Raumerfahrungen

Jeff krulik's favorite DC restaurant closes for good. A bitersweet farewell kiss.

Ralph "King of Porn" Whittington retires from the Library of Congress and the public relations office breathes a sigh of relief.

Suburban DC accountant Neil Keller has amassed a collection of over 9000 items tracing the genealogy of every famous jew on earth.

Jeff Krulik, the no-frills documentary filmmaker and collector of the offbeat who gave the world Heavy Metal Parking Lot, presents this hilarious collection of short videos and films by himself and others.

Guerrila filmmaker Krulik bring us his films of the last decade in one handy package. Features "Heavy Metal Parking Lot," its sequel "Neil Diamond Parking Lot," "King of Porn," "Mr. Blassie Comes to Washington," "I Created Lancelot Link", and "Ernest Borgnine on Tour."

Come What May documents the extraordinary life of Mary, a parent carer, and the challenges she has overcome to support herself and her family.

The film was shot as the final part of the play "Drink the sea, Xanthos" theatre-Studio "NEO" (St. Petersburg 1987-1989). As a result, the performance was changed and the film gained independence. He became an allegory of acting.

Young people dive into the sea by jumping off a manmade wooden raft, while a small boat loaded with passengers passes by.

A military horseback riding event from 1897.

American Indians dancing.

Released on October 4, 1896 in Lyon ( France ) under the title “ Fêtes de l'inauguration du monument de Guillaume Ier à Breslau : II. - Le voile tombe (Lyon républicain, 4 octobre 1896)”. (catalogue-lumiere.com)

Panorama of Nice from the deck of a ship.

Shot of Venice from the Canal.

African men dance, sing and play instruments.

An impression of the funeral parade for Victoria, Queen of England, filmed in London (via https://catalogue-lumiere.com/le-char-funebre/)

Elaborate floats and costumes parading the streets of Nice.

A steamboat coming to port.

Teasing tigers with meat.

The parade occupies only a small portion of the screen, the crowds are a seething mass that do really move and the Independence Bell is nowhere to be seen.

Lumière Brothers film automobiles driving at the Champs-Elysées.