Algerian Refugees

After having fled Pol Pot, Rithy Panh, a 15 year old Cambodian finds refuge at the Mairut camp in Thailand, in 1979. Ten years later, now a filmmaker, he returns to the camps to film the daily life of this threatened people. The peoples he meets, eaten away by inactivity, insecutity and the fear of being forgotten, have been waiting for a possible return to Cambodia.

Algérie, Les Deux Soldats

In the furnace of Algiers, the camera follows and accompanies Ibrahim, Adam, and Ismael, originally from sub-Saharan Africa, in an irregular situation who live in this hotel with the predestined name. They live from odd jobs. One is an elevator operator in a building, the second is a shoemaker and the third works in the construction sector. The other side of immigration from sub-Saharan Africa. Behind the statistics hide people, bodies waiting to be able to start another life elsewhere. A hotel thus becomes a transit point in which stories and hopes mingle, a place which seems suspended in time and space. A static journey waiting for another to begin.

Life for refugees and migrants stuck at Calais: Filmed amidst the camps, the beaches, the sea and the sky, impressions of the lived experiences of these people wavering between despair and hope.

12-year-old Dyab is a Kurdish Yazidi boy living at Arbat refugee camp, after the horrendous attacks by the Islamic States on their villages at Shingal Mountains (Sinjar). However, Dyab’s dream is, to become a filmmaker and actor and tell the stories and sufferings of his people to the outside world.

The fate of thousands of people is unified under the tarpaulins of the refugee camps in Kobanê and in Shingal. Kurdish filmmaker Bahman Ghobadi has given eight children the opportunity to use a camera to tell their own stories. Each film gives us a glimpse into the plight of the children, as seen through their own eyes. Their stories tell of young people with their whole lives ahead of them, though they’ve already lost almost everything. At a certain point, the film crew leaves the camp and follows the 13-year-old Mahmod and his sister in the search for his parent‘s house in Kobanê. The town has been ravaged by the war and all the children find is rubble. The eight films reveal the courage and openness of the young filmmakers, who share their stories with great intensity, realism and poetry, despite their harsh fate.

Draussen bleiben

The Ta'ang or Palaung people, an ethnic minority living in the mountainous area between Myanmar's Kokang region and China's Yunnan province, have historically suffered many forced migrations due to war. When their survival is threatened again in 2015, thousands of them flee across the border. Filmmaker Wang Bing accompanies them and becomes a privileged witness to a human story that is both a modern reportage and a mythical epic.

In the 18th century, the Barbary threat became serious. In July 1785 two American ships were brought back to Algiers; in the winter of 1793, eleven American ships, their crews chained, were in the hands of the Dey of Algiers. To ensure the freedom of movement of their merchant fleet, the U.S.A was forced to conclude treaties with the main Barbary states, paying considerable sums of money as a guarantee of non-aggression. With Morocco, treaty of 1786, 30,000 dollars; Tripoli, November 4, 1796, $56,000; Tunis, August 1797, $107,000. But the most expensive and the most humiliating was with the dey of Algiers, on September 5, 1795, "peace and friendship treaty" which cost nearly a million dollars (including 525,000 ransom for freed American slaves) , with the obligation to pay 20,000 dollars on the arrival of each new consul and 17,000 dollars in annual gifts to senior Algerian officials...

Séfar (in Arabic: سيفار) is an ancient city in the heart of the Tassili n'Ajjer mountain range in Algeria, more than 2,400 km south of Algiers and very close to the Libyan border. Séfar is the largest troglodyte city in the world, with several thousand fossilized houses. Very few travelers go there given its geographical remoteness and especially because of the difficulties of access to the site. The site is full of several paintings, some of which date back more than 12,000 years, mostly depicting animals and scenes of hunting or daily life which testify that this hostile place has not always been an inhabited desert. Local superstition suggests that the site is inhabited by djins, no doubt in connection with the strange paintings found on the site.

Alberto Spadolini, filmmaker and choreographer, dances to traditional Andalusian music. He pays tribute to the gypsy culture.

Claire Denis goes to Eastern Chad to the Breidjing camp, the home of 40,000 refugees from Darfur. With great humility, she tells the stories of these men and women, victims of one of the worst humanitarian catastrophes that this century has seen so far.

A small Algerian town, off the beaten track of the war that is tearing the country apart. At the heart of the crisis that is destroying it, two young men, without work, without leisure activities, without hope, without anything... The film follows them in their daily wanderings between endless boredom and the expectation of the improbable. And shows their humour, their friendship, their will to live regardless.

This 17-minute documentary is featured on the 3-Disc Criterion Collection DVD of The Battle of Algiers (1966), released in 2004. An in-depth look at the Battle of Algiers through the eyes of five established and accomplished filmmakers; Spike Lee, Steven Soderbergh, Oliver Stone, Julian Schnabel and Mira Nair. They discuss how the shots, cinematography, set design, sound and editing directly influenced their own work and how the film's sequences look incredibly realistic, despite the claim that everything in the film was staged .

Close to 80,000 Syrian refugees live in the Zaatari Refugee Camp in Jordan, the second-largest such camp in the world. Fifty-eight percent of its inhabitants are children. After Spring immerses us in the rhythms of the camp, the role of the aid workers, and the daily lives of two families as they contemplate an uncertain future.

Nabila Djahnine, president of the feminist association Thirghri N'tmetout, died in hands of an armed group in Tizi Ouzou (Algeria) in 1995. The Islamists forced women, on pain of death, to wear the hijab or stop working. It was the first time a feminist woman paid with her life. Nabila wrote a letter to her sister Habiba in 1994. This documentary is her answer. In 2006 Habiba comes back to the place to restore her sister’s memory, her point of view, the day of her death and the political moment Algeria was going through at that time.

Filmed during a media workshop for Syrian girls in Jordan's Za'atari Refugee Camp, 17-year-old Khaldiya meditates on how the camp has opened up new horizons and given her a sense of courage that she lacked in Syria.

"Film shot on the 'bench' from hundreds of photos, buildings, streets, towns unusually colorful for a North Mediterranean eye. The editing was composed on a score because the shots are generally very short, up to two images, and they do not follow each other "cut" or crossed but in "racket". The progression of shots varies from faintly colored recognizable to strongly colored unrecognizable. The soundtrack is composed of Arabic music that gradually turns into free-jazz. » Mannheim Festival, 1973

Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.

A group of refractory and pacifist Bretons is sent to Algeria. These beings confronted with the horrors of war gradually become killing machines. One of them did not accept it and deserted, taking with him an FLN prisoner who was to be executed the next day. International Critics Prize at the 1972 Cannes Film Festival. Copy restored in 2012