Suatu Hari di Tempat Pemancingan

Scott is an emotionally damaged eighteen year old boy. After his mother dies, he starts to care for his abusive, alcoholic father. Spurred on by his girlfriend, Scott confronts him in an attempt to break the negative cycle of his roots.

Der Koffermacher

After the devastating disappearance of her teenaged daughter, Rocío attempts to uncover the truth in the dense tangle of bureaucracy and patriarchal social norms.

Two friends doggedly build a mysterious artefact in the forest, the function of which remains unclear until the very end. INSIDE starts with a shot of a burnt tree stump in a forest. Materials are gathered. What are the various branches, stones and pieces of grass for and what will the silent activities lead to? INSIDE slowly uncovers an act of human solidarity. The camera hovers around two boys, ramping up the tension, and is supported by an excellent soundtrack.

Leo, a transgender teenager, is secretly in love with his best friend Kai. On their last day together before Leo moves to LA for college, they hide in the sports center where they play basketball. What starts as a prank ends with Leo finding the courage to confess his feelings for his best friend.

She was taken in by a cultivation master after her family was slaughtered. Vowing unconditional loyalty to her newfound teacher and savior, she followers her every step into adulthood. Can such reverence save her when a demonic cultivator comes into the scene and shakes up the entire villa?

A boy in a forest, trapping animals for a living. The woman next door, planning a fresh start. As a desolate winter sets in, their lives begin to intertwine.

A teenage boy named David is afraid of being transparent. When David's best friend, Johnathan, notices his abuse at home, David must overcome his fear of rejection in order to embrace his friend's support.

Mariana must sacrifice her dog Frida after violently beating it for having destroyed her recently deceased son's toys. The pet's death helps Mariana accept and overcome the loss of her son.

Carlos, a man haunted by his past, plunges into an existential crisis that leads him to day-to-day apathy due to the loss of a child, an act that condemns a declining marriage and continuous desolation.

At her young age, Juana has two great responsibilities: preventing her older sister from fleeing the house and passing on the secret of making bricks to her younger sister.

In 1929, during the Cristiada, Ranulfo, captain of the Cristero army, kept a federal prisoner, whom he tortured and threatened. At another time, Eugenio, captain of the federal army, rebukes and mocks the faith of a group of Cristeros peasants who are weak but not defenseless.

Lola, an employment agency branch director receives a strange call in the late of the night. It is his boss. Unfair dismissals are quickly increasing in her sector. This means huge expenditures increase for the company. The situation must be stopped or her branch will have to be closed.

A seemingly unremarkable man spends a day taking a bizarre test at a mysterious facility. Through his day he interacts with the odd, detached employees of the facility, guiding him from section to section, obscuring the intentions or duration of the test.

Emshwiller made this film on a Ford Foundation grant, and in his original proposal to the Ford Foundation, he outlined the film as "something that deals with subjective reality, the emotional sense of what one's perception of the total environment is -- sexual, physical, social, time, space, life, death."

The suspicious death of a pet snake puts a chokehold on a loving father.

After losing a family member to a violent crime, a shattered rideshare driver picks up a passenger that forces him to confront his grief.

Two Chileans, Daniela and Tomas, meet in Philadelphia. Daniela is the daughter of a former political prisoner, tortured during Pinochet's dictatorship. Tomas is the son of the physician that tortured her father. Both have been forced to deal with a past that doesn't belong to them, and together they will find a space to question their roles and their heritage.

Trey feels small. He is gay, HIV-positive and lonely in NYC. All around him are hulking, powerful men, intimidating and challenging him everywhere he looks. Throughout his day, he obsesses over how to get BIG - and his insecurities keep him trapped in a cycle of trauma and abuse.

Tina doesn’t know much about the schoolgirl in the Hijab. She might come from Egypt or Iraq – but what does it matter? She would like to be there for her neighbour, to protect her from her tough life at home and in the neighbourhood. But how come Tina thinks she knows so much about this foreign girl? Prejudice and tentative advances collide head-on in the block.