Argentina bizarra

Documentary on State terrorism during the last military dictatorship in Argentina, made in its aftermath. Invited by the Goethe-Institut to hold a workshop with young film students, Schroeter contrasts the official statements of the regime with the testimony of victims, dissidents and relatives of the disappeared. And trust that their faces and words will resonate much more than a mere representation of violence.

A documentary following the day life of fans in Brazil on July 13, 2014: the day when Germany and Argentina met up in the finals of FIFA World Cup.

A detailed account of each of the details of the Malvinas War based on interviews, dramatic scenes, maps and other elements of historical roots without ignoring the historical antecedents from the 18th century that ended in this confrontation.

Documentary about the Football World Cup held in Argentina in 1978, focusing on the competition and behind the scenes of the most important soccer competition in the world. Two versions of the 1978 official film exist, the first "Copa 78 - O Poder do Futebol" was made by Brazilian directors Maurício Sherman and Victor di Mello in 1979 but was later withdrawn by FIFA because of its controversial content. The film includes an interview with Rodolfo Galimberti, one of the leaders of the Montoneros guerrilla group and also made accusations that the Argentinian competition organisation committee had deliberately hindered Brazilian chances of success by tampering with the pitch at Mar del Plata.

Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.

The New Tango (El Nuevo Tango) was not shown in Argentina for a long time as it deals with the ascent of Argentinean president Hector Campora in May 1973, and features Cuban and Chilean presidents, Osvaldo Dorticos and Salvador Allende. A million people gathered on the Plaza de Mayo to acclaim the new President. One of Cámpora's first presidential actions was a granting of amnesty to political prisoners who where jailed during the dictatorship. On 28 May Argentina restored diplomatic relations with Cuba, which then received Argentine aid - such as food and industrial products - to break the United States embargo against Cuba.

The story begins in Patagonia, deep south in Argentina, where researchers look for the remains of a German U-boat landing. This search leads them to Argentina during the '30s before Second World War, a time when anti-Semitism flourished in the country.

1982 Malvinas, La guerra desde el aire

A woman is in shock at the loss of her baby after being ferociously beaten by her husband. Clementina’s trauma causes her to see ghosts.

Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.

Santiago Maldonado disappeared in the midst of repression against a Mapuche community that claimed to Luciano Benetton for his land. His body was found 78 days later. The need for truth and justice continues

A promising Italian cartoonist lands in Buenos Aires in 1950, with the dream of reaching the United States, to discover that, for him, America will be Argentina. The country immediately overwhelms him with its massive economic boom and a cultural scene among the most vibrant in the world. We are at the dawn of Argentina's most delirious decade, and the young immigrant feels that the vast promise of this country is within his grasp. His name will indeed make itself known: Hugo Pratt.

In an Argentine house that stretches until it becomes a labyrinth of bookshelves, Luz comes back to look for Mira, her childhood friend who hides in the darkness because she can't stand being seen. The fiction Mira built to protect herself has hands of its own, and grants exactly what it is asked.

The third installment in Dan Přibáň's series of travel documentaries describes the author's journey with his friends across South America in vehicles that are often notorious but cult in their own way. The charming dynamics of the group on screen are further enhanced by the high-quality craftsmanship.

One night Malena and Pablo, a sister and brother traveling together in Argentina, discover a diary that details crimes committed twenty years ago.

His teachers, coaches, childhood friends and Barça teammates, together with journalists, writers and prominent figures from the history of football, come together in a restaurant to analyze and pick apart Messi's personality both on and off the field, and to look back at some of the most significant moments in his life. Viewed from Álex de la Iglesia's unique perspective, Messi recreates the player's childhood and teenage years, from his very first steps, with a football always at his feet, through to the decision to leave Rosario for Barcelona, the separation from his family, and the role played in his career by individuals such as Ronaldinho, Rijkaard, Rexach and Guardiola.

Cartoneras is a documentary that grapples with Latin America’s urban realities, and the cardboard publishing movement that has emerged from these in the 21st century. Reflecting on the different contexts that propelled this form of community publishing, like Argentina’s 2001 economic crisis, the independent art scene, and the movements which formed around waste-pickers, the film’s narrative is developed through conversations with important actors from the cartonera world.

Landwirtschaft in Südamerika - Argentinien

Blues de los Plomos

A cinematic portrait of the world-wide legendary Argentinian composer who changed tango. For the first time ever, the hidden archives of bandoneón player Astor Piazzolla are opened by his son Daniel.