A Love Letter to Cinema

An underground fight is taking place in a painter's studio between the artist and the ten tyrants.

An adaptation of the Beckett play

Starting in the late 1930s, illustrator and experimental animator Douglass Crockwell created a series of short abstract animated films at his home in Glen Falls, New York. The films offered Crockwell a chance to experiment with various unorthodox animation techniques such as adding and removing non-drying paint on glass frame-by-frame, squeezing paint between two sheets of glass, and finger painting. The individual films created over a nine-year period were then stitched together for presentation, forming a nonsensical relationship that only highlights the abstract qualities of the images. —Kansas City Electronic Music and Arts Alliance

In 1958, graduates of the Film School in Łódź – director Mieczysław Waśkowski and camera operator Adam Nurzyński – produced in cooperation with Tadeusz Kantor the short film Somnambulists. The colourful, painting-like moving image was an attempt at transferring the informel onto film stock.

An electoral campaign is underway in an imaginary country. Two leaders fight over the voters, who cry in exasperation. The first leader is fat and whiny, the second smiling and aloof. A man with a laptop computer and a teenager with a stony face and muscular body look on as the political battle unfolds. An aggressive woman removes herself from the melancholy scene. After the victory of democratic optimism, the two observers kill the leader, who dies with a smile on his lips. Civil war breaks out.

Married small-time crooks Lou-Jean and Clovis Poplin lose their baby to the state of Texas and resolve to do whatever it takes to get him back. Lou-Jean gets Clovis out of jail, and the two steal their son from his foster home, in addition to taking a highway patrolman hostage. As a massive dragnet starts to pursue them across Texas, the couple become unlikely folk heroes and even start to bond with the captive policeman.

The Third Rule

Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror tropes. A corresponding soundtrack of stock screams and "scary" music suggests that the girls' toying with gender roles and power dynamics may have dire consequences.

The Conarium Of Thanatos

LAND is a fluid series of formal land animation experiments based upon the imprint of landscapes in various locations and intuitive interpretations of those movements. Shot in New York, Thimble Islands Bear Island, Connecticut, Armstrong Redwoods, Sonoma County, California, Hastings, England. note* (part of the EYE Filmmuseum Permanent Collection)

The surreal, experimental story of an unseen serial killer.

An individual finds that the world that intrudes upon his personal life cannot be escaped, and he turns to the next generation.

An actress’s perception of reality becomes increasingly distorted as she finds herself falling for her co-star in a remake of an unfinished Polish production that was supposedly cursed.

At dusk, an observer captures an absurd phenomenon.

A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.

Five years after shooting "The Last Supper," an experimental feature film with no budget, a group of film technicians and artists gather to celebrate the film's unexpected success and decide what to do with the profits generated in theaters and digital platforms.

Sometimes you’re at home with a friend and you tell them that if you don’t leave you’ll be late and the response is a crazy, unexpected and utter frenzy.

Víctor Tellez is an intellectual, world-weary film critic who prefers to think in French and eschew the clichés of romantic movies...until he finds himself living a sappy, feel-good love story of his own.

Hunter, a bride-to-be, feels overworked and unappreciated. Her artistic spirit is squelched by the shallow corporate world she’s in and she has had enough. Unfortunately, she feels as if she can’t turn to Ian, her commercial executive fiancé, for solace. As her wedding day approaches, Hunter and her three bridesmaids embark on a road trip to Las Vegas for one last hoorah together. As the girls venture from the city, they decompress and let their personal barriers fall. An impromptu sightseeing excursion into the desert leads to a clash of anxieties and attitudes between Hunter, the bridesmaids, and her fiancé as Hunter searches for the road that’s right for her.

Trapped and alone, a young man must confront the pain he's ignored when he finds himself face-to-face with consequence.