Ukraine: Holocaust Ground Zero

Inspired by the complexity of the entire film-footage captured by Eva Braun, while in the inner most circle of Adolf Hitler and his private world, these observations challenge the viewer's perception of what is fact and to a greater extent what is unperceived. History teaches us the horrors of manipulation, unaccountability and ignorance. Historical moments that mirror all aspects of today’s society and humanity.

It was arguably the deadliest conference in human history. The topic: plans to murder 11 million Jews in Europe. The participants were not psychopaths, but educated men from the SS, police, administration and ministries. The invitation to the meeting at Wannsee came from Reinhard Heydrich, head of the Reich Security Main Office. The Wehrmacht's campaigns of conquest in Eastern Europe marked the beginning of the systematic murder of Jews in Poland and the Soviet Union. In mid-September 1941, Hitler made the decision to deport all Jews from Germany to the East. Although there had been transports before, Hitler's order represented a further escalation in the murderous decision-making process. Persecution and discrimination had been part of everyday life since 1933. But as a result, the living conditions for the Jews in the Third Reich became even more difficult, among them the Berlin Jew Margot Friedländer, born in 1921, and the Chotzen family.

The new film from Sergei Loznitsa (Maidan, The Event) is a stark yet rich and complex portrait of tourists visiting the grounds of former Nazi extermination camps, and a sometimes sardonic study of the relationship (or the clash) between contemporary culture and the sanctity of the site.

Shoshana

Survivors tell the story of the Babyn Yar massacre from WWII, where some 100,000 people were massacred by German forces.

Six million Jews died during World War II, both in the extermination camps and murdered by the mobile commandos of the Einsatzgruppen and police battalions, whose members shot men, women and children, day after day, obediently, as if it were a normal job, a fact that is hardly known today. Who were these men and how could they commit such crimes?

At the end of WWI, the treaty of Versailles established the conditions for peace in Europe. The aim for the victorious powers was to make Germany pay reparations, and to guarantee a future without war. Yet a decade later, the denunciation of 'Versailles' became a powerful lever for the nazis to obtain power as these reparations would mark the beginning of the humiliation of the German people, and nurture a feeling of having been bestowed a hopeless future. In the 20 years that follow the end of WWI, the issue of reparations and responsibility will effectively poison international relationship. The treaty negative impact goes well beyond WWII as the new European borders it implemented led to many conflicts during the twentieth century. This documentary shines a light on the causality between the decisions taken with the treaty of Versailles, and the ensuing events of the century.

During World War II, 12 000 children were born to Norwegian mothers and German soldiers. In WARS DON’T END five of these children tell their stories about lives of discrimination and abuse stemming from the choices of their mothers and the actions of their fathers.

The story of Estelle Ishigo, one of the few Caucasians interned with Japanese Americans during World War II. The wife of a Japanese American, Ishigo refused to be separated from her husband and was interned along with him. Based on the personal papers of Estelle Ishigo and her novel Lone Heart Mountain.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Seven Decades after the bloody battle for Omaha Beach in Normandy, France on D-Day, many veterans are returning to visit one last time. Omaha Beach: Honor And Sacrifice tells the very personal stories of several veterans as they return to Omaha Beach and the celebration that Normandy, France holds in their honor every year.

Six chapters describe the lives and perils of Thessaloniki’s Jewish community which was almost entirely exterminated by the Nazis in 1943. Past and present become an echo chamber in which the viewer experiences, aghast, the madness of humanity.

A propaganda short film produced by the US Navy in 1945 about the naval engagements of the invasion of Okinawa.

From the beginning, Hergé's work, Tintin's creator, was conditioned by the ideology of his publisher, the weekly child supplement of a Belgian Catholic newspaper. An exciting analysis of the political meaning of the adventures of Tintin.

Faced with the relentless and unstoppable advance of the Soviet Red Army, from the spring of 1944 until the capitulation of the Third Reich in May 1945, the Nazis evacuated the labor, concentration and extermination camps, factories of pain and death which, during years of nightmare, they had established in the occupied eastern territories. Forced to travel enormous distances, thousands of people died along the way from hunger, thirst and exhaustion.

In March 1943, twenty-year-old Ovadia Baruch was deported together with his family from Greece to Auschwitz-Birkenau. Upon arrival, his extended family was sent to the gas chambers. Ovadia struggled to survive until his liberation from the Mauthausen concentration camp in May 1945. While in Auschwitz, Ovadia met Aliza Tzarfati, a young Jewish woman from his hometown, and the two developed a loving relationship despite inhuman conditions. This film depicts their remarkable, touching story of love and survival in Auschwitz, a miraculous meeting after the Holocaust and the home they built together in Israel. This film is part of the "Witnesses and Education" project, a joint production of the International School for Holocaust Studies and the Multimedia Center of the Hebrew University of Jerusalem. In this series, survivors recount their life stores - before, during and after the Holocaust. Each title is filmed on location, where the events originally transpired.

On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).

We follow a project spearheaded by the Prince of Wales, who has commissioned seven leading artists to paint seven survivors of the Holocaust. Throughout the programme, we hear the testimonies of the remarkable men and women who were children when they witnessed one of the greatest atrocities in human history, as well as meeting the artists as they grapple with their paintings.

Behind the scenes look at the D-Day special effects created in filming The Americanization of Emily (1964).

The true story of the massacre of a small Czech village by the Nazis is retold as if it happened in Wales.