Goldorak Go ! Le Documentaire

Big Wave is a documentary directed by Walt Mulconery and published on May 25, 1984 that presents the types of outdoor and risky sports present on the west coast of the United States such as paragliding, surfing, skydiving, bmx or the BASE jumping together with others, going from Hawaii to Texas through California to present them.

The story of how the Satanic Panic of the 1980s was ignited by "Michelle Remembers", a memoir by psychiatrist and his patient. The book relied on recovered-memory therapy to uncover Michelle's abduction by baby-stealing Satanists.

Five stories about dignity in the capital of Peru. A local leader looking for someone to leave the post of her complex work, a tourist guide who is a patron of the architectural heritage and Creole music, an ex-delinquent rescued by the Evangelical Church, a teenage dancer of Afro-Peruvian music forced to emigrate and a muralist of Bellas Artes son of Andean migrants, they try to get ahead in Barrios Altos, the most feared – but also most beloved – historic neighborhood of Lima.

The Fall tells the remarkable story of a South African barefoot runner, an American track-and-field prodigy, and the events behind one of the most memorable moments in sporting history – the 1984 LA Olympics. The film charts two journeys, from rural South Africa under apartheid and the rolling hills of Southern California, to the starting line of the women’s 3,000 metres. It uncovers a tale of betrayal and exploitation, of the blurred lines between politics, media and sport, and of the dedication and sacrifice required to compete at the highest level. It’s a story that split governments and divided nations, but at its heart is a tale of two young women who, despite the turmoil in their lives, just wanted to run.

Johnny Knoxville, Steve-O and Chris Pontius join the annual race around Europe, have fun in other countries, and get in some trouble along the way.

Wet’suwet’en leaders unite in a battle against the Canadian government, corporations, and militarized law enforcement to safeguard their territory from gas and oil pipelines.

Tjipto Setiyono, 85, is a rickshaw painter. Despite being past his prime, he lives alone in a 3-by-3 meter square boarding room, in which Tjipto’s brush strokes give birth to his paintings.

A Tainha e a Onda

From time immemorial, the people of the island used to leave the clothes of their dead to the sea, so that the mother of the sea could turn them into imaginary people. The ignorant Musa finds the gold-embroidered pieces of southern women's trousers among the clothes thrown by the sea on the shore, and with the colorful soils of the island, creates paintings that are his gateway to the fantasy world.

Since the beginning of her career, Sinéad O’Connor has used her powerful voice to challenge the narratives she was surrounded by while growing up in predominantly Roman Catholic Ireland. Despite her agency, depth and perspective, O’Connor’s unflinching refusal to conform means that she has often been patronized and unfairly dismissed as an attention-seeking pop star.

A short city symphony evocation of present day Mexico City five hundred years after the invasion of the Spanish and the fall of the Aztec city of Tenochtitlan.

Markus Becker is hit by a car, dragged along, his head bashed on a curb and he falls into a coma. The doctors don’t believe that the 45-year-old will survive the next five to ten days. His father makes preparations for the funeral. Markus’ brother Michael refuses to accept this fate and begins an extraordinary battle. In his brother’s apartment he seals Markus’ clothes to preserve the smell. He records the neighbors’ voices. Every day, Michael exposes his brother to things that are familiar and films everything that is part of Markus’ life with a DV camera. He wants to keep him in his world and to bring this world to his bedside. He documents every step of Markus’ development, risking his own life in the process, wishing that his brother will one day regain the ability to lead a normal life. This full-length documentary accompanies Michael Becker for 10 years on his unwavering and creative mission to bring his brother Markus back to life.

This short documentary chronicles a four-month period between 1979 and 1980 when residents of Hawaii's Sand Island "squatter" community attempted to resist eviction from the Honolulu shoreline - resulting in displacement, arrests, and the destruction of a community.

This is the story of death and survival, exclusion and hope told by those who lived through it. 40 years ago an HIV infection seemed like a death sentence.

L'Europe à la reconquête de la biodiversité

An in-depth analysis on the 40th Anniversary of the life and untimely death of Arthur Lee McDuffie at the hands of Miami Dade police officers.

Jo Kondo (*1947) is one of the most interesting composers of contemporary music in Japan. His music is composed intuitively and at the same time it is highly abstract. Without clear directionality and at the same time not without form. For a Japanese audience it sounds “Western” and in the West it is regarded “Japanese”. A music in between categories. Like Kondo’s music the film is shifting between places and directions: a concert in the Muziekgebouw in Amsterdam, an elaborate sushi bar in Tokyo, a CD-production in a Cologne radio station, the Zuisenji temple in Kondo’s neighborhood in Kamakura. Kondo wants his music to appear “normal”, without spectacular surface or narrative elements. A concept of “normality” you may also find in the films of Japanese filmmaker Yasujiro Ozu, who – like Kondo – spent most of his life in Kamakura.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.

Documentary about stunts and their recognition in the film industry. Without their selfless contribution to film, the movies we know and love, would not be nearly the same. It is the art of ACTION that allows us to experience those thrilling moments Just as that famous Director's saying goes, "Lights, Camera. - ACTION!" There is an understood, yet UNSUNG value to the last of those three necessary components in film-making. Directors, Producers, and Studio Execs all know that the work of Stunt Professionals is an effective way to motivate people into the box offices and to help captivate an audience during Award Shows. Many people do not know that Stunt Professionals do not get an Academy Award, even though they are the ones who literally risk life for their life's passion. In Praise of ACTION makes a statement why Stunt Professionals are being forgotten in the biggest film awards ceremonies? This is the right time to talk about it.