Procol Harum: Live at the Union Chapel is a record of the final performance of the band's 2003 world tour, taped on December 12 before a small London crowd. The venue was an inspired choice. As a performance space, the Gothic church is at once both intimate and grand, a perfect mirror for the band's odd but cogent mix of bar-band boogie and classically tinged prog rock. The 21-song concert includes eight selections from The Well's on Fire, Procol Harum's 2003 studio album. Most of the newer songs are strong (particularly "The Question" and "An Old English Dream"), and the band, having honed its arrangements to a T, does an exceptional job of blending its recent music with its older material. Singer-pianist Gary Brooker and organist Matthew Fisher, both original members, lead the way through time-honored favorites like "Homburg," "Conquistador," and their immortal 1967 hit "A Whiter Shade of Pale."
An exclusive film of Billy in concert in June 2013 performing his critically acclaimed "Tooth & Nail" album and other classic songs, at the stunning Union Chapel in London.
Heather Nova performs live in London's intimate, atmospheric Union Chapel in September 2003. Includes songs from her studio album "Storm."
Recorded at the Union Chapel in London, this concert from 2000 features Marc Almond in an intimate, and unique, setting. Working his way through a variety of cover versions and original material, Amongst the covers are Lou Reed's "Caroline Says," Scott Walker's "Jacky," and Jacques Brel's "The Devil (Okay)."
A Feature Length Documentary, covering the Aquarian Nation Concert at the Union Chapel. For those who could not make the concert Aquarian Nation brings the concert to you.
Muse performed for Reading and Leeds Festivals 2011 as headliners.
A horror film disguised as a music video for American band 16, 'Sadlands' tells a story of two kids held captive by their mother's substance abuse.
Deep in the poorest neighbourhood of Havana, you will find Rumba Morena; a band of nine drummers and singers performing with astounding passion and fervour. Whilst it is not unusual to hear Rumba drifting from back alleys in Havana, Rumba Morena is different - they are all women. Cuban Rumba is traditionally played by men only, and Rumba Morena breaks the mould. Uproar explores the complex intersection of religion, music and gender dynamics of Rumba Morena – and the roots influencing the male resistance to it.The film aims to peer under the skin of the complex intersection of religion, music and gender dynamics affecting the circumstances around Rumba Morena and explore the roots influencing the male resistance to Rumba Morena’s music.
Tom is a grossly engineered man who is getting a bit old now. Despite his age, he wants to learn to play the piano. However, his music teacher Tina is search desperate for his talent. And so Tom has to find his own language and access to music.
DG presents John Williams in Vienna, the live recordings of the Hollywood legend's Vienna Philharmonic 2020 debut. Saying it's "one of the greatest honors of my life," he received a standing ovation before a single note was played. Sharing the stage with the famous orchestra and violinist Anne-Sophie Mutter, he performs iconic themes from Star Wars, Harry Potter, Indiana Jones, Jurassic Park and other cinematic landmarks that have earned countless awards: 5 Oscars, 5 Emmys, 25 Grammys & more.
ECDL - Las ventas
A short film created for Spanish TV touching on the subject of Catalonia's struggle for independence, interspersed with symbolic images.
Mecano - Mecano en Concierto
Mecano - Tour 91-92
Russian musical performers, and with them familiar movie characters, began to speak and sing in a romantic language in the style of the French pop of the 60s and 70s.
Luiz Gonzaga - Danado de Bom
When record store owner and compulsive list-compiler Rob Gordon gets dumped by his long-time girlfriend, Laura, because he hasn't changed since they met, he revisits his top five breakups of all time in order to figure out what went wrong. As he examines his failed attempts at romance and happiness, the process finds him being dragged, kicking and screaming, into adulthood.
Live at the Royal Albert Hall finds Culture Club celebrating their 20th anniversary with an infectious and expansive grandeur, all while basking in the love of adoring fans. The show actually starts with a great joke on the audience: Boy George, looking not a day over 20, glides onstage in his once-trademark derby and beaded hair extensions, delivering a warm and welcome vocal on "Do You Really Want to Hurt Me?" The startled crowd soon realises he's an impersonator. The real, fortysomething George O'Dowd, looking a lot less androgynous and a tad thicker than in his New Romantic days, smiles self-deprecatingly and launches into a pleasing set of white soul ("Cold Shoulder", "Miss Me Blind"), stark gospel ("That's the Way"), stirring raga-rock ("Bow Down Mister") and even a classic (a lovely cover of Bowie's "Starman", complete with audience participation and muscular guitar by Roy Hay). It's a fine show all around.
The Abercrombie, Erskine, Mintzer, Patitucci Band - Live In New York City
During World War II, the Canadian Navy gathered a troupe of diverse performers (dancers, comedians, singers, musicians) from its ranks and sent them off to entertain their shipmates, and the show/revue ultimately played London's Hioopodrome. The acceptance was based more on wartime-London's appreciation of the gallantry of Britain's sons and daughters from over the seas than it was on the artistic value of the show or the talent of the performers. The film is a fictional/fact mixture of the adventures of the troupe members, and the ending, only part filmed in Technicolor, is primarily the Revue as seen at the Hippodrome.