Katyń. Zbrodnia i wielkie kłamstwo

A group of German boys are ordered to protect a small bridge in their home village during the waning months of the second world war. Truckloads of defeated, cynical Wehrmacht soldiers flee the approaching American troops, but the boys, full of enthusiasm for the "blood and honor" Nazi ideology, stay to defend the useless bridge. The film is based on a West German anti-war novel of the same name, written by Gregor Dorfmeister.

In March 1943, twenty-year-old Ovadia Baruch was deported together with his family from Greece to Auschwitz-Birkenau. Upon arrival, his extended family was sent to the gas chambers. Ovadia struggled to survive until his liberation from the Mauthausen concentration camp in May 1945. While in Auschwitz, Ovadia met Aliza Tzarfati, a young Jewish woman from his hometown, and the two developed a loving relationship despite inhuman conditions. This film depicts their remarkable, touching story of love and survival in Auschwitz, a miraculous meeting after the Holocaust and the home they built together in Israel. This film is part of the "Witnesses and Education" project, a joint production of the International School for Holocaust Studies and the Multimedia Center of the Hebrew University of Jerusalem. In this series, survivors recount their life stores - before, during and after the Holocaust. Each title is filmed on location, where the events originally transpired.

In 1992, KIM Bok-dong, reported herself as a victim of the sexual slavery, "comfort women" during World War Ⅱ. She wanted to receive the proper apology from the Japan government but they denied its responsibility. In 2011, commemorating the 1000th Wednesday demonstration, Statue of Peace was installed in front of the Embassy of Japan. The fight over Japan confronts a new stage.

New York Times reporter Sydney Schanberg is on assignment covering the Cambodian Civil War, with the help of local interpreter Dith Pran and American photojournalist Al Rockoff. When the U.S. Army pulls out amid escalating violence, Schanberg makes exit arrangements for Pran and his family. Pran, however, tells Schanberg he intends to stay in Cambodia to help cover the unfolding story — a decision he may regret as the Khmer Rouge rebels move in.

During the conflict in the former Yugoslavia many soldiers were convinced to kill fellow citizens including friends and relatives in the name of patriotism. The Kolaborator follows the story of Goran, 24, a promising young soccer player who is forced to become a soldier. Goran goes from being a talented athlete to an executioner virtually overnight. Following orders, Goran lines up civilians, shoots them and drags them into mass graves. Justifying his role as a protector of his people, Goran becomes increasingly detached from the task until his soccer coach and life-long friend, Asim, is led in front of him. As a familiar face stands defeated before him, Goran must reconsider his actions and choose between his own life and that of his dear friend.

A Japanese-American director digs deep into the controversial 'comfort women' issue to settle the debate on whether the women were paid prostitutes or sex slaves, and reveals the motivations and intentions of the main actors pushing to revise history in Japan.

September 2016: Stacey Dooley embeds herself on the frontline with the extraordinary all-female Yazidi battalion, who are fuelled to take revenge against the so-called Islamic State. As the battle to take Mosul from ISIS advances in Northern Iraq, in this extraordinary film for BBC Three, Stacey finds these young women's lives have been transformed by a desire to avenge their loved ones who were murdered by Isis.

Island of Java, 1942, during World War II. British Major Jack Celliers arrives at a Japanese prison camp, run by the strict Captain Yonoi. Colonel John Lawrence, who has a profound knowledge of Japanese culture, and Sergeant Hara, brutal and simpleton, will witness the struggle of wills between two men from very different backgrounds who are tragically destined to clash.

Documentary film about the "zanja de Alsina", a long trench dug in the Argentinian Pampa in 1876 as way to separate the "civilized" from the "barbarians" during the massacre of indigenous peoples known as "campaña del desierto".

A dramatic history of Pu Yi, the last of the Emperors of China, from his lofty birth and brief reign in the Forbidden City, the object of worship by half a billion people; through his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just another peasant worker in the People's Republic.

Poet Layli Long Soldier crafts a searing portrait of her Oyate’s connection to the Black Hills, through first contact and broken treaties to the promise of the Land Back movement, in this lyrical testament to resilience of a nation.

If Only I Were That Warrior is a feature documentary film focusing on the Italian occupation of Ethiopia in 1935. Following the recent construction of a monument dedicated to Fascist general Rodolfo Graziani, the film addresses the unpunished war crimes he and others committed in the name of Mussolini’s imperial ambitions. The stories of three characters, filmed in present day Ethiopia, Italy and the United States, take the audience on a journey through the living memories and the tangible remains of the Italian occupation of Ethiopia — a journey that crosses generations and continents to today, where this often overlooked legacy still ties the fates of two nations and their people.

From a historic genocide trial to the overthrow of a president, the sweeping story of mounting resistance played out in Guatemala’s recent history is told through the actions and perspectives of the majority indigenous Mayan population, who now stand poised to reimagine their society.

A career officer and his wife work with a police detective to uncover the truth behind their son's disappearance following his return from a tour of duty in Iraq.

In this moving documentary, Oscar-nominated filmmakers Peter LeDonne and Steve Kalafer chronicle the extraordinary life of Immaculée Ilibagiza, a young African woman who escaped genocide in Rwanda and ultimately found refuge in the United States. Seeking shelter with an Episcopalian minister, Immaculée hid from her attackers inside a bathroom for three long months but stayed centered through prayer and faith.

On September 1st, 1939, Nazi Germany invades Poland, unleashing World War II. On September 17th, the Soviet Red Army crosses the border. The Polish army, unable to fight on two fronts, is defeated. Thousands of Polish men, both military and government officials, are captured by the invaders. Their fate will only be known several years later.

Is American foreign policy dominated by the idea of military supremacy? Has the military become too important in American life? Jarecki's shrewd and intelligent polemic would seem to give an affirmative answer to each of these questions.

Beginning just after the bloody Sioux victory over General Custer at Little Big Horn, the story is told through two unique perspectives: Charles Eastman, a young, white-educated Sioux doctor held up as living proof of the alleged success of assimilation, and Sitting Bull the proud Lakota chief whose tribe won the American Indians’ last major victory at Little Big Horn.

During the Boer War, three Australian lieutenants are on trial for shooting Boer prisoners. Though they acted under orders, they are being used as scapegoats by the General Staff, who hopes to distance themselves from the irregular practices of the war. The trial does not progress as smoothly as expected by the General Staff, as the defence puts up a strong fight in the courtroom.

Narratives of Modern Genocide challenges the audience to experience first-person accounts of survivors of genocide. Sichan Siv and Gilbert Tuhabonye share how they escaped the killing fields of Cambodia, and the massacre of school children in Burundi. Mixing haunting animation, and expert context the film confronts our notion that the holocaust was the last genocide.