My Dad and the Volcano

In wake of the Joel Farabee and Morgan Frost trade, a fan comes to terms with their new reality during a journey to the sea.

Tian Soepangat joins the U.S. Navy out of a commitment to helping others. As a Muslim, Tian is uncertain of his shipmates' attitudes toward his religion, and so he hides it. Eventually discovering he doesn't have to hide his faith, he is free to express pride in his heritage.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Gonzalo Suárez: Sam Peckinpah, director salvaje

Pereda returns with a small, mysterious and moving tribute to Chantal Akerman, conceived as a series of joyful impossible letters addressed to the great disappeared from the cinema, to answer her fictional question about renting her bright apartment in Coyoacán.

The Bitterfeld lignite combine includes a large number of lignite plants, open-cast mines, power stations and briquette factories. The film presents several mining professions, shows miners' jobs, mostly in connection with modern mining technology, and points out the great prospects that mining offers in a wide variety of professions.

From beautiful but dangerous waterfalls to canyons and underground rivers carved into stone millions of years ago, Wild Australia is a stunning look at our fragile world and how it relates to Earth of ninety million years ago

Antoine and his former Big Brother reunite after the latter, now a father, moved to Russia several years previously. They roam the city to make up for lost time but quickly realize that their relationship is no longer the same.

Christopher Walken has branched out from his very successful acting career to pursue his true passion, creating artisanal coffee beverages and pastries, but be warned his concoctions have more than just meets the eye.

Short documentary about Twin Peaks: The Return.

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.

Biodun is Nigerian. In this animated documentary, he tells the story of his journey on foot from Lagos to Paris, how he survives with a container (un bidon) and thanks to his courage. With his amazing patter, he transforms the events into extraordinary adventures.

An observation of a Grandma's life. Every day, Grandma greets a wide range of characters, most of them typically in need of something. Her family uses her house as a magnet, visiting practically every day. Just like her home itself, she has always been there for her family.

The fate of a crosseyed sheep in the highlands of Iceland.

Apollon is a teenager hung up by the social ideals of masculinity. He fantasizes about having the perfect body - complete with big beefy muscles and a big banana.

Francis, a man in his sixties, is found in a diving suit, swimming in a river in the city center. Even his children, accustomed to their father's escapades, are surprised: since Francis knows he is condemned, it seems really unmanageable. Samuel and his sister must therefore find a way to accompany him at any cost.

The staff of a black hair salon fend off a strange new monster: white women intent on sucking the lifeblood from black culture.

Presented by Prince Wilhelm of Sweden, a film about the Västergötland province.

When Amy struggles to trudge through her monotonous everyday life, she realizes she is happier when she is asleep, forcing her to chase the secure bliss she feels when she dreams.

This is a film about 12-year-old girls, made by 12-year-old girls, for 12-year-old girls, or anyone that has been a 12-year-old girl, or will be a 12-year-old girl, or wishes they were a 12-year-old girl. This inquisitive cross between a documentary and a theatre piece was created by Tilda Cobham-Hervey and twelve 12-year-old girls, where real girls articulate what they hope for, what they remember and what it feels like to be twelve. Performing themselves in a filmed field guide, together these specimens investigate their own species.