Mushaira

Saanjh marks the debut of Producer and Director, Ajay K Saklani, who, through this movie attempts to bring to the fore the lesser known Himachali language and tries to revive the almost forgotten Tankri Script. Saanjh is the first feature film to have been made and released in the Western Himalayan/ Pahari language. The serenity of village life amidst the Himalayas reaches the peak of sublimity as the visual tour is accompanied by some of the most melodious songs rendered by Mohit Chauhan and Pavithra Chari which strike the heart strings of even those who are unfamiliar with the Pahari dialect. The movie provides a perfect audio-visual setting for a beautiful confluence of the emotional journeys of a daughter, a mother and an orphaned boy as the sun sets on their lives and dusk sets in. Saanjh was the first film in Himachali dialect to be released in cinema halls across India.

Googly, a carefree young woman and her lover, Shorya, take a romantic trip to Dharamshala. At the airport they are received by their tour-guide, Ranga, who appears to be somewhat disturbed upon hearing Googly’s name. An incomprehensible sadness betrays Ranga’s cool demeanor. Googly is awestruck by the beauty of sunset amidst the snow-capped mountains and is inspired to go hiking. Shorya, though initially reluctant, finally yields. They set out on their trek and the appalling beauty of the mountains overwhelms them. In a moment of romantic fervour, Shorya slips and falls off the cliff and gets stuck on a crest at the edge of a steep fall. Hereafter, the movie follows Googly and Ranga on their individual rescue missions-- Googly’s to save Shorya and Ranga’s to find Googly. And amidst all this, flitting on and off the screen, is a ghastly figure in the cave whom Shorya dismisses as a figment of his own imagination

Cabir believes he killed a man while fleeing the police in the Turkish-Greek-Bulgarian border area. His feelings of guilt pursue him like a ghost. But is his victim actually the husband of Aliyes, the woman Cabir takes in, hiding, protecting him? Atmospherically dense, Turkish love drama about a refugee from Syria.

Sweetheart

Hunting memories and shooting.

A lawyer-turned-preacher living in a small Appalachian town is pursued by an eccentric man to represent him in court. Now involved in a case that ties into his own small-town life, the former attorney agrees to help a man.

A young couple falling in love after an unexpected and short rendezvous. But their fate takes a sharp turn with the sudden intervention of a third person.

A famous pianist at the twilight of his career meets a free-spirited music critic who soon becomes his rock as his mental state deteriorates.

Hari is in love with Mythili, who belongs to a rich and aristocratic family on who Hari's family depends. The lovers, however, are determined to let nothing come between them.

An ambitious, young filmmaker must battle his mother's mental illness and his worst fears to save her from herself and reclaim his life.

17-year- old Lena falls in love with Eva, her older brother's new girlfriend. With a lot of witty dialogue "Between Summer and Fall" tells the story of how two people slowly grow close to each other even though they were not looking for love. The film paints a picture of two young women caught between their own insecurity and their desire for a connection and a place in the world.

Schlagbaum

Jahreswechsel - Zeitenwechsel

Es geht einer vor die Hunde

From the French Period

Risiko

Schwarz auf weiß

A gang of diamond smugglers led by a wily chief is assets by Babu, his niece Malathy meets the CID officer Shankar and hands over a packet at an Airport lounge to be handed over to her uncle. and her elder sister Radha meets the pal Seetharaman and falls in love with him. The two Pairs go through severed adventure and expose the villains.

Estatus

The already complex connections of a group of artists living in İstanbul’s Cihangir district are becoming bizarre because of a camcorder entering their lives. A narcissistic director in which all the women are in love, two roommates connected by cable, a theater scene that can turn into a morgue concurrently, a nurse who resurrects the dead people, and a drug dealer who has no arms, sometimes the right, sometimes the left, sometimes both arms; these are protagonists of the experimental narrative that Onur Ünlü plays with time and space.