While heading towards her own wedding, Kirara Imai dies in a car accident. Deeply frustrated for being unable to accomplish her dreams beside Konpei Asai, she asks for the opportunity of being with him once again. Kirara is able to return, but she goes back eight years in time as a ghost. There she is able to meet Konpei and herself when they still weren't a couple.
When Mo's alcoholic stepfather sends him on a simple errand across the city, he's forced to drag along his estranged and insufferably religious old friend, Abdullah. And what should have taken a day quickly turns into the longest, most theologically exhausting, yet enlightening set of days of both their lives.
H is on a trip to scenic Lofoten with his boyfriend. Affected by an event the night before leads him to alienation and transformation. ‘Det likner en kropp’ is a genre-bending, intimate and evocative short about living on the inside and outside of flesh.
Cleo is a film student going through a crisis. All her friends have already started working on their own projects, yet she finds herself unable to take the first step. It is not until she meets someone at a party that she hears exactly what she needs to hear.
Du bout des doigts
British sad sack Gary is a failed entrepreneur who has just arrived in Beijing's stylish Sanlitun district, allegedly to start a business. There are other reasons why he has uprooted himself — he's followed his ex-wife and young son, for one — but he soon finds out that China isn't the easiest place to succeed. Blissfully untouched by self-awareness, and only fitfully in tune with reality, Gary sallies forth to make money, armed with faith in himself and little to no knowledge of Chinese culture. He soon hooks up with Frank, a trust-fund kid from Australia who offers to mentor Gary in Eastern ways, although Frank's pedagogical method is restricted to yelling at Gary for being a Westerner and not being as "Chinese" as him.
Junior high school student Yuna lives with her father Toshiharu. Her mother Akemi moved to Naha when her older sister entered high school, and Yuna is worried about her father's life after she leaves.
A bunch of friends are making a movie in an attempt to win the shortest film competition. But when people have to go to work, things get challenging. Can they finish the movie in time for the deadline?
After years apart, Sam returns to the province to visit his ailing grandmother, hoping to reconnect with her before it's too late.
Two young brothers are left alone in a car while their dad paddleboards out at sea. When a mischievous local boy climbs into the backseat, an ordinary beach day takes a dangerous turn.
Olivia, a passionate photographer, is observed by her analog camera—Iris—who begins to question whether she is merely a bridge between an artist and her art... or something more.
Summary of the first season of the show, as seen from Rikka's perspective with new elements.
Sophie reflects on the shared joy and private melancholy of a holiday she took with her father twenty years earlier. Memories fill the gaps between camcorder footages as she tries to reconcile the father she knew with the troubled man she didn't.
Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.
A lonely Omaha, Nebraska security guard named Marcus dreams of establishing some human connection, when he isn't watching cable porn in his apartment and obsessing over his weight.
20 zomers
Through the labyrinth of his own collapsing, grief stricken mind, a man must find peace by looking deeper into the mirror than he thought possible.
A formerly successful Montreal musician trudges through the darkest days of winter, armed with a backpack full of weed and a repertoire of Alanis Morissette covers. Dogged by her ex-band mate’s new hit song, Jaine mourns the loss of her career, her band and her self respect. In the heart of the city’s independent music scene, the snow covered Plateau, Jaine encounters both allies and obstacles, including her best friend-slash-roommate Mari, her married ex-lover-slash- manager David, and her charming new customer-slash-potential love interest, Darren. When a glittering opportunity in the Emerald City of Toronto threatens to lure her into a shiny new life, Jaine struggles to sever old ties. Her ex wants her to move on, her mom wants her to move to Toronto, her best friend wants things to stay the same forever, and her clients just want weed, but Jaine has other plans.
A thoughtful and meditative coming of age film that follows a meandering young adult. He, while on a call with a friend, realizes that it is the end of summer. Over the last few days of summer he struggles to face the nothingness of his future.
Yeon-yi and Sun-jae are divorced and now just work together on writing a script. One day, Yeon-yi’s alumni and their spouse move in next door and their relationship takes a new turn. A warm story about the positivity of people.