My Date with a Vampire

On the surface, Saya is a stunning 16-year-old, but that youthful exterior hides the tormented soul of a 400-year-old "halfling". Born to a human father and a vampire mother, she has for centuries been a loner obsessed with using her samurai skills to rid the world of vampires, all the while knowing that she herself can survive only on blood like those she hunts.

During spring break, Koyomi Araragi encounters a blood-chillingly beautiful woman—a vampire. On the brink of death after losing her four limbs, she asks Koyomi to save her. After experiencing fear, chaos, and finally conflict, Koyomi gives his own blood in order to save her. But when he awakens, he finds himself re-born as her vampire kin.

David and Willa were meant to be spending the rest of their lives together. Now they must spend their afterlife together instead.

A soap opera inspired by 80s dramas, following German mogul Michaela von Baer as she battles enemies to protect her company, “Von Baer Enterprises.” Her cousin, Russian starlet Clarissa Oktavia, is presumed dead by her psychiatrist, Dr. Ingolf Robert, but returns alive. Michaela’s nemesis, policewoman Penelope Stöcker, seeks revenge for her father’s suicide. Michaela loses everything and returns to Monaco. Police Inspector Brigitte Hasentritt, who investigated Clarissa’s murder, becomes a central figure, marrying one of Michaela’s ex-husbands, owning most of the company, and facing vampires and attack dogs. By the series’ end, all characters are vampires, crossdressers, or insane. The finale shows Clarissa being eaten by Penelope and Brigitte, Dr. Robert impersonating Clarissa, and Michaela dying from choking on a cheeseburger.

This martial arts comedy features several kung fu performers, including two Venoms Chiang Sheng and Lu Feng, portraying a couple of kung fu deities God of Chopstick and God of Bowls that take in a mortal student (Peter Chang) to do away with an army of supernatural enemies.

A group of travelers finds themselves stranded at a railroad station, waiting for a train that never seems to come. Yan realizes that his fiancee, Mila, is not at the station, and follows her to the nearby village. He finds her at a local night club and she is almost happy to see him. Almost, because Mila insists that something awful has happened to them.

A train derails, leaving 14 people stranded at a small train station in San Francisco, waiting for another train to pick them up. When David (William Catelli) realises that his fiancée Willa Stuart has disappeared (Priscilla Doná), he must now cross a road full of wolves to find Willa and discover why everyone hates her.

A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter.

Vampires and werewolves have waged a nocturnal war against each other for centuries. But all bets are off when a female vampire warrior named Selene, who's famous for her strength and werewolf-hunting prowess, becomes smitten with a peace-loving male werewolf, Michael, who wants to end the war.

A group of vampires terrorizes a small village on the German North Sea Coast. The young Jonathan joins a group of fellow students and locals, who plan an uprising against the vampires.

As the war between the vampires and the Lycans rages on, Selene, a former member of the Death Dealers (an elite vampire special forces unit that hunts werewolves), and Michael, the werewolf hybrid, work together in an effort to unlock the secrets of their respective bloodlines.

"Mapang-akit" is an offshoot of a documentary project made with an Icelandic filmmaker and uses the outtakes from the Hudas Hudas festival in Antique, where a community bonds over a large effigy of Judas Iscariot during Holy Week. Amidst it is a found story of a man who returns home to his death after pursuing a woman in a neighboring village.

The Vampire is a surviving 1915 silent film drama directed by Alice Guy and starring Olga Petrova. It is one of Petrova's and Guy's few surviving silent films.

After kidnapping a father and his two kids, the Gecko brothers head south to a seedy Mexican bar to hide out in safety, unaware of its notorious clientele.

In Japan, the vampire-hunter Saya, who is a powerful original, is sent by her liaison with the government, David, posed as a teenage student to the Yokota High School on the eve of Halloween to hunt down vampires. Saya asks David to give a new katana to her. Soon she saves the school nurse Makiho Amano from two vampires disguised of classmates and Makiho witnesses her fight against the powerful demon.

Charley, a cyborg vampire who does the Vatican's dirty work, is the thrall of the local vampire playboy Johnny Rayflo. As the two fight crime—and each other—hilarity, violence and sacrilege ensue! But can Charley resist his own desperate cravings for blood? Find out as the devilish duo go up aginst a childlike vampire princess, a mysterious branch of the Unitarian Church...and one another.

In the Seventeenth Century, while Hungary is fighting the Turks, the population of a small village in the Carpathian Mountains faces the evil Countess Elizabeth Bathory, accused of drinking and bathing in blood of virgin women.

In this silent style short, filmed in black and white with intertitles instead of spoken dialog, a precocious little girl surrounded by Tv violence and bloody church images of Catholicism, yearns to stay alive forever, as a vampire.

When she is bitten by a vampire, Gabriella resolves to put a stop to his wrongdoings.

Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.