Vincent Lannoo’s ‘mockumentary’ shows us a community of vampires in Belgium. The two ‘parents’ of the family are George and Bertha, who have two teenage children – or rather, they raise two former humans who they turned into vampires. Son Samson is a bit of a jack the lad: enjoying the sexual freedom of vampire life, with all the vigour of an irresponsible young adult regardless of consequences (even incest is not frowned upon in their world, where the word ‘wife’ is often synonymous with ‘mother’ or ‘sister’). Daughter Grace yearns for humanity in a different way: applying fake tan to get rid of her vampiric pallor, dressing in pink clothes, wishing she could feel emotion and even having a human boyfriend.
Tomás and Marco are two friends who embark on a journey to find Tomas' father, they travel in the roads of Jalisco and Colima guided by an old photograph, on the way they meet a mysterious boy and their trip becomes an adventure.
A young woman, Eliza, returns to her hometown for summer break, and must confront a fragment of her past.
Franco, an elderly man, lives his life in serenity together with his wife Margherita. The arrival of his brother Vittorio, with whom he hasn’t talked in years, breaks the calm. Vittorio wants to reconcile, but Franco still bears a grudge against him. Only a sad discovery manages to touch Franco’s heart. At dinner, peace has been made. The rediscovered brotherhood is so wonderful, it seems like a dream. It takes nothing though to turn a dream into a nightmare..
Rajalakshmi leads a lonely life. She adopts Solomon, who has lost his parents in a car accident. Solomon tries to help Rajalakshmi solve several problems that come her way.
A former arm-wrestling champion raised in the U.S. returns to South Korea for a tournament that could return him to glory, but he finds his life complicated by the appearance of the biological family he never knew.
Glória manages to get a divorce and moves away, taking her daughters and the desire to start over. As she tries to turn the new house into a home and her body into a place of belonging, she faces, on the factory floor, a delicate competition for a supervisor position between colleagues and her best friend. Courage takes shape as anguish seeps into the flesh.
A mother of a boy with muscular dystrophy is diagnosed with uterine cancer. A daughter of a prima donna decides to chase her dreams, to the ire of her mother. A woman with breast cancer asks her son to find her first love.
Egor Polushkin (Stanislav Lyubshin) is a kind-hearted, nature loving, artistic family man who is living in a small village. To his neighbors and even his wife (Nina Ruslanova) he is a walking disaster, so they frown at him and call him Bedonosec (engl. misfortune bearer). Only Egors son (Viktor Anisimov) shares his enthusiasm for the beautiful things of live. As Egor becomes the new forest ranger, this new position brings him not only joy, but it is also the source of great suffering to come, as his fondness for the living nature and especially the newly acquired white swans is in conflict with the interests of others...
In the quiet stillness of a dying summer, Soren cares for his sister as a terminal illness slowly destroys her body from within. Love and mercy begin to intertwine with something far darker.
When Jay and Annie first got together, their romantic connection was intense – but ten years and two kids later, the flame of their love needs a spark. To kick things up a notch, they decide – why not? – to make a video of themselves trying out every position in The Joy of Sex in one marathon three-hour session. It seems like a great idea – until they discover that their most private video is no longer private. With their reputations on the line, they know they’re just one click away from being laid bare to the world... but as their race to reclaim their video leads to a night they'll never forget, they'll find that their video will expose even more than they bargained for.
In Attock, after losing his pet pigeon, a young boy finds an unexpected moment of peace beneath the open sky.
Rift
Young man comes home to get ready to take over the family company, only to find that his father has been corrupted by power. In addition, he falls for the daughter of one of his father's poverty-stricken workers.
Ida is cleaning out the house that her grandfather, an artist, used to live in. She wades through a studio overflowing with artefacts, oddities and lost history. Similarly to S P A C E S, Štrbová treats the theme of memory and loss, combining fiction and documentary, letting the images of nostalgic childhood and the suffocating past flow associatively. To the sound of Francesco Geminiani's Concerto grosso no. 12, subtitled Madness, the fragile physicality of both dead and living relics stands out. The head of a dead parrot, a cast of her grandmother's breasts or a moss-covered real estate agent represent the discoveries of a personal archaeological site and exhibits of an introspective museum of family history.
A lost dog tries to find his way back to his beloved master in the final film of the Rusty series.
In this Palme d'Or nominated minimalist drama, a seemingly calm family morning falls apart revealing hidden tensions.
Abadan lam nakon atfalan
The Horváth family is a Romani family with seven children, and the story begins with the tragic death of the father. His wife, Vera, is suddenly in a fight with the authorities, determined to keep her large family together at all costs, but she is hopelessly ill-prepared for the task. They are evicted from their home and her case-Vera versus the city-finds its way to a young, ambitious lawyer. She doesn't know the world of the Romani, nor is she particularly interested in it. Initially she takes the case as a springboard for her career. Despite her prejudices, incomprehension and sometimes Vera herself, she doesn't abandon the case. Luckily she is not the only one who sides with the family. There is a social worker whose attempts to help the Horváths are also motivated by his entirely private interest in the attractive lawyer.
After losing his job at a publishing firm, Immanuel, joins a private insurance company, where he struggles to meet targets. Soon he is exposed to the ruthless inner workings of his new company, which follows various unethical practices and denies several of his clients' claims on flimsy grounds.