The Dispute

Stejarul

A gang of young thieves flee Paris during the violent aftermath of a political election, only to hole up at an Inn run by neo-Nazis.

A documentary that explores the life of one of the world's most populated cities from its streets. Shot in 2009-2012 (before and during the Egyptian revolution, and ending with the most recent presidential elections), the film explores the country's collective identity, inherent struggles, and the sentiments that lead through the historic changes taking place in Egypt today. For his third documentary, Egyptian/ American filmmaker Sherief Elkatsha rides through the congested streets alongside a diverse cast of characters-from taxi drivers to ambulances, from traffic cops to private citizens-capturing the unspoken codes of conduct, frustrations, humor, fatalism, and life-or-death decisions of driving in a city where the only rule is: there are no rules.

Employees at a Bennigan's-like restaurant (called, creatively enough, Shenanigan's), kill time before their real lives get started. But while they wait, they'll have to deal with picky customers who want their steak cooked to order and enthusiastic managers who want to build the perfect wait staff. Luckily, these employees have effective revenge tactics.

Going Green

Nine Strangers each receive a mysterious invitation to a night in a seemingly empty house. Nobody has any clue as to why they are there, but when one of them shows up dead at the front door, they'll realise that leaving may not be an easy task.

Roland and Rattfink compete against each other in a 1901 car race.

A simplistically rendered girl screams and cries, and her environment changes to reflect her thoughts and mood.

This is a video essay. It is a brief analysis of the connection between the individual and the self, the individual and the changing environment, and the individual and other individuals through three clips: Part 1: 1980 video of Andy Warhol eating a burger Part 2: Canva clips edits Part 3: Clip from Jacques Tati's "Parade", 1974

The Ravens was the couple's first sand animation film and the prelude to a unique work.

This "Theater of Life" series short looks at traffic problems in Los Angeles, California, as described and experienced by Sgt. Charles Reineke, a traffic enforcement officer with the Los Angeles Police Department.

Rose Loomis and her older, gloomier husband, George, are vacationing at a cabin in Niagara Falls, N.Y. The couple befriend Polly and Ray Cutler, who are honeymooning in the area. Polly begins to suspect that something is amiss between Rose and George, and her suspicions grow when she sees Rose in the arms of another man. While Ray initially thinks Polly is overreacting, things between George and Rose soon take a shockingly dark turn.

In 2020, three filmmakers visited Britain’s most haunted village - Pluckley, in Kent - to shoot a documentary about its many legendary ghosts, and to conduct their own paranormal investigation. The three soon discover that the stories and legends are all true, and that the notorious "screaming woods" hold a very sinister past.

Loner Diane Ford is a truck driver with an 11-year-old son, Peter, whom she never sees, and that's fine with her. But, when Peter's father, Len, falls ill, he asks Diane to take care of their son for a while. Eventually, Diane reluctantly agrees, but she quickly realizes that caring for a child interferes with her independent lifestyle - and Peter isn't all that thrilled with the arrangement, either.

Bunky Blum is picked on in school. His only peace comes during lunch hour, when he and his mentally ill Mother eat McDonalds and visit a talking train named Train. The 83 year-old train is now a caged monument in the center of a children's park. However, Bunky believes that the train will break out of its confines and save him from the bullies of the schoolyard. When Bunky realizes that the train is not magical, all hope is lost and Bunky has a moral melt down. In a fit of rage, Bunky punches a girl in a wheelchair. The unsympathetic move lands Bunky on the losing end of a full out brawl. Bunky's Mother witnesses the schoolyard violence and she erupts into her own fit of rage, which ultimately sends her back to the psych ward. In the end, Bunky is left without hope, without family and without security. He returns to the old train to make a final plea for vengeance. But Bunky's giant steal savior has not come for vengeance. Rather, it offers Bunky what he needs, a shush of peace.

This film is an humorous view on the conflict of pedestrians with all growing car traffic.

The streets of Latin-america's big cities are crammed full of cars. Justified by poor public transportation or having chosen isolation, people drive one car each. Outside, a diversity of urban characters take the traffic light, a mere traffic control device, and turn it into their own meeting place.

647KM

Marginal

Doubling as a cartography of the ever-changing city, Bill Cunningham New York portrays the secluded pioneer of street fashion with grace and heart.