Afterimages

In the adaptation of a poem by Taras Shevchenko in the last third of XVIII a small fraction of 300 Cossacks who were enslaving their own people for Turkey and were executed by other Zaporizhian Sich Cossacks are reanimated as living dead at one cold night.

A little boy troubled by a paper bird - Quote : "I am alone in my gondola, I am trapped in the sky, My name's Nathan, I don't like the real"

Musicians inspired by the Moon. Since the Apollo landings, the Moon has entered popular consciousness like never before. A journey through pop music's lunar obsession.

An animated poem about the fleeting nature of happiness.

Pourvu qu'ils me laissent le temps

Poems by some of the greatest writers of all time are brought to life through lyrical animation and readings by some of today’s most respected performers.

On the planet Gandahar where peace reigns and poverty is unknown, this utopian lifestyle is upset by reports of people at the outlying frontiers being turned to stone. Sylvain is sent to investigate this mysterious threat.

A young shepherdess and a chimneysweep plan to get married and escape the clutches of a tyrannical king in love with her, assisted by the guile of a cheeky mockingbird, the king's archenemy.

This animated short is a visual representation of Goethe's poem, The ErlKing that uses sand-on-glass animation set to the music of Franz Schubert. The moving images, resembling woodcuts, capture the haunting, nightmarish quality of the tale of the ErlKing who steals and kills a little boy.

Through meticulous cut-up, collaging and stop motion, Nico Vassilakis makes words dance across the screen, moving our eyes in all different directions. This video poem is dynamic and colourful, and brings into question what happens when we 'see' a word - where do we distinguish between the image a word forms in our minds, and the image it forms on a page or screen?

The experimental animated film Song of the Flies (El Canto de las Moscas), translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945–2003) and the audiovisual dialogue between 9 Colombian women. In 24 places, as a transit over the course of a day (Morning, Day, Night) a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analogue materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.

In a lush and lively forest lives a hedgehog. He is at once admired, respected and envied by the other animals. However, Hedgehog’s unwavering devotion to his home annoys and mystifies a quartet of insatiable beasts: a cunning fox, an angry wolf, a gluttonous bear and a muddy boar. Together, the haughty brutes march off towards Hedgehog’s home to see just what is so precious about this “castle, shiny and huge.” What they find amazes them and sparks a tense and prickly standoff.

A visual interpretation of the poem "the girl / the scream" by Mahmud Darwish.

Voir le soleil se lever dans la lune

La vita nuova

Un spectacle interrompu

Pour ne pas oublier l'invisible

A short animation based on the poem "Onion" by Wislawa Szymborska.

Six poems written by six young prisoners animated to tell their stories, thoughts, fears and hopes.

An animated telling of Kobe Bryant's titular poem, signaling his retirement from the sport that made his name.