This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
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In war-torn colonial America, in the midst of a bloody battle between British, the French and Native American allies, the aristocratic daughter of a British Colonel and her party are captured by a group of Huron warriors. Fortunately, a group of three Mohican trappers comes to their rescue.
A day in the life of 91.1, Nuxalk Radio, a radio station built to help keep the Nuxalk language alive while broadcasting the laws of the lands and waters.
The true history of a collection of some 500 films dating from 1910s to 1920s, which were lost for over 50 years until being discovered buried in a sub-arctic swimming pool deep in the Yukon Territory, in Dawson City, located about 350 miles south of the Arctic Circle.
Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.
Edmond Dantés's life and plans to marry the beautiful Mercedes are shattered when his best friend, Fernand, deceives him. After spending 13 miserable years in prison, Dantés escapes with the help of a fellow inmate and plots his revenge, cleverly insinuating himself into the French nobility.
The film that Michael Janusonis of the Providence Journal claims, "is not to be missed," is an exhilarating ride; a poignant and often hilarious look at one of New England's great landmarks. YMBTT takes you all the way back to 1847, to the early beginning of Rocky Point Park, then flies fast like a roller coaster to its current, demolished state. Along the way we meet colorful and insightful characters who rode the rides, who ran the rides, and who kept the park running for all those years. You'll see hurricanes and Presidents, the Yo-Yo and the Flume, and you'll just about be able to taste those clam cakes and that chowder from the World's Largest Shore Dinner Hall.
Alaska's Giant Bears
Filmmaker/activist Melaw Nakehk’o has spent the pandemic with her family at a remote land camp in the Northwest Territories, “getting wood, listening to the wind, staying warm and dry, and watching the sun move across the sky.” In documenting camp life—activities like making fish leather and scraping moose hide—she anchors the COVID experience in a specific time and place.
Thursday shot from filmmaker Galen Johnson's high-rise apartment during COVID-19 “lockdown” in Winnipeg, captures people going about their daily routines in the city's eerily empty streets, yards and parking lots, on their balconies and on the riverbanks. The extreme distance and the diminutive scale of humans is paired with sound close-ups—a combination that embodies the strange, heightened intensity of feeling of the time, knowing an era-defining tragedy is happening yet being so physically removed.
This is the true story how one person made a difference in the lives of over 125 people by rescuing them from Nazi Germany. In 1903 Herman Stern arrived in America at the age of 15. He could not have imagined, 30 years later, he would be helping others come to America to escape persecution from his home country of Germany. There has been very little written about Herman Stern and his goal to save relatives, extended family and even strangers from possible death and persecution in the 1930’s in Nazi Germany. This project focuses on Herman Stern’s leadership skills and desire to help all in society as well as his civic and economic contributions to North Dakota. Video Arts Studios has produced an award winning video documentary as well as an accompanying lesson plan for schools, which have been distributed electronically to North Dakota schools via the ND University Systems. The video has also been made available to North Dakota libraries, museums and service organizations.
Gritty adaption of William Shakespeare's play about the English King's bloody conquest of France.
When lock & dam construction along the Monongahela River threatens to flood the quiet town of Greensboro, desperate citizens seek the help of Glenn Toothman, a new young attorney, to save the place they call home. Glenn's ensuing research unearths the town's surprising significance to American history. But is that knowledge enough to stem the tides of modernity?
This feature-length documentary by Alanis Obomsawin examines the plight of Native people who come to Montreal searching for jobs and a better life. Often arriving without money, friends or jobs, a number of them quickly become part of the homeless population. Both dislocated from their traditional values and alienated from the rest of the population, they are torn between staying and returning home.
This documentary chronicles the relocation of an entire town in Newfoundland, Canada.
Five women from the North to the South of Quebec embark on a multisport expedition following the Koroc river in Nunavik. Travelling together against adversity, this journey soon becomes one of self-discovery for each participant.
Crash 'n' Burn is an experimental film shot in and named after Toronto, Ontario's first punk rock club. (Not to be confused with Peter Vronsky's similarly titled 1977 documentary on the Toronto punk scene made for the CBC television network.) The film, shot on 16mm black-and-white stock, features performances by Dead Boys, Teenage Head, The Boyfriends, and The Diodes".
An Azerbaijanian veteran of battle for Brest fortress takes gun again 50 years later - to defend Nagorny Karabakh from Armenians.