Expostulations

Terry O'Farrell pulls off several rescues in the course of the plot, whose locale is a steel mill, and Ann McGreagor uses her common sense to expose the villain's trickery and save the day for her sweetheart.

Unscrupulous politician Mark Stetson frames Mr. & Mrs. Brandon and their friend Antoinette for a smuggling racket he runs. Upon their release they swear vengeance and after Stetson once again tries to incriminate them, this time in a plot against a rival politician, justice is theirs.

When burlesque dancer Elois Murree gives birth to her daughter Yvette, she sends to a fashionable boarding school away from the stage environment and her drunken husband. Yvette visits infrequently but during one sojourn Murree slashes Elois' left eye in an argument forcing Elois, now veiled, to perform billed as the Masked Queen. Yvette becomes attracted to her friend’s brother, Rex, she avoids him after she learns that he wants his prospective bride to come from a good family. Yvette becomes a burlesque queen, but a distraught Elois tries to kill her to save her soul and then commits suicide, leaving the bloodied knife in the hands of her drunken husband, who then is arrested. Later, Yvette finds happiness with Rex.

Geological expert John Leighton naïvely introduces his flirtatious wife Emily to his boss, W. G. Griggs. Griggs sends John to the Graypeak district to prospect for quarries and is soon involved in an affair with Emily. While in the mountains, John rescues Enid Arden from an attack and she falls in love with him. Returning home John discovers the affair and leaves Emily. Emily and Griggs go to Europe to avoid a scandal and while there start divorce proceedings. But Griggs’ philandering ultimately costs him his life and Emily tracks John to Graypeak. Although she tries to win John back a fateful train ride clears the way for John and Enid to face a happy future together.

A young woman with a shady past goes to the tropics, where she winds up marrying a vicious and brutal pearl trader, then falls in love with another man.

Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter's attractive friend.

A two-part feature directed separately by Shimizu and his colleague Keisuke Toyoshima. Unrelated to each other, both have a common goal: to bring ghosts and aliens together in pure, referential and absurdistic delirium, including neo-Nazi specters, zombie yakuzas and nasty aliens.

A refined criminal keeps his life secret from his daughter. When he gets trouble from the police after shooting one of his underworld associates, he enlists in the US Army and goes to fight in France during World War I. While in France, he serves alongside a young man who is in love with his daughter.

In France during the reign of Louis XVI American naval officer Francis Burnham escapes from a British convict ship. He flees to Paris to see Benjamin Franklin only to find him away. At loose ends he becomes indebted to the Marquis de Tremignon who under threat of imprisonment involves him in an intrigue to compromise the Countess De Villars to force her into marriage. While unwillingly purloining one of her slippers the lady catches him, and they realize he had saved her at one time from highwaymen. After many contretemps, the Marquis is disgraced, and the Countess and Burnham are united.

Wealthy Anne Wilmot vacationing along with her aunt Katherine at her fiancé Leon Morse's (Hull) Arizona mountain lodge discovers his plot to destroy a nearby hydroelectric engineering project in order to obtain the land for his railway. She thwarts the sabotage but find herself in a life and death struggle.

Besse Belwin works as a stenographer for district attorney John Mobley. It doesn't take long for Mobley to fall in love with his cute little employee and he proposes. Besse doesn't reveal that her father has a criminal past which he has since renounced.

Injustice and the demands of the world can cause stress for many people. Some of them, however, explode. This includes a waitress serving a grouchy loan shark, an altercation between two motorists, an ill-fated wedding reception, and a wealthy businessman who tries to buy his family out of trouble.

Chrissey Desselden is the ward of John Warburton and has promised to marry him though she is drawn to the roguish Robert Neyland. When Robert’s caddish behavior becomes too flagrant, she marries John despite still feeling a pull towards the bad boy. Conflicted, she asks her husband for time to sort out her feelings but when she discovers Neyland’s plot to destroy John’s fortune for spite she spurns him and settles into a happy marriage.

The wife of an abusive criminal finds solace in the arms of a kind regular guest in her husband's restaurant.

Italian immigrant kidnaps a wealthy British woman, and they fall in love.

Canadian Mountie Philip Curtis is telling Josephine McCloud, with whom he is in love, about a hermit who once saved his life and nursed him back to health. Josephine remains impassive until Philip tells her the hermit's name: Peter God. At the mention of his name, Josephine begs Philip to find Peter and take him a letter she had written to him. Puzzled but not wanting to deny anything to the woman he loves, he sets out to find Peter, but when he does he discovers that Josephine has a connection to Peter that Philip knew nothing about.

Based on Henrik Ibsen's play.

A successful artist and a struggling one both love the same woman; she chooses the poor one but as the years roll on and other choices she makes and her husband’s misunderstanding lead to a near breaking point for the couple.

Like the twining vines of the honeysuckle, each of the three stories in this film follow a character whose growth is impeded by the clouds of society hanging over their heads. From a Hungarian taxi driver torn between the preservation of his family and the unexpected humane responsibility found in the clandestine activities he does for profit, to the Hungarian teenager of a single mother whose idea of life goals and success seems perpetually defined by the missing figure of a role model, and finally to the young Indian Carnatic singer who amidst personal and national turmoil decides to sacrifice the one thing that defines her - her talent, Honeysuckle aims not to narrate or condescendingly offer a message, as much as it seeks to illustrate the many life directions available, and the way none of them are good, in a world severely lacking a moral center.

A compendium of three short science-fiction films, each with a decidedly feminist slant.