Amazon Sound

Pa Que lo Baile Como Quiera

ABBA Silver, ABBA Gold takes Abba from the Swedish heats of the 1974 Eurovision Song Contest, where their song 'Waterloo' swept all before it, right up to today's new CGI performances.

In the heart of Durango, the Low Biker community has forged a unique bond through a shared love for cumbias and custom bicycles, uniting neighborhoods across the city in a vibrant, collective passion. Amid the joy of their culture, they face the harsh realities of discrimination and prejudice, navigating daily challenges from a society that struggles to accept their way of life.

The Amazon rain forest, 1979. The crew of Fitzcarraldo (1982), a film directed by German director Werner Herzog, soon finds itself with problems related to casting, tribal struggles and accidents, among many other setbacks; but nothing compared to dragging a huge steamboat up a mountain, while Herzog embraces the path of a certain madness to make his vision come true.

Don Emilio is a humble, 63-year-old man who lives in the Amazon rainforest, seven miles from the city of Iquitos, Peru. For all of his adult life he has worked as a curandero and vegetalista, a traditional healer. He estimates that in his career he has treated more than 2,500 clients. Through the camera lens of anthropologist Luis Eduardo Luna, Don Emilio tells us about his practice, his beliefs, his community, and his life. He shows us how he prepares ayahuasca and other herbal medicines. Finally, we see Don Emilio treat a man who has come to him for help, and hear from a poor woman who has brought her infant son for medical care.

This documentary examines ayahuasca shamanism near Iquitos (a metropolis in the Peruvian Amazon), and the tourism it has attracted. The filmmakers talk with two ayahuasqueros, Percy Garcia and Ron Wheelock, as well as ayuahuasca tourists and local people connected with the ayahuasca industry.

A documentary short about a town floating on a river in Iquitos, Peru.

Cumbia Sinfonica is a volume with the Symphony Orchestra of Mexico City and duets of pop and rock vocalists, which has expanded its audience among the younger generations, which include even children of all social classes.

Fitzcarraldo is a dreamer who plans to build an opera house in Iquitos, in the Peruvian Amazon, so, in order to finance his project, he embarks on an epic adventure to collect rubber, a very profitable product, in a remote and unexplored region of the rainforest.

Members of a municipal band, Stanley and Oliver seem to be always following someone else's lead, rather than that of the temperamental conductor.

With his unique gift of communicating with the dead, a cumbia-loving embalmer sets out on a road trip with a corpse, in search of the the deceased hidden money.

A brave country girl's colorful rise to fame as a cumbia singer in Paraguay.

The story revolves around Evaristo who¸ accompanied by his drum¸ dreams of becoming a great figure and imposing his music on the whole world. Evaristo composes cumbias and more cumbias on his ranch and then in jail¸ where adverse situations take him. Meanwhile his delusions begin to come true¸ and without knowing it¸ his name and rhythm become famous.

Kumbia Kings: Concierto en Monterrey

Cumbias Pa' Gozar: La Cortina, Mi Cucu, Capullo y Sorullo and much more... Difosatv presents LA ORQUESTA DE ANY VELASQUEZ in a live concert, performing cumbias that made the Sonora Dinamita famous.

Difosatv presents in a live concert with LA SONORA DE MAY VELASQUEZ, performing the hits that made La Sonora Dinamita famous. A mix of pure Colombian Cumbia live! A Mover La Colita, Se Me Perdió La Cadenita, Mete y Saca, La Bamba...

La Yegros

In Monterrey, Mexico, a young street gang spends their days dancing to slowed-down cumbia and attending parties. After a mix-up with a local cartel, their leader is forced to migrate to the U.S. but quickly longs to return home.

Don’t be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)–M Dixon Causey’s follow-up to the eponymous first entry–has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you’d find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s. The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form. Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a ‘researcher’ for a film that clearly had none, and a ‘visual archivist’ being listed in place of a cameraman.

Brings together the existential ponderings of the people around us who most deserve to be listened to, those who have lived the longest. We travel the world hearing memories of love and loss, of joy and hardship.