Nunca Mais - o filme
An affectionate and entertaining look at our nation's obsession with cinema from the early days of silent cinema, through the golden age of the picture palace, to the modern multiplexes and beyond. A celebration of Norfolk-area cinemas past and present that introduces some colourful characters who kept audiences coming back for more, this film also asks: Is this the final reel in the story of cinema or just another chapter in its continuing development?
Un sale métier
Le Nouveau monde
Artavazd Pelechian, le cinéaste est un cosmonaute
Despejadas
Entre Muros
História de Amor em 16 Quadros por Segundo
This documentary explores an unknown civilization of the Brazilian Amazon, who risk their lives to protect their forest. In order to save the exploitation of the environment by big corporations, they have to create legal institutions.
The interview, held on January 4, 2001, was the last given by Professor Milton Santos, who died from cancer on June 24 of the same year. The geographer is gone, but his thoughts remains. Its political and cultural ideals inspire the debate on Brazilian society and the construction of a new world. His statement is a true testimony, a lesson that the world can be better. Based on geography, Milton Santos performs a reading of the contemporary world that reveals the different faces of the phenomenon of globalization. It is in the evidence of contradictions and paradoxes that constitute everyday life that Milton Santos sees the possibilities of building another reality. He innovates when, instead of standing against globalization, proposes and points out ways for another globalization.
In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”
Sur la route des Drive In
Esquecidos: crise nos anos finais do Ensino Fundamental
At struggling independent movie theatres across Alberta, passionate business owners are reviving, re-inventing and sometimes letting go of these once-vital community spaces.
Experimental short-film made by brazilian students about the trópicalia and cinema novo movement. The narrative revolves around the song Géleia Geral from the album Tropicália ou Panis Et Circensis and also around the political, artistical and social time from that period.
1981 ANO ZERO DA LÍNGUA GALEGA
Real memories get confused with invented ones, while the movie's director investigates his parent's past in a work that wanders between fiction and documentary.
Oppenheimer: O Gênio Arrependido
Muitos líderes em democracias erraram na pandemia. Ninguém errou mais que Bolsonaro.
Pombo Doméstico: Herói ou Vilão?