Renaissance Man

L'últim ball de Carmen Amaya

Co-directed by Blackwood and Julien, the first full-length feature film by Sankofa Film and Video offers a radical and necessary interrogation into what constitutes 'post-colonial' identity at a time of political and social restlessness in Britain. Set within an isolated desert landscape contrasted with recognizable scenes of the intensity of family life, this vanguard work demonstrates the richness and variety of the black experience; it is a poetic and hard-hitting commentary on the complexities of race, gender and sexuality.

The child-duo Rico and Oskar, one of them is quite more sluggish, but precisely because of fantasy and own world view; the other one is a smart whiz, but scared for life.

Bettie Page grew up in a conservative religious family in Tennessee and became a photo model sensation in 1950s New York. Bettie's legendary pin-up photos made her the target of a Senate investigation into pornography, and transformed her into an erotic icon who continues to enthrall fans to this day.

A hip hop horror anthology of three tales of terror told by the Hound of Hell (Snoop Dogg) that revolve around the residents of an inner-city neighborhood whose actions determine where they will go in the afterlife.

Agathe Villanova is a self-centered, workaholic feminist politician who, upon reluctantly returning to her home in the south of France to sort out her mother's affairs, runs for a local election. Upon her arrival, Agathe grudgingly agrees to take part in a documentary being made by the blundering duo of Karim, an aspiring filmmaker, and self-professed "reporter" Michel, on the subject of "successful women." As Agathe's life hilariously unravels, the camera is there to capture it all.

Robert, a fan of three French actresses is a bald-headed, potbellied man on the fifties, but fully devotes himself to them, and sometimes works for them without being recognized. But those star actresses find him a simple stalker fan and make fun of him, but later recognize he is sincere and genuine.

Marco leads a double life. As Marco, he is a construction worker but rich ladies craving sexual excitation know him as Patrick. As Marco he is married to Fanny, an ambitious young woman who has opened her own hairdressing salon in partnership with her friend Rosalie. Marco/Patrick is not a male prostitute at heart: in fact he does the job in order to support his wife's business. Which doesn't prevent Judith, an elegant tele-shopping presenter who buys his services, from falling in love with him. But when Fanny learns what Marco does and with whom, she first gets mad but soon starts interfering in their affair.

La Lingerie concerns four women Miu, Donut, Celine and CC who’s lives and loves are linked through a sexy lingerie shop where Donut works.

Set in Dublin in 1967, the story of feisty woman, who along with her seven children, learns to cope with adversity after the unexpected death of her husband.

The loving and nurturing Mariel marries Edward after his first wife abandons him and their three children. Mariel strives to win the acceptance and affection of her new stepchildren, even as she tries to define her role in the family.

Meredith Baxter plays Joyce Wadler in this heartwarming story of hope, courage and redemption inspired by the New York City journalist's real-life struggle with breast cancer. Stuck in a lackluster relationship with her boyfriend, she's forced to re-examine her life when she receives the troubling diagnosis.

Knowing the past changes the future. Seeking a connection to her heritage, Rebecca Hoffman sets out on a journey of discovery following the deaths of her adoptive parents. She finds that connection with her birth family in the Navajo community. But cultures clash when her husband is rejected as an outsider. Rebecca and her family experience rebirth in a rich culture and renewal as a family in this dramatic film based on the autobiography Looking for Lost Bird by Yvette Melanson (with Claire Safran).

Kayla, an underprivileged Japanese American 16 year old, endangers her promising future as an aspiring artist when she becomes involved with a drug dealer.

Kuhle Wampe takes place in early-1930s Berlin. The film begins with a montage of newspaper headlines describing steadily-rising unemployment figures. This is followed by scenes of a young man looking for work in the city and the family discussing the unpaid back rent. The young man, brother of the protagonist Anni, removes his wristwatch and throws himself from a window out of despair. Shortly thereafter his family is evicted from their apartment. Now homeless, the family moves into a garden colony of sorts with the name “Kuhle Wampe.”

As a young and naive recruit in Vietnam, Chris Taylor faces a moral crisis when confronted with the horrors of war and the duality of man.

Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.

It ain't easy bein' green -- especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot -- a wisecracking donkey.

After the death of his mother, a young boy calls a radio station in an attempt to set his father up on a date. Talking about his father’s loneliness soon leads to a meeting with a young female journalist, who has flown to Seattle to write a story about the boy and his father.

Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.