Autobahn-Kopf

An experimental and short compilation of rhythmic documents about the devolving state of entertainment and reactionaries in it's entirety. From the parodic controls between the obscure artifacts of media-consumed culture, to the real world consequences of how film discussion shapes the political and mental state in a society.

"We are powerfully imprisoned by the terms in which we have been conducted to think.” - R. Buckminster Fuller

A police detective falls in love with the woman whose murder he's investigating.

A poor couple, Maung Htun (Htun Wai) and A Shwe (Myat Mon) received free first-class tickets to a film from a rich couple, Thaw Ta (Thaw Ta Swe) and Ma Nwet (May Nwet). To be able to present themselves well at first-class standards, they cost more than the usual ticket. A satirical comedy about people's hypocrisy and arrogance.

A film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.

A group of people traveling on a stagecoach find their journey complicated by the threat of Geronimo, and learn something about each other in the process.

A rich woman and a calculating insurance agent plot to kill her unsuspecting husband after he signs a double indemnity policy. Against a backdrop of distinctly Californian settings, the partners in crime plan the perfect murder to collect the insurance, which pays double if the death is accidental.

An ongoing work, David Gatten's Secret History cycle "probes the relationship between printed words and images, philosophical ideas, historical records, and biography." Currently, parts I-V have been released: Secret history of the Dividing Line, The Great Art of Knowing, Moxon's Mechanick Exercises or the Doctrine of Handy-works applied to the Art of Printing, The Enjoyment of Reading (Lost and Found) and What Places of Heaven, What Planets Directed, How Long the Effects? or, the General Accidents of the World.

When a car bomb explodes on the American side of the U.S./Mexico border, Mexican drug enforcement agent Miguel Vargas begins his investigation, along with American police captain Hank Quinlan. When Vargas begins to suspect that Quinlan and his shady partner, Menzies, are planting evidence to frame an innocent man, his investigations into their possible corruption quickly put himself and his new bride, Susie, in jeopardy.

Singapore Sling is chasing after Laura, a romantic memory from his past. One night he finds himself in a mysterious villa, watching two women bury a body. He falls into their trap and, in an atmosphere of isolation and decadence, the trio act out insane pleasure games and a ritual of blood and murder.

Japan is thrown into a panic after several ships are sunk near Odo Island. An expedition to the island led by Dr. Yemani soon discover something far more devastating than imagined in the form of a 50 meter tall monster whom the natives call Gojira. Now the monster begins a rampage that threatens to destroy not only Japan, but the rest of the world as well.

Two fishing scout pilots make a horrifying discovery when they encounter a second Godzilla alongside a new monster named Anguirus. Without the weapon that killed the original, authorities attempt to lure Godzilla away from the mainland. But Anguirus soon arrives and the two monsters make their way towards Osaka as Japan braces for tragedy.

Erkki Kurenniemi was arguably one of the first artists to propose or fantasise about a complete cultural surrender to cyber existence, and his entire career, covering such diverse fields as artificial intelligence, music, engineering, film, dance or rhetorics, testifies to this desire to escape the limits of the human body and transgress into a different dimension, bordering on techno-fetishism. In his 1964 short Electronics in the World of Tomorrow, Kurenniemi presents a slideshow of the most aseptic signs of technological imagination: diagrams, chips, machines, cold surfaces. But footage of human warmth also comes up - mostly in black and white, as if to give humans the status of a memory. Originally silent, the film was in this version endowed with a electronic music piece by Kurenneimi himself: a cold, aggressive soundtrack that could be said to present technology as a potentially menacing affair, although this is a reading that the director would certainly refute.

A last tour throughout a day through the signs and the memory of a house. A sensory and poetic exploration that reflects an intimate and nostalgic look at the places we inhabit and the way they contain us.

The corner of a street is matched and mixed with the chant of a bird recorded on that same street. A symbiotic relationship is triggered: the rapid and successively repetitive montage cuts between the image of the street and the corners of the video frame itself produce new textures and shapes in our brain, whilst the sound follows the same rhythmic movements by emphasizing different “corners” (frequencies) from the bird’s singing. The energetic potency stemming from the junction of these elements creates a new image that is almost tactitle, maleable and rippling. The result is a somewhat humorous operation of the portuguese word "corner" throughout the different stages of making the piece, finally unveiling a piercing physical and kinetic experience for all the corners of our eyes and ears.

A beautiful temptress re-kindles an old romance while trying to escape her past during a tension-packed train journey.

It's the hope that sustains the spirit of every GI: the dream of the day when he will finally return home. For three WWII veterans, the day has arrived. But for each man, the dream is about to become a nightmare.

The love story of an abused English girl and a Chinese Buddhist in a time when London was a brutal and harsh place to live.

David Huxley is waiting to get a bone he needs for his museum collection. Through a series of strange circumstances, he meets Susan Vance, and the duo have a series of misadventures which include a leopard called Baby.

In this sound-era silent film, a tramp falls in love with a beautiful blind flower seller.