani comes back to Algeria after 30 years with the photographer Michael von Graffenried to visit the Algerians he had photographed between 1991 and 2000 without them knowing it.

In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.

"Shaman" was filmed on July the 16th, 1977 in the northernmost corner of Eurasia, on the Taymyr Peninsula, at the Avam river, concurrently with the shooting of the documentary "The Winds of the Milky Way". The Nganasan Shaman Demnime (1913-1980) was 64 years old at the time. The documentary about Demnime's incarnation ritual was completed 20 years later. The fifth and final documentary in Lennart Meri's "Encyclopaedia Cinematographica Gentium Fenno - Uricarum" series.

At once a vast expanse of mesmerizing desolation and the crucible of human history, the Sahara Desert has been both the battlefield of empires and the haunted wilderness at the margins of the known world for thousands of years. Shot on location, this exhilarating documentary brings to life the Sahara’s cruel history and the conflicts that still plague its people. THE SAHARA recounts the story of kings who once led caravans of 30,000 people across the desert, bearing riches beyond imagination. It tells of Roman death squads that exterminated the citizens of the Empire’s most bitter rival and how the Foreign Legion crafted a legend out of last stands and lost causes. From the fabled metropolis of Timbuktu to the shores of Tripoli, THE SAHARA is an illuminating exploration of this unforgiving and remote land of myth and mirage.

Frantz Fanon alone embodies all the issues of French colonial history. Martinican resistance fighter, he enlisted, like millions of colonial soldiers, in the Free Army out of loyalty to France and the idea of freedom that it embodies for him. A writer, he participated in the bubbling life of Saint-Germain with Césaire, Senghor and Sartre, debating tirelessly on the destiny of colonized peoples. As a doctor, he revolutionized the practice of psychiatry, seeking in the relations of domination of colonial societies the foundations of the pathologies of his patients in Blida. Activist, he brings together through his action and his history of him, the anger of peoples crushed by centuries of colonial oppression. But beyond this exceptional journey which makes sensitive the permanence of French colonialism in the Lesser Antilles at the gates of the Algerian desert, he leaves an incomparable body of work which has made him today one of the most studied French authors across the Atlantic.

Cheikh Djemaï looks back on the genesis of Gillo Pontecorvo’s feature film, The Battle of Algiers (1965). Through archive images, extracts from the film and interviews with personalities, the filmmaker retraces the journey of a major work - from the events of the Algiers Casbah (1956-1957) to the presentation of the Lion of 'Or causing the anger of the French delegation in Venice - which left its mark as much in the history of cinema as in that of Algeria.

The image of French prisoners was very often evoked in Algerian cinema and literature, but until today, no Algerian or even European report or documentary had given voice to one of these French prisoners of the war of Algeria. In the interest of truth and writing history, we set out in search of one of these French witnesses. This witness is René Rouby, prisoner of Amirouche's group for more than 114 days in 1958 in the Akfadou region in Kabylia. This is the first testimony from a French prisoner of the ALN (the National Liberation Army).