Accio Love

A Naive man from the Lolliland leaves a generous tip, but the currency is not to the restaurant's standards.

A 2022 animation comedy that focuses on the daily life of Shocker members.

A man is sent back and forth and in and out of time in an experiment that attempts to unravel the fate and the solution to the problems of a post-apocalyptic world during the aftermath of WW3. The experiment results in him getting caught up in a perpetual reminiscence of past events that are recreated on an airport’s viewing pier.

A moralist and surrealist fable in which a group of aristocrats have sole access to a private beach in the midst of Paris, where they enact strange games and stylized gestures.

A young girl struggles with depression and finds comfort in her ghost friend Aubergine.

The short film for Kelsea Ballerini's Grammy nominated album Rolling Up the Welcome Mat.

Alex returns to his village with Jordi, after a while, in order to celebrate San Juan night. However, due to a summer storm, they have to shelter in an old abandoned house where both played when they were children. In there, some conflicts of the past will turn up.

Coming back during Winter, Alex Powell explores both the places and personal connections found in his hometown and how they've changed. “Guide to a Midwest Hometown” explores what makes the barren places at home feel sentimental and special, and the good and bad feelings that come when being back home. Inspired by "How To With John Wilson".

By the pool, Toby faces the fear of talking to the beautiful Tina.

The Extraordinary Child applies his developing style to broad slapstick. His friends from the previous films and the director himself play out a riotous farce about an overgrown baby who steals his father’s cigars. Everyone mugs hilariously. The movie could be taken as another example of the Romantic notion of the artist as a monstrous child or misfit, or a parody of the same rather than the personal confessional statement seen so often in these film movements.

Sylvester Cat accepts a position as mouse-catcher on a ship, and his son, Junior, accompanies him. They encounter baby kangaroo Hippety Hopper being shipped from Australia and, as usual, mistake Hippety for a giant mouse.

It's the middle ages (sort of); Popeye is working in Bluto's Beanery. Bluto is going to the ball where Princess Olive will choose her mate. Popeye's fairy godpappy appears and it's a reverse Cinderella story, with a car created from a can of spinach.

Joshua, a 20-something years old unemployed artist who's getting evicted, meets up with Gabriele, a boy who's new to the city and is apartment hunting. The two form a bond as Gabriele decides to move in after Joshua moves out, but expectations and unreadiness get in the way of a sparking romance.

A risk averse insurance actuary's life is turned upside down when his pleasure seeking mirror image id switches places with him in order to show him how to live.

Barney Bear sets out to capture the world's smallest horse.

A young man meets a young woman under a bridge by a railroad. They shelter from the rain and exchange a kiss. The man grows sullen and leaves. The film starts with him and ends with her. It’s a straightforward anecdote told in traditional ways, the likes of which he’d forsake forever; that is, it uses actors, a soundtrack with music and post-dubbed sound effects, a photographer who frames everything professionally and a coherent edited narrative.

Popeye's snoring is keeping his resident mouse awake. The mouse fights back.

Bugs is provoked by a pack of foxhounds and their hunters stampeding over his hole, so he gets out his Halloween costume from last year (a fox suit) and sets out to lead the dogs on a merry chase. The stupidest of the dogs, whose objective is to cut a fox's tail off, becomes his main victim; Bugs tricks him into chasing a train instead. He eventually tricks the dog pack into running off a cliff, but the stupid dog ends up with Bugs' tail.

It only happens once, two people meeting and forming a very intimate connection, only in their mind.

On a laid-back summer day, a young woman spends some time with her casual partner. Irmak Akgur directs "Limerence," a slice-of-life portrait that flows in uninhibited vignettes. Minimally plotted but tonally sharp, Akgur's film captures a couple of free spirits in their element - spending the day preening, dancing in the sun, making love. Built with convincing intimacy and naturalism, it culminates in a moment of carnal revelation.