Nothing But Time

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

Britain's first drama (i.e. non documentary) film.

In a sunny open air setting with a background of high, deep foliage trees, and a white-walled storeyed house, an acrobat with light shirt and trousers and white plimsolls is doing acrobats in a trapeze in the center of the area. Behind it, a pair of men in similar dress seem to be carrying barbells from one place to the other, rather then exercising with them.

Lumière's documents life in Palestine.

The film shows a parade down Fifth Avenue, New York. In the foreground many children, both black and white, can be seen following alongside the parade. The participants in the parade include cowboys, Indians, and soldiers in the uniform of the United States Cavalry on horseback and riding horse-drawn coaches. Buffalo Bill can be seen on horseback, lifting his hat to the crowd. Filmed on 1 April 1901.

In the background is a row of three-masted sailing ships, at anchor, their sales furled. In the foreground, a simple pier that's more like a yardarm juts out above the water; about 15 boys of six or seven years of age are on the jutting wood, and they jump off into the water below. The water looks to be about three feet deep. They swim back toward the pier. A small motorized boat passes. It's a stationary camera; one take.

Based on the novel Marthandavarma, the film recounts the adventures of the crown Prince, Marthandavarma on how he eliminates his arch-rivals one by one, to ascend to the throne of the Kingdom of Travancore.

Almost 200 women file by a device on the wall from which they take their time checks. A man runs half-way across the screen at the end of the film.

A camera on an overhead crane travels down a large, long aisle where men are shown working on large machinery on either side. Carts carrying equipment are shown traveling on rails down the aisles. There are also men walking in the aisles. From Bitzer's Westinghouse Works series.

On the left of the screen, a small group of men lift the top off of what appears to be a turbine with a crane and continue to check the machine, tightening various parts with wrenches. On the right side, a few men appear to be testing the workings of what may be a turbine.

A short film featuring several dancers from different countries: first an Arabian dancer, then an Algerian belly dancer, and finally Scottish highlanders in kilts performing a jig. Section one is rendered in hand-color.

Gevaërt and his daughter Marie show the latter's fiancé, Sergeant Tressignies, the system that opens or closes the swing bridge connecting the banks of the Yser. The Germans having taken this key position, the sergeant receives the order to reoccupy the house of the smuggler.

Young people dive into the sea by jumping off a manmade wooden raft, while a small boat loaded with passengers passes by.

A military horseback riding event from 1897.

American Indians dancing.

Released on October 4, 1896 in Lyon ( France ) under the title “ Fêtes de l'inauguration du monument de Guillaume Ier à Breslau : II. - Le voile tombe (Lyon républicain, 4 octobre 1896)”. (catalogue-lumiere.com)

Panorama of Nice from the deck of a ship.

Shot of Venice from the Canal.

African men dance, sing and play instruments.

An impression of the funeral parade for Victoria, Queen of England, filmed in London (via https://catalogue-lumiere.com/le-char-funebre/)