gifting the crybaby.

A US soldier suffers a traumatic brain injury while fighting in Afghanistan and struggles to adjust to life back home in New Orleans. When she meets local mechanic James, the pair begin to forge an unexpected bond.

In what could be considered a follow up to Al Qasimi’s 2020 work Mother of Fire, she once again invokes the figure of the jinn (spirits in Islamic mythology) to explore the ghosts of British imperialism in the UAE. As its spectre lingers on the horizon, two teenage girls seek to liberate a pirate damned to spend purgatory on a site now being developed into a hotel. Originally commissioned for Sharjah Biennial 15: Thinking Historically in the Present, Al Qasimi entangles historical narratives with contemporary notions of piracy. In examining how it has been historically and culturally represented, new perspectives of old mythographies come into focus. (Myriam Mouflih)

I accidentally dropped my camera while trying to take a picture of a man sleeping on the street in Okinawa. The exposed image reminds me of the island called Okinawa and my home.

In a not so distant future artificial intelligence speaks to suffocating humanity. On the last journey, humanity is escorted by surreal entities, through twists and turns that led to humanity’s last breath.

A suicidal teen develops a candid rapport with the student from Shanghai assigned to watch her in hospital. A nightly exchange of secrets, text messages and possessions quickly expands the boundaries of their relationship and alters their inner chemistry.

A woman meditates on her life in an 80-minute unbroken zoom shot.

15-year old Sam Trottier decides to make a film after he finds a box of his mom's videotapes hidden in their attic from the summer of 2006. The tapes show Sam's mom Casey documenting herself working on one last project before saying goodbye to her childhood home - the same summer her new neighbors moved in.

Now you can have your very own Wiggles concert at home! Murray, Greg, Jeff, and Anthony join with their friends Dorothy the Dinosaur, Wags the Dog, Henry the Octopus and Captain Feathersword in the fun packed show that has made The Wiggles Australia's most successful children's entertainers.

Produced using a VHS VCR and a digital camcorder, Vide-Uhhh! is an experimental piece, showcasing the VCR recording itself as Jesse England takes it apart, messes with key components and even attempts to break it.

After a breakup, a sleepless young man begins closing the countless tabs open on his computer until only one memory remains.

ĀTMAN is a visual tour-de-force based on the idea of the subject at the centre of the circle created by camera positions (480 such positions). Shooting frame-by-frame the filmmaker set up an increasingly rapid circular motion. ĀTMAN is an early Buddhist deity often connected with destruction; the Japanese aspect is stressed by the devil mask of Hangan, from the Noh, and by using both Noh music and the general principle of acceleration often associated with Noh drama.

"In an effort to explore the flexibility of Telidon, Canada's videotex system, Pierre Moretti, animation artist from the National Film Board, used, in the graphic mode, the geometric figures which form the basis for Telidon's picture description instructions. Thus he created this short animated film."

Two girls fantasize about making a declaration to the world. Youth is overrated. Depression, cynicism, rebellion. Poetic, and beautiful. How caricatured. Like how everything sounds better in French, even if it’s merely Google Translated. So we are here, to destroy the camouflage. Back to our reckless but satisfied souls and bodies. Ephwaipi, a homophone of ‘FYP’ (Final Year Project) is the debut short of Kitty Yeung and Candice Ng. The film, which also acted as their graduate thesis film, is the manifesto of two teenage girls about gender, romance and labour exploitation. Together, they seek to declare freedom from their teachers, lovers, bosses, and the most notorious villain of all — social norms.

An experimental piece displaying the acts of common addictions.

A dream lament for a drowned world. Filmed in London, Zurich, San Francisco, Berkeley and Napa. Music by Grouper.

EVERY LIGHT

After almost being hit by a car, a young man's provocative gesture quickly escalates into a life or death chase into the woods. A figure appears who sends the night spiraling into nightmarish insanity.

Dark, fast-paced symmetry in mixed weave of tones moving from oranges & yellows to blue-greens, then retreating (dissolves of zooming away) to both rounded and soft-edged shapes shot with black. Preserved by the Academy Film Archive in 2013.

In the lead up to the 1956 Olympic games, a group of missionaries are tasked with helping the fledgling Australian basketball team compete in their first ever Olympics, and in doing so, unite a nation still coming to grips after the war.

"If it Won’t Hold Water, it Surely Won’t Hold a Goat" is an intimate meditation on the subversive nature of goats and their effect on the people who spend time with them. Centered on the story of the legendary Goat Man - a nomadic figure who spent most of his life walking the roads of Georgia with a wagon pulled by a herd of goats - this experimental documentary weaves together an interview with a goat farmer, footage of the daily rituals Johnson enacted with her own herd, and a poem about the Goat Man’s experimental and spectacular life.