The Red Dress

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

"I came across an old industrial film by Siemens on computer and their language. To better appreciate the film I first of all cut off the sound, I then took out the colours and reduced the speed. Slowly the very substance of the film emerged and I began to see the deep meditation that was hidden in the film. Finally I made a black and white copy of the material and let the images pulsate in a general breathing rhythm." —Jürgen Reble

A man attempts to operate a mysterious device, but with each attempt comes a new set of problems.

Within the depths of an enigmatic origin, a being flourishes, cocconed in a cocoon akin to that of a caterpillar. This creature, an apparent hybrid, shatters its confinements breaking free and rises in a peculiar, but captivating manner.

"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.

A Middle-Eastern medical school student, new to Montreal, puts his relationship with his father at risk when he forfeits his education after being forever changed by two young women who help him see his destiny.

Documentary filmed on the occasion of the “2003, Odyssey in Space Zero” operation inside the Spazio Zero Theater in Rome. The document, filmed between 21 October and 30 November 2003, recounts the representation of Fotofinish not as a single and continuous work, but as the evolution over time of the moods and movements of the actors who, replica after replica, have developed an awareness of the space and arrived at the joy of staging.

Now I shall sing the second kingdom there where the soul of man is cleansed, made worthy to ascend to Heaven. (Purgatorio: Canto I)

A film based on an autobiographical prose of the famous Russian poet - Marina Cvetaeva.

Gus Van Sant tells the story of a young African American man named Jamal who confronts his talents while living on the streets of the Bronx. He accidentally runs into an old writer named Forrester who discovers his passion for writing. With help from his new mentor Jamal receives a scholarship to a private school.

An experimental film about the relation of Time and Space.

Formally eclectic, the first few seconds of the film seem to introduce us to a typical sensory documentary, but soon the flow of the narrative evolves into a much more complex portrait of the port of Paita, by concatenating recordings made by the author himself, videos generated by an AI, Google Maps views and archival images.

With this abstract digital video, Murata presents viewers with a field of seething colors and line, within which a suggestive, Rorschach-like formation manages to retain its structure even as it is in a constant state of flux. The mesmerizing tableau that results is accompanied by a cyclical, dronelike sound track.

"#5 from a series of 7... A dance leading to a dance. Super 8, silent, non-narritive."

Utilizing super 8mm and an economical shooting method of quick, short shots building idiosyncratic rhythms via rapid editing techniques, time, nature, and even the body folds in on itself. Everybody Dies (2020) is a poetic journey into the desert. It’s a reflection on the nature of death as something not to be feared, but embraced as a part of a personal and universal human experience. Super 8mm.

Dynamite, tête de poisson!

The encounter of a wound, a body and a city results in the alteration of the whole.

A modern poet Jamal who is against the traditional Urdu Poetry reads the biography of Mir Taqi Mir,one of the greatest poets of the 18th century. And sees Mir's reflection on his personality.

A lonely character braving a steep mountain attempting to reach its peak. As he journeys the mountain, he is forced to confront a plethora of internal demons.

Commissioned by the Exploratorium in San Francisco, Paul Clipson's five-part COMPOUND EYES cycle delves into the otherworldliness of the natural world. In training his Super-8 camera on insects and other "minor" invertebrates, Clipson draws the eye into an unseen realm, one so delicate as to simultaneously tempt and refuse the touch. Following the surrealist desire to make the familiar strange and the strange familiar, Clipson relates this micro-landscape to the built environment. Electronic musical motifs supplied by frequent Clipson collaborator Jefre Cantu-Ledesma add another layer of inquiry, one tuned to the unspoken space between wonder and terror. This first entry in the series keys the viewer's vision to a single drop of dew on a blade of glass. Wisps of eyelashes, dandelions and insect limbs seem to brush against the lens in a trembling intimation of seeing.