Egglantine loves salt on her eggs. Eggbert prefers pepper. Who blinks first in this playful Easter ritual?
A film by Eckhart Schmidt made in Venice that plays experimentally with image and sound.
Making of documentary for Disney's animated feature 101 Dalmatians
Longing for a baby, a stripper pursues another man in order to make her boyfriend jealous.
In a surreal universe where bananas fire laser beams and soup cans are used as grenades, a wacky cast of gangsters are thrown into a deadly game to battle it out over a mystical longboard in this trippy take on the Tarantino crime genre.
In a last-ditch effort to save earth, a man sacrifices himself and is forced to relive a series of suppressed memories that become smeared by the detonation of a stellar bomb. This paranormal explosion of thoughts begin to blur the lines between reality and fiction; the only way out is forward.
This experimental short film explores the reconstruction and recollection of traumatic events through fragmented memories, using a non-linear narrative and a layered visual approach. The film emphasizes the penetration of montage, with an anarchic and chaotic tone that reflects both fun and disorder. The film brings to life concerns about how a woman moves, how she speaks, dreams, and how she is stripped of her inherent qualities by a society which continues to sexualize and harmfully perceive her. It visualizes a recollection of thoughts, dreams and memories, symbolically intertwining the characters experiences of their conscious with their subconscious.
Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.
A spooky and campy descent into atmospheric madness. This take on an old classic story may or may not answer that age old question: What’s lurking in the shadows? What’s watching you from the darkness?
While comically depicting the fragility of the end of summer from the perspective of popsicles, this work conveys the smell of the Showa era and the atmosphere of downtown.
A child is watching a music video on his television screen.
A young Australian rugby player, patriot, and fan experiences a premonition. An impending oblivion punctures the lungs planted by collective identity, shallow pools, and deified humans—one oblivion unveils another—. Akin to Australian rugby players themselves, the titular figure and his vision represent not just rugby but our country's values and cultural epicentre of sport more broadly.
«I often have dreams. Careless dreams. When the sun was shining. It was calm and quiet. And a peaceful sky overhead.» An experimental musical film on the theme of love. Memories of the past excite the imagination and make you evaluate what is happening in the present in a new way.
In 1921, an untitled text reminiscent of Edgar Allan Poe's writings was discovered in Boston. It was made by unknown creators, perhaps a techno-spiritualist cult of enthusiasts, for an automaton, that would attempt to model Poe's mind.
This documentary takes a look at how intrepid 1960s musicians like Cornelius Cardew, Gavin Bryars and John Cage changed the sound of music by stuffing pianos with hay or leaving the choice of notes up to the rolling of the dice.
Streamed exclusively on her Instagram stories, film maker Janne Elens takes us on a short and intimate journey to her family's abandoned house to reflect on her past and communicate with her deceased grandmother's spirit.
Bud Clay races motorcycles in the 250cc Formula II class of road racing. After a race in New Hampshire, he has five days to get to his next race in California. During his road trip, he is haunted by memories of the last time he saw Daisy, his true love.
Gay, alienated Los Angeles teens have a hard time as their parents kick them out of their homes, they don’t have money, their lovers cheat, and they are harassed by gay-bashers.
Confined to an endlessly burning waiting room, a dying sedentary woman experiences herself blurring in and out of her body. In her last remaining fragments she tries to make amends with her spirit before her remaining fragments either decay or create.
Using archival iPhone footage of both the places my father and I call home and our childhood photos, this work collages time and space, traveling from 1975 to 2022 and from Havana, Cuba to Pittsburgh, Pennsylvania and in between. His home is my home, and my home is his.