Button Eyes

An immersion into the surreal and dreamlike world of painter, photographer and filmmaker Man Ray (1890-1976), one of the most prolific American visual artists, through four of his short films, brought to life by the atmospheric music of SQÜRL.

After I had already begun to conduct my first cinematographic experiments in 2015, I shot between 2016 and 2019 (during my time as a student in Rostock) exclusively for this "No Budget Feature-Length Experimental Film", now titled "Transfragmentation", which was originally conceived to last three hours, based on Werner Fritsch's "Faust Sonnengesang" (2011), but now has a running time of approximately two hours. In 2015, I also began my correspondence with the Brussels-based Sound-Artist Unenthüllte, who eventually composed four twenty-minute pieces for this work and has to be regarded as my sole artistic collaborator in this sense. My cinematographic concept was clearly outlined from the beginning: The duration of each shot is exactly 1 minute. Only two elements diverge from this primary premise: The Seventeen Minute Prelude, Created In Post-Production (2020-2022), And The Slow Motion Sequences Involving My Voice-Over, Which Linger In The Heart And At The End Of The Work.

The Taste of Palm Wine

The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.

A stasis work invoking the memory of the lynching of Mary Turner, a young, pregnant African American woman in South Georgia. Publicly demanding justice after the murder of her husband, Turner was kidnapped by a mob, hung up in a tree, set on fire, her child cut out and killed, and shot hundreds of times before being buried on-site in 1918. Returning to the origins of cinema, filmed on the exact date and time of Turner’s lynching 105-years earlier, # 3 uses form, time, light, shadow, and landscape as metaphor to not only invoke the memory of Mary Turner, but to also ponder perspective relating to racial violence, violence against women, our failure to acknowledge our past, and the racial divide that continues to exist today in the schizophrenia of America life.

A sitting man listens to his thoughts, but can't catch any of them.

A toon hating executive has a hare raising experience when he meets an out of work toon rabbit.

Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.

A three-chapter (Hell, Purgatory and Paradise) meditation on the city of Sarajevo in the wake of the Bosnian war, on Palestine and Israel, and on war itself.

Explores the paths being forged by six modern artists, giving us rare insight into the minds behind this rousing new wave of painting.

In the late 1990s, a family of six settles into their new home on Vancouver Island, as internal dynamics are slowly revealed through the experiences of the youngest child, Sasha. Their fresh start is interrupted by the increasingly dangerous behavior of Jeremy, the family's oldest child.

A bunch of friends are making a movie in an attempt to win the shortest film competition. But when people have to go to work, things get challenging. Can they finish the movie in time for the deadline?

In a time of superstition and magic, when wolves are seen as demonic and nature an evil to be tamed, a young apprentice hunter comes to Ireland with her father to wipe out the last pack. But when she saves a wild native girl, their friendship leads her to discover the world of the Wolfwalkers and transform her into the very thing her father is tasked to destroy.

The marks of the violence of the Chilean state, against its own compatriots. Flicker Film. 35mm B & W Still Photography. Silent.

Thirty-three shots based on the landscapes of the Isère region near Vienne. A work of observation on light, the dilation of Time, wind, calm and storm.

A young adult's first-hand account of "accidentally becoming human again" after, and with, trauma induced depression. Lo-fi, vulnerable, and uniquely youthful, "The Afterlife" is a melancholic affirmation of life after death.

Boyan's thoughts among the grasslands.

In 1960s France, a jazz musician becomes the subject of an impromptu documentary.

Four young men have the same dream in which a mysterious voice tells them to search for Wal-Mart. They each awake and manage to find each other. A soothsayer offers very clear directions to their destination, but secretly plans to sabotage their journey. Several weird mishaps occur on their adventure.

Two adult siblings, confined to their childhood home, live under the lingering presence of their parents, whose memory is mirrored in a portrait on the wall. They strive to preserve their existence through a “sacred ceremony” of nourishment and cleansing. Trapped in the family’s gilded cage, they become both inmates and bathers, with heightened senses that console and are consoled, faithful to rituals that have vanished from modern times, where everyone is violated by the rush of time. In a classic urban house, marked by decay, they tend to each other like young mammals in the wild— with love, with exposure, with violence, frustration, and shame.