POV Memory

In July 2020, Rob Bliss, a young, white filmmaker, posted a video of what happened when he held up a ‘Black Lives Matter’ sign in Harrison, Arkansas, 'the most racist town in America'. It went viral, attracting 12 million views. What Bliss did next was remarkable. Over 1500 miles, two months and 25 miles a day, he set out to walk through the American South, wearing a Black Lives Matter t-shirt, and a sign that invited people to ‘come walk with me’. His goal was simple: to take the conversation Floyd’s murder had sparked about racism in American society into the places where it was most needed, yet most silent.

The bliss of suburban life interrupted by non sensical violence led by an unknown and misunderstood extra-terrestrial life-form.

From May 10, 1940, France is living one of the worst tragedies of it history. In a few weeks, the country folds, and then collapsed in facing the attack of the Nazi Germany. On June 1940, each day is a tragedy. For the first time, thanks to historic revelations, and to numerous never seen before images and documents and reenacted situations of the time, this film recounts the incredible stories of those men and women trapped in the torment of this great chaos.

After twenty years, Wiam Al Zabari starts a conversation with his father. Why did they flee from Iraq? Why was that never discussed? Will he be able to let go of the past and embrace a Dutch future?

Fearing for her life, Israeli transgender pioneer Efrat Tilma fled the country as a teenager. Now in her seventies, she must fight for her freedom once again, as the country spirals into political and social regression.

Recounted mostly through animation to protect his identity, Amin looks back over his past as a child refugee from Afghanistan as he grapples with a secret he’s kept hidden for 20 years.

Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.

Explores how Hitler’s personal library provides a look into his mind and how it significantly informed his worldview.

Deserter follows Ryan Johnson and his wife Jen during their flight from the Central Valley of California to Toronto, Canada. Johnson deserted the American army after hearing that he was going to be deployed to Iraq, despite assurances that this would not happen. Like many of his contemporaries, Johnson only joined the army because he could not find a job, and he sees the war in Iraq as both illegal and immoral. Desertion means imprisonment, so he decides to flee, realising that there will be no way back. Johnson seeks advice from various helpful organisations that guide him and Jen to Canada. The employees include both Vietnam veterans and young soldiers who have already served in Iraq.

Europe is seeing a clandestine emergence of illegal underground "No Rules" fight clubs: no rules, no rounds, no gloves. Young men are risking life and limb at these hidden events, which allow everything from biting and head-butting to eye-gouging and neck stamping. This world is one of unfiltered ultraviolence and raw instinct. Away Days got special access into this scene. We spent three years attending hidden brawls all over Europe to document what is one of the most authentic new countercultures on earth.

Between 1930 and 1945, Eastern Europe experienced mass violence on an unprecedented scale. Hitler and Stalin exploited the vast region for their respective expansionist plans. It is estimated that around 14 million civilians were murdered—primarily Jews, Poles, Balts, Belarusians, and Ukrainians.

A look inside one of the most brutal campaigns of state repression in modern history - told by those who endured it and those who enforced it.

Lauren Southern’s distubing documentary about the violence against Boer farmers in South Africa.

Filmed immediately after the end of the civil war in Angola, Há Sempre Alguém Que Te Ama records the return of Pocas Pascoal to the country where she was born, in an attempt to reconstruct the episode that, in 1975, led to the capture of the director along with her mother and sisters. An intimate documentary about memory and self-(re)construction.

As anger and resentment grow in the face of social inequalities, many citizens-led protests are being repressed with an ever-increasing violence. In this documentary, David Dufresne gathers a panel of citizens to question, exchange and confront their views on the social order and the legitimacy of the use of force by the State.

Documentary that profiles Mark Pauline, the machine performance artist of Survival Research Laboratories. As the Title suggests, Pauline lost most of one hand during experimentation. 'Maimed Artist' explores the often destructive world of such performance art, where there is a fine line between entertainment and insanity.

One day, in Savigny, an 18-year-old boy left his house in the middle of the war, saying: "I'm leaving, I'm going to kill Hitler." His name was Joseph, he was Jewish, he was my great-uncle. He disappeared during the night of the Occupation, and his existence became a family secret. He disappeared from history, the small as well as the big: he is not on any deportation list, and the only archive where he appears is a family photo of him as a child. It disappeared like a stone at the bottom of the water, instead of going up in smoke in the sky of Poland. What did he become? And why didn't anyone mention his name anymore?

October 7, 2023: Hamas terrorists attack Israel, murder and take hostages. Israel reacts with severity. The goal: the destruction of Hamas. But with the war in Gaza, Israel is awakening the great trauma of the Palestinians: the expulsion of 1948. How can the lack of empathy on both sides be explained?

This visceral cinematic snapshot is an inventive commentary on the pleasures and dangers of wielding a camera. Using different video and film formats, the director tries to record life as it is, unpredictable and at times dangerous.

Claude Lelouch was a Jewish child in occupied France. In this documentary, he talks about the trauma he still feels from that experience, but also how it inspired him to become a filmmaker. The 1940s appear to be a formative period, key to understanding the work and career of this famous director, whose films and life have always been inseparable.