Tout impossible est simultanément à chaque instant possible

The Dawn is Too Far: Stories of Iranian-American Life poetically narrates the story of a community of Iranian Americans who have made the San Francisco Bay Area their home over the past five decades. The film explores Iranian immigration through turbulent histories of dissent, revolution, war, and separation, and the reinvention of identity in a new land and culture. The Dawn is Too Far highlights how Iranian students, activists, and artists have navigated displacement while drawing on and influencing Bay Area culture. This community offers a more nuanced story of the Iranian diaspora—the ways that this community enriches the region where they live, work, and build families. The Dawn is Too Far undermines the tired and overplayed news headlines that are dominated by narratives of enmity and mistrust between the government of Iran and the U.S., to offer a more humane understanding of the how people's lives and the sacrifices they make are part of the larger story of immigration.

Hermitage: The Power of Art

Golden Globe - Kanada - Der Osten

The concrete costs for culture and creativity is here illustrated in punchy images.

Traces the lives of the Hartings, a blind Montreal family of three who make their living singing in the city's subway stations. The Hartings lost their only sighted child Hassan in a tragic drowning accident, and have since turned to the teachings of Russian mystic Grigori Grabovoi, hoping to resurrect their son. Resurrecting Hassan is an exploration of this family's legacy of grief, tragedy and abuse; the film will follow them on their path to redemption.

Vanity

A portrait of Highlights Magazine following the creation of the cultural phenomenon's 70th Anniversary issue, from the first editorial meeting to its arrival in homes, and introducing the quirky people who passionately produce the monthly publication for "the world's most important people,"...children. Along the way, a rich and tragic history is revealed, the state of childhood, technology, and education is explored, and the future of print media is questioned.

Les bâtisseurs de génie

Poème Électronique is an 8-minute piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World’s Fair. The Philips corporation commissioned Le Corbusier to design the pavilion, which was intended as a showcase of their engineering progress. The pavilion was shaped like a stomach, with a narrow entrance and exit on either side of a large central space. As the audience entered and exited the pavilion, the electronic composition Concret PH by Iannis Xenakis (who also acted as Le Corbusier's architectural assistant for the pavilion's design) was heard. Poème électronique was synchronized to a film of black and white photographs selected by Le Corbusier which touched on vague themes of human existence.

An intimate portrait of the Franco-Iranian painter Davoud Ghanbariha, filmed in the outskirts of Paris. Through a dialogue between his voice and his paintings, Maintenant et ici explores memory, exile, and the act of creation as a fragile bridge between past and present.

Shot in Aix-en-Provence, Château Noir is a cinematic homage to the landscapes once painted by Paul Cézanne. Through minimal camera movements and a meditative gaze, the film seeks to translate the act of painting into pure visual rhythm — capturing light, air, and silence as living matter.

The Alhambra is a unique site in the world: a palatial city built between the 13th and 15th centuries by the last of the Muslim kingdoms of Spain. It is the ultimate demonstration of the talents of a people condemned by the Reconquista.

A visual journey into the life and legacy of one of Australia's most celebrated artists, Brett Whiteley.

{ Auto-biography of all the video experience Gabriel had based on his childhood’s productions. }

Habiter le mouvement (un récit en 10 chapitres)

21 rue la Boétie

Pleasures of the eye, David Hockney’s work has shown him to be one of the most versatile and influential artists of our time. The British artist invites the observer to take a visual stroll through his paintings and explore the dimensions of time and space. In communicating a new sense of the spacetime continuum, he injects the medium of photography with entirely new and living components. His sensuous theatre sets make us hear music with our eyes and see colours with our ears. The documentary filmmaker Gero von Böhm paints a memorable portrait of a fascinating artist, whose work allows all of us to see the magic in the small and seemingly insignificant details of everyday life.

Bas Jan Ader rides his bike into a canal in Amsterdam.

This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.

Stuart Cooper's short about the work of Spanish artist Juan Genovés is an inspired introduction to the works of this extraordinary artist, exploring its minimalist aesthetic and storytelling qualities through a variety of cinematic techniques, including rostrum, animation, news footage and live action recreations.