Terenci: la fabulación infinita

Documentary about the history of the bateyes, informal settlements surrounding the mills to house workers. Throughout the film, Sara Gómez recovers the political and cultural relevance of black migrants.

Sur les Gratte-Ciel de New York

This video work was made while Rist was still an art student at the School of Design in Basel, Switzerland. It was produced in an unlimited edition and is intended to be shown on a domestic-style monitor, although it may also be displayed as a projection with special permission from the artist. The video depicts the artist, an attractive young woman dancing manically around the room while repeatedly singing ‘I’m not the girl who misses much’. The phrase is an adaptation of the first line of the Beatles song ‘Happiness is a Warm Gun'. Referring to her childhood Rist has said, ‘In my village in Switzerland I had a small window on the art world through the mass media; through John Lennon/Yoko Ono I moved from pop music to contemporary art. In return, I will always be grateful to popular culture’ (quoted in ‘I rist, you rist, she rists, he rists, we rist, you rist, they rist, tourist: Hans Ulrich Obrist in Conversation with Pipilotti Rist’, Pipilotti Rist, p.16).

Based on the real life story, the director turned his camera towards the real world of Âşık Veysel, the great poet who wandered around the Anatolian villages.

The film traces the life of Çakırcalı Mehmet Efe, a Zeybek (active as an outlaw in the region enclosing İzmir, Aydın, Denizli, Muğla and Antalya in modern western Turkey, from 1893 to 1910) whose father, Çakırcalı Koca Ahmet Efe was murdered by an Ottoman sergeant.

Greek painter Domenikos Theotokopoulos (Mel Ferrer) woos a beauty (Rosanna Schiaffino) and faces the Inquisition in 16th-century Spain.

A 17th-century nun becomes entangled in a forbidden lesbian affair with a novice. But it is Benedetta's shocking religious visions that threaten to shake the Church to its core.

A look at the work, life and eventual death of singer-songwriter Chris Whitley, whose many albums (on both major and indy labels) received universally good reviews, earning him a fan base among top tier musicians and journalists; though never bringing sustained mainstream success.

One of the rooms inside the legendary Barba Azul Cabaret has become a shelter for the girls working there: the women's bathroom. Every night La Mami, who's in charge of the bathrooms, offers them the warmth and the advice they need to take on the challenge they face in the dance hall.

This film follows scientist Henry Bates as he explores the Amazon for proof of natural selection.

In 1429, a French teenager stood before her King with a message she claimed came from God; that she would defeat the world's greatest army and liberate her country from its political and religious turmoil. As she reclaims God's diminished kingdom, this courageous young woman has various amazing victories until her violent and untimely death.

Rafael - the minister of sports of an unrecognized country, and Natasha - a Russian opera singer, try living together in Abkhazia - a war-torn future-less country. Observing their difficult relations, we see life in a place marked by war and nationalism. The film portrays trapped people dreaming of peace, normality and happiness.

A documentary on the experiences of the Nubetya Yaptiks nomadic family in the Yamal Peninsula, Eastern Siberia, from 1992 to 2001.

Explore the life of Flannery O’Connor whose provocative fiction was unlike anything published before. Featuring never-before-seen archival footage, newly discovered journals, and interviews with Mary Karr, Tommy Lee Jones, Hilton Als, and more.

At 25, Berthe dreams of making a living from her painting, never to marry, and to always stay with her sister Edma. Her parents do not see things from the same angle. Then Berthe meets Edouard Manet, who takes an interest in this young artist apprentice whose face inspires him.

Inceste, le dire et l'entendre

September 23, 2022 marks the 52nd anniversary of the death of Bourvil (1917-1970). Radio, sketches, boulevard theater, operetta, cinema, songs whimsical or tender, Bourvil is present in all areas of popular culture. Carried by the voice of Valérie Lemercier, this portrait of the artist allows us to rediscover his most beautiful songs, from Les Crayons to La Tendresse, and the highlights of his filmography, from the cult scenes of La Traversée de Paris, Le Corniaud and La Grande Vadrouille to Le Cercle rouge. We also rediscover the richness of his career as a singer and actor, with some little known nuggets. The testimony of Bourvil's two sons, unpublished family films and numerous archives tell the story of the all too brief life of this endearing man.

Forty four years ago, it seemed like a good idea to build a squat, concrete motel in downtown Columbia, Missouri. But within a few years, guests were calling for a do-over. Now, with the downtrodden building’s fate sealed, the Rabid Hands artist collective arrives on the scene as hospice workers, assisting in the passing of the building’s soul. What ensues is a New Orleans-style voodoo celebration of a previously unsung piece of architecture.

In 1972, officer Frank Serpico exposes the corruption which poisons the roots of the NYPD and becomes famous in 1973 when director Sidney Lumet tells his story in the classic film “Serpico,” starring Al Pacino.

In 1957, Ghana was the first African country to become independent of its colonial rulers, in this case the British. Kwame Nkrumah, the first president of what in 1960 became the Republic of Ghana, called on Africans from all over the world to come to Ghana to help build the new nation. The most important aim was to "undo the damage caused by the slave trade" as filmmaker Shirikiana Aina expressed it in her documentary Footprints of Pan Africanism. Several people speak in Aina’s film about the reconstruction of Ghana and Nkrumah, who was deposed in 1966, offering room for their frequently gripping personal stories. These are often marked by racism, the emerging civil rights movement and what it’s like to be black and live elsewhere. For many, returning to Africa was like going home.