89 min
7
2009
USA
In the summer of 2001 the Taliban strategically captured 24 Shelter Now International Aid hostages that captured the attention of the world for more than three months. With representatives from the United States, Australia, Germany and Afghanistan, the Taliban set out to create an insurance policy against the pending attacks of September 11th. What transpired through their story was an overwhelming journey of faith, grace and endurance. Based on the true story as told by the captives, Kabul 24 captures the gantlet of their 105 days in captivity and the cruel treatment of the Muslim co-workers at the hands of the Taliban who accused them of converting to Christianity. Revisit their journey from the grueling interrogation to their sham "trial" before the Taliban Supreme Court, to the dangers endured during the bombing of Kabul and a crushing sense that the world had abandoned them.
Overview
Reviews
Charles Tatum wrote:There have been millions of stories over the past couple of decades about how 9/11, and the War on Terror, have affected global society. This documentary sheds light on an almost forgotten set of people who were being held captive in Afghanistan when the United States exacted revenge on the terrorist-sympathizing Taliban, to whom we disastrously handed the country back. Shelter Now International is a multi-national Christian aid organization who provide food and comfort to those in need. They have a team in Afghanistan, but were told not to preach the Gospel unless asked, since the Taliban have made the attempted conversion of Muslims a crime. On August 23, 2001, eight western members of the organization (Americans Heather Mercer and Dayna Curry, Australians Peter Bunch and Diana Thomas, and Germans Margrit Stebner, Katrin Jelinek, Silke Duerrkopf, and Georg Taubmann), and another sixteen Afghans are arrested for supposed indoctrination. What followed was over one hundred days of brutal captivity, constant mental abuse, threats of execution, and the fear of never seeing their families again. Even in the face of American bombings, the eight keep up their faith: praying pacifists who cannot find it in themselves to harm their guards to escape. A question I had almost right away was: sure, we focus on the eight westerners, but what about the poor Afghans? Do they not count? Yes, we find out they do count, but they were also still in Afghanistan. The few subjects who the film makers are able to talk to have their faces blurred out for fear of reprisal, which was and now is possible.
The main eight subjects all use their faith in God to get through their ordeal, although each seems to have had their breakdowns and doubts on many occasions. The four prisons they are shuffled around to are squalid, and filled with political Afghan prisoners- one prison for non-believers has 1500 boys in it. The country's women are treated as less than human; they are not allowed to refer to themselves by name- but as either "wife of..." or "daughter of...". The hostages' capture in late August 2001 was big news until the September 11 attacks, and the Taliban tried to use their presence as human shields, unsuccessfully bartering with the United States and the United Kingdom before bombing commenced on October 7. Although all eight subjects are interviewed, the film is still rife with suspense. Hostage Taubmann revisits many of the places they were held, showing the camera first hand what happened. This is compelling stuff, as are the tales of the torture and beatings the Afghan citizens had to endure. Some of the captors eventually helped the prisoners, but watching the interviews, I could tell the stress was still there on the faces of everyone involved.
My quibbles with the film are minor, but do keep this from being a perfect story. I would have liked to see more about how these people dealt with ordinary life upon their return. I know some went back to Afghanistan, or wanted to return, but how was their faith strengthened or shaken? The film makers use a very crude but effective animation technique to show some of the scenes- the trial, some prison sequences- that could not possibly be filmed or recreated. The narration by the awesome Jim Caviezel is almost non-existent, so unobtrusive that I would forget he was narrating until he started to speak. The musical score is alright, and the editing is very tight. Director Pearson captures the otherworldly-looking Afghanistan countryside very well. "Kabul 24" isn't "Midnight Express" revisited, but it tells an important chapter in the history of a country that is still in the news today. The two dozen hostages should be admired, and so should this film.
