Kirgistan - Hochgebirgsland voller Schätze

A 20-minute documentary film about the Kyrgyz people living by the Narym River.

Life in a Kyrgyz aul (village) in the mountains connected to the rest of the world by a cable bridge, and the teenage boys who are constructing the rope of the bridge. A rope bridge which the locals call “The devil’s bridge” forms part of each and every event which takes place in a small village lost in the mountains of the Kyrgyz Republic. A platform driven by a huge winch which they have to pull with their own strength to cross the torrent is their only link with the outside world. But the director of the documentary wondered something else: “Does this bridge unite or does it actually separate?” Through the mist and over the thrashing waters, the inhabitants of the area glide along their ropes. A film, in the director’s own words, about ordinary people who live in an extraordinary place.

The film shows the life of women in a tent camp on the edge of the Sahara. An old nomad woman and her daughter from the city argue about happiness - where do you find happiness, in the desert or city. Women and men in open dispute about love, suffering and passion. In an amazing way, something of the self-confidence, independence and courage of these daughters of the sand becomes palpable.

In recent years, the number of people living in a bus or camper has increased significantly. But for this growing group, there are fewer and fewer places where you can legally park. The Kardinge car park in Groningen, a popular refuge for people staying in their campers, is also under pressure. Does the Netherlands actually have room for nomads and what drives people to want to live off the beaten track? Filmmaker Tom Tieman temporarily goes into hiding at the Kardinge car park and meets the current residents. Read more

Two friends travel across Uzbekistan and Kyrgyzstan on the search for Eagle Hunters.

As „wings of men“ they became the faithful companion of a great nomadic nation thousands of years ago. Today, 28 years after the Soviet occupation, the little horse is an essential part of the cultural heritage and the search for identity of the modern Kyrgyz people. Based on its own story, a so called „good brown horse“ leads through the film and offers an insight of what it could mean to be „todays wings of men“. Told by a horse’s voice and through its eyes, this short film still is a documentary, but also a poetic journey to a nomadic culture.

One of the highest achievements of the new wave of Kirghiz cinema, which emerged in the mid-1960s. This story of a boy building sandcastles on the shores of the Issyk-Kul Lake becomes a documentary parable on the tensions between an artist and society.

Le peuple de l'aigle et moi

Les six saisons des attikameks

Tashkent: The End of an Era reconstructs the complex history of Tashkent by means of archive footage which has never been shown before and the testimonies of its inhabitants.

An audiovisual letter that connects an imagined Kyrgyzstan with the filmmaker’s inner world, blending personal illness, memory, and political echoes into a poetic reflection on distance and belonging.

A documentary film about the representation of the Kyrgyz culture in the USSR, as well as the reality of Kyrgyz dancers in Russia.

Regnum Fest is a documentary that examines reenactors dedicated to preserving the traditions of the Hungarian conquest and the Árpád era, showcasing various groups that recreate life from the 10th to the 13th centuries. The leaders of these groups share insights into their work in historical reenactment and armed combat, both on foot and horseback.

Hajar is a 55-years-old Bahktiari woman from Iran who is betrayed by her family and forced to abandon her nomadic lifestyle. Climate change, urbanization and social issues have drastically diminished the traditional migratory activities of the Bakhtiari tribe from Southwestern Iran.

At the non-places of this world lie the struggles of nobodies, to improve, overcome and survive. Their struggles suffocate them, they forget to live. They dislocate them, bring them together and pull them apart. Father and son share simple dreams and a lifetime on the road. Along an unromantic Silk Route they try to make some come true. Searching for a more livable future they break apart. As working class heroes they accept their fate. The film examines the added value of honesty in our actions.

In the Darhat valley in northern Mongolia, the horses of nomadic tribes are stolen by bandits who then sell them to Russian slaughterhouses. Shukhert, a brave horseman, relentlessly pursues them through the Mongolian taiga, bordering Siberia.

From respected forgers of Armour for Hindu kings in the 16th century through to impoverished nomadic blacksmiths who forge and sell items from waste metal scraps.The history and story of India's proud but largely forgotten Gadia Lohar community is for the first time sensitively investigated and revealed in Deana Uppal's documentary 'The Forgotten People'.

We get to meet Aslanbek—a teenage shepherd in the mountains of Kyrgyzstan. “Aslanbek” is a story exploring the dynamics of relationship between humans and animals, what we can learn from the mountains, and about dreams. In short, it's a story about our forgotten values.

Daze, a Tibetan nomad, transformed his life with a camera. Documenting traditions and threats to the homeland, his philosophical films become a call to action, a lifeline for plateau creatures.

The film story follows the international group of researchers who are performing the scientific expedition in a remote high altitude Kyrgyz village named Sary Mogol.