Meteshu innushkueu

Incident at Restigouche is a 1984 documentary film by Alanis Obomsawin, chronicling a series of two raids on the Listuguj Mi'gmaq First Nation (Restigouche) by the Sûreté du Québec in 1981, as part of the efforts of the Quebec government to impose new restrictions on Native salmon fishermen. Incident at Restigouche delves into the history behind the Quebec Provincial Police (QPP) raids on the Restigouche Reserve on June 11 and 20, 1981. The Quebec government had decided to restrict fishing, resulting in anger among the Micmac Indians as salmon was traditionally an important source of food and income. Using a combination of documents, news clips, photographs and interviews, this powerful film provides an in-depth investigation into the history-making raids that put justice on trial.

A feature-length documentary portrait of Québécoise painter Johanne Corno, who has lived and worked in New York City for more than 20 years. Ignored by the art intelligentsia in Québec, she settled abroad to escape that creative constraint, and built an enviable international career. Today, she casts a lucid eye on her work and describes the resources she draws on to survive in the jungle of the contemporary art world.

What remains of the 2012 Quebec student protests? Little has changed in the decade that ensued. Rodrigue Jean and Arnaud Valade exhume images of the battles, recorded live and relayed through the mass media, that flared up as anger and indignation went head-to-head with the rhetoric of power. Against these divisive images, the filmmakers overlay a historical perspective of the state and its police in Montreal, Quebec and Canada, delving into the roots of sanctioned violence. Their compelling glance at the past is, of course, a cry that continues to echo in the present day. While the voices have been silenced, revolt still brews. All it takes is a spark...

This short documentary profiles Saint-Jean-Baptiste Day parade in Montreal in 1959. The annual parade takes place every June 24th in memory of Saint-Jean-Baptiste, the patron saint of Québec. Candid shots of youngsters preparing their costumes for the festivities are partnered with a lively jazz soundtrack. All the Montrealers and out-of-town tourists featured in this film avidly participate in a public festivity that is dear to their hearts.

JAMAIS NULLE PART is a Côte-Nord short documentary behind closed doors in a car with four friends. The hours that separate Sept-Îles from the dunes of Aguanish stretch out over the conversations. The car becomes a place of confession where the friends discuss their desire to reconnect with the region since leaving for their studies. Between spontaneous stops on the 138, the young women reflect on this quest for identity that accompanies the regional exodus. Their reflections take them on a journey beyond the road, into their teenage memories and future aspirations. It is the beginning of another season that reveals a decentralized social landscape of metropolises.

Acoustic Ocean is an artistic exploration of the sonic ecology of marine life in the North Atlantic. Located on the Lofoten Islands in Northern Norway, the video centers on the performance of a marine-biologist diver who is using a life-size model of a submersible equipped with all sorts of hydrophones and recording devices. In this science-fictional quest, her task is to sense the submarine space for acoustic and bioluminescent forms of expression.

Of Ravens and Children

Indian Time

Territoire Ishkueu Territoire Femme

75e, elles se souviennent

Through the lens of sport, AFL legend Michael O'Loughlin shines a light on the history and experience of the Indigenous Australian people. Current AFL players, Michael Walters and Tarryn Thomas, join O'Loughlin to unpack racism, discrimination and the unbreakable bond they each share with their indigenous communities.

In the north of the state of Pará is the largest block of protected forests in the world; an area of ​​Amazon rainforest the size of the UK and home to a multitude of stories. Indigenous people, ranchers, squatters, quilombolas, businessmen and politicians reflect in their own way the impacts of the possible expansion of the BR-163 into the forest, as far as the border with Suriname. The highway project was created at the time of the military dictatorship, and until today as a shadow over the region. But this is not a movie about a road. It is a film about the abysses that separate those who share the same land.

With its 33,000 kilometers of marked trails and its tens of thousands of kilometers of off-trail circuits, Québec is a snowmobile paradise. In this documentary, a dozen French tourists, accompanied by their flamboyant guide, live an incredible adventure in Quebec's wilderness.

The North of Cauca is the region of Colombia most affected by the internal armed conflict since 1940. There is an orchestra of ancestral music composed of young indigenous people of the Nasa ethnic group who, with their instruments, their voice and their poetry, remember Maryi Vanessa Coicue, Sebastian Ul and Ingrid Guejia, three of the hundreds of indigenous children who have died because of this eternal and useless war between leftist guerrillas, armed groups of the extreme right, drug traffickers and the Colombian State.

Atikamekw elder Cézar Néwashish continues to recount the history of the community of Manawan that first began in The History of Manawan: Part One. As Christianity and European customs take deeper root in the community – abetted by residential schools and aggressive assimilationist government policies – seemingly irreversible changes to significant customs begin to unfold. Despite these struggles, the people carry on. This short is part of the Manawan series directed by Alanis Obomsawin.

On your marks. Follow cyclists from 13 countries as they cover 2.400 km of Gaspé countryside in 12 days-a course longer than those of Italy, Belgium or Spain. The long shots of curving landscape and open road are set to a mesmerizing soundtrack in this documentary, and the results are spellbinding.

The Living Stone is a 1958 Canadian short documentary film directed by John Feeney about Inuit art. It shows the inspiration behind Inuit sculpture. The Inuit approach to the work is to release the image the artist sees imprisoned in the rough stone. The film centres on an old legend about the carving of the image of a sea spirit to bring food to a hungry camp. It was nominated for an Academy Award for Best Documentary Short.

In this era of “reconciliation”, Indigenous land is still being taken at gunpoint. Unist’ot’en Camp, Gidimt’en checkpoint and the larger Wet’suwet’en Nation are standing up to the Canadian government and corporations who continue colonial violence against Indigenous people. The Unist’ot’en Camp has been a beacon of resistance for nearly 10 years. It is a healing space for Indigenous people and settlers alike, and an active example of decolonization. The violence, environmental destruction, and disregard for human rights following TC Energy (formerly TransCanada) / Coastal GasLink’s interim injunction has been devastating to bear, but this fight is far from over.

In this honest and deeply personal account of living with addiction, a young man talks about the realities and challenges of living in the Anishinaabe community of Kitcisakik and the hope he still harbours for himself and his people.

Mayan Renaissance is a feature length film which documents the glory of the ancient Maya civilization, the Spanish conquest in 1519, 500 years of oppression, and the courageous fight of the Maya to reclaim their voice and determine their own future, in Guatemala and throughout Central America. The film stars 1992 Nobel Peace Laureate and Maya Leader Rigoberta Mencu Tum. All of the images, voices, expert commentary and music in the film come directly from Central America, the heart of the Mayan World.