Jonas Mekas and Agnes Varda are my mentors, they inspired me to create my own movement, But they are both different to a certain point. And although this small reflection on my mentors is brief, I know that they will continue to inspire future filmmakers. Because something magical that I still see in cinema is that It's not the prizes, nor the money It is the ability that one as a director has to inspire and be inspired by another director. And even though the world is very screwed, there is only one thing left to do: keep filming.
Work needs to get done, no matter how dirty or clean.
Quisiera no estar borracho para decirte lo que siento sin sentirme raro por ser humano
Mi nostalgia no define la persona que queiro llegar a ser
the con artist's tale
In this searing documentary, Indigenous people share heartbreaking stories that reveal the injustices inflicted by the Canadian child welfare system.
18 years have passed since the implementation of the Employment Permit System, and through this system, many migrant workers have stepped on Korean land, with the goal of chasing their dreams. The protagonists of this film also came to Korea in search of a dream,but because there’s no freedom to change workplace in the Employment Permit System, their dreams are hitting the walls of reality.This is the story of 3 migrant workers living the harsh lives of laborers.
A small but sturdy farmer called Sanghee Ahn and passionate young farmers surrounded me, farming. When even I am having a hard time here, will the farmers be able to protect the seeds and take care of the small plant lives?
Spring Wind Project - We are here
Two farmers, Yoon Gyun-sang and Jang Gwi-deok, have been receiving and planting their own seeds for decades. Farming changed their body and they have continued to work for several decades with the changed body as a matter of course. With the changes in their surroundings, however, their labor became special. There are people who are looking for the seeds that their special labor have been keeping. They may bring back to us the time that we took for granted, the precious time of seeds that constantly changes but lasts.
A film about memory, identity and the overwhelming power of love. One-year-old Devi was found starving at a railway station in Delhi. The police took her to Palna, an orphanage, where she lived for a year. When Devi learned to talk she often wanted to talk about Amma, her first mother. In the film, the 6-year-old Devi journeys to her own past, as her family adopts another daughter from Palna, a baby sister for Devi.
La France Vue du Ciel
The fate of a culture lies on the shoulders of few determined individuals.
Documentary about the nurses' strike in Finland on autumn 2007.
Documentary included with the DVD Rush in Rio (2003). Provides an almost hour-long look at the band and its crew during the final dates of their 2002 Vapor Trails Tour, specifically their first-ever Brazilian shows in Porto Alegre, Sao Paulo, and Rio de Janeiro. Behind the scenes footage shows the band weathering the rigors of a sometimes comically catastrophic tour, with their innate humor and grace. This documentary, by longtime Rush photographer Andrew MacNaughtan, shows the band and crew at their most light-hearted, though still thoughtful. We see the band's arrival in Brazil, to the unexpected onslaught of Brazillian fans boiled over in the culmination of a lifetime's anticipation. Following this are insights from the band and their crew, which provide a view into their longevity as well as ample evidence of the individual strengths and varied senses of humor that helped them achieve it.
The Molotovs kick things off in style with “Rebel Rebel,” followed by magical covers of “Heroes” (The Horrors), ‘Fascination’ (La Roux), “Let's Dance” (Jeanne Added), “Rock'n'Roll Suicide” (The Libertines), “Sound and Vision” (Anna Calvi), “Starman” (The Divine Comedy), and “The Man Who Sold the World” (Yasmine Hamdan): eight intense reinterpretations of David Bowie's work, delivered during an arty and decidedly London-esque stroll, which, from stage to studio, recreates the fragile intensity of a live performance.
Actress and filmmaker Robyn Adams discusses her experiences with autism, gender identity, and learning to embrace her flaws. Also, she's Frankenstein's Monster now.
Death on the Grossglockner
On January 6, 2021, Guy Reffitt was among hundreds of Donald Trump supporters who stormed the Capitol to protest Joe Biden's victory in the US presidential election. Shortly thereafter, this Texas father was arrested by the FBI, tried, and imprisoned based on statements made by his son, Jackson, a 19-year-old young adult who watched with horror as his father became radicalized. Over four years, the documentary follows the evolution of this family, which, like the country itself, is torn apart and no longer understands itself.
You can watch this movie here: https://www.youtube.com/watch?v=8nUfC7yVKy4