fixie

For fixed-gear cyclists, Los Angeles is a city that has it all. From the neon glow of Hollywood to the sun-drenched boardwalk of Venice Beach, fixed-gear has evolved into a vibrant street culture that is uniquely L.A. From director David Rowe (Fast Friday) comes a new documentary feature that explores a side of L.A. few outsiders have seen. From races through rush-hour traffic to midnight loft parties, To Live & Ride in L.A. is a fast paced-trip through the busy streets and back-alleys of one of the world's largest cities. To Live & Ride in L.A. features talented local riders tearing up the streets with first-time visitor Keo Curry (Fast Friday, Macaframa) - one of the living legends of the sport. Bike to hidden spots off the map, race a midnight alley-cat, keep pace with the riders from Wolfpack, and hang with the local crews, graffiti artists and other L.A. personalities burning up the fixed-gear scene.

Pedal is a fast-paced documentary film about surviving in the streets of New York City as a bicycle messenger. It features messengers from all walks of life as they battle traffic in a race to make their next delivery on time. Directed by Sutherland and produced by Ana Lombardo, Pedal the documentary lets viewers live the spectacle of the delivery itself. It premiered in 2001 at the South by Southwest film festival, and was later acquired by the Sundance channel, where it aired until 2004.

Line Of Sight is a rare view into underground bicycle messenger racing which has become a global phenomenon. For over a decade Lucas Brunelle has been riding with the fastest, most skilled urban cyclists around the world while capturing all the action with his customized helmet cameras to bring you along for the ride.

Infinate Quest Productions in association with Cadence present Fast Friday. A Documentary by David Rowe shot on location in Seattle Washington

Mash is a testament to the efficacy of the frame, wheels, cockpit, and drive-train that carry us through SF's labyrinth of lanes, alleys, and everything in between. This video recognizes those who have inspired us with their unique presence in the streets, who have created an accelerated style of riding bikes built for the track but tailored for daily abuse. The synthesis of this video sprang from a desire to show the world how these locals take ownership of San Franciscos dense landscape and display an incredible amount of focus, fluidity, and grace in the process.

Empire is a movie about having fun riding your bike New York City. In the tradition of BMX and skate movies, Empire follows New York’s best fixed gear riders and a few special out-of-town guests in and out of traffic all over New York City. Inspired by MASH and Lucas Brunelle, Empire is the first full-length fixed gear action sports feature shot entirely with New York City.Featured riders include Tom Lamarche, WONKA, Dwaine, Yatika Starr Fields, Dagga, John Prolly, Kai Perez and surprise guests.

Mash is a group of friends: racers, artists, students, musicians, designers, and photographers, all connected through bikes. What started as a small video project and have grown into a team of racers, a line of bikes produced with Cinelli, and an outlet for friends to support each other through bikes. The accompanying video takes a narrower view than the book, focusing primarily on street-riding in San Francisco. With exceptional riding and up-close cinematography, the video captures the joy of riding track bikes in a city like SF and passes that excitement along.

A brand new retrospective documentary produced by Ballyhoo Motion Pictures and featuring interviews with cinematographer Dean Cundey, production designer/editor Tommy Lee Wallace, photographer Kim Gottleib-Walker, make-up effects artist Steve Johnson, Carpenter biographer John Muir, music historian Daniel Schweiger, visual effects historian Justin Humphreys and assistant Larry Franco

A brand new retrospective documentary produced by Ballyhoo Motion Pictures and featuring interviews with writer Nick Castle, cinematographer Dean Cundey, composer Alan Howarth, production designer Joe Alves, special visual effects artist/model maker Gene Rizzardi, production assistant David De Coteau, photographer Kim Gottleib-Walker, Carpenter biographer John Muir, visual effects historian Justin Humphreys, and music historian Daniel Schweiger.

A brand new retrospective documentary produced by Ballyhoo Motion Pictures and featuring interviews with Associate producer Sandy King, cinematographer Gary Kibbe, actor Peter Jason, actor Robert Grasmere, composer Alan Howarth, stunt coordinator/Ghoul Jeff Imada, author Jonathan Letham, music historian Daniel Schweiger, Blumhouse editor Rebekah McKendry, and visual effects historian Justin Humphreys.

A brand new retrospective documentary produced by Ballyhoo Motion Pictures and featuring interviews with Cinematographer Gary Kibbe, actor Peter Jason, actor Alice Cooper, composer Alan Howarth, script supervisor Sandy King, visual effects supervisor Robert Grasmere, stunt coordinator Jeff Imada, Carpenter biographer John Muir, film historian C. Courtney Joyner, music historian Daniel Schweiger and Producer Larry Carpenters.

Cast and crew offer up a nice overview piece, discussing the picture's authenticity, real life in the time of "Boyz n the Hood," the parallels between Singleton's real life and his film, the process of making the film, the casting process, the quality of the script, the film's reception, its Oscar nominations, and its legacy.

Documentary purporting to expose the cover-up of the JFK assassination conspiracy.

A wonderful retrospective supplement that features much of the primary cast cast as well as Writer/Director John Singleton looking back at the picture's history and legacy. They speak on the themes of the film, the casting process, its importance then and now, its reception upon release, the project's novelty, its placing in the National Film Registry, and more. There's no shortage of good insight here and the piece does a fine job of encapsulating what Boyz n the Hood is all about.

Building Brick is the Behind the Scenes documentary for the film Brick (2006). Brick was written and directed by Rian Johnson in San Clemente, CA in 2003. The film stars Joseph Gordon-Levitt, Nora Zehetner, Lucas Haas, Noah Segan Building Brick was filmed and edited by L Jean Schwartz (Disclaimer: I shot most of this footage when I was 17 with my family camcorder, edited it when I was 19, and this is not a very high res version, but it has only been available on the German DVD so I wanted a way that my friends could see it) Also, I am endlessly immensely grateful to Rian Johnson for giving me the opportunity to be part of Brick.

Portland, 1988. Filmmaker Gus Van Sant shoots Drugstore Cowboy, the project that will bring he and his collaborators a formidable burst of mainstream attention. Starring Matt Dillon, Kelly Lynch, and Heather Graham, the film follows a roving quartet of drug addicts — and, consequently, drug thieves, especially from the businesses of the title — who wash up in Portland's then-gritty Pearl District. A death among their own spooks the leader of the pack into trying to clean up, and an encounter with a sepulchral junkie priest does its part to convince him further. Or maybe we should call him a Junkie priest, portrayed as he is by a controversial cameo from writer William S. Burroughs. "I'm going back to the old days," Burroughs says of his role early in the above documentary on the making of Drugstore Cowboy. "The old days when they used to give people morphine in jail. The old days before the methadone programs."

This fascinating making-of documentary investigates the controversy and political atmosphere surrounding the production of Salt of the Earth, movingly chronicling the filmmakers' defiance of the blacklist. (BAM) Preserved by the Academy Film Archive in 2015.

Behind the scenes documentary of Gus Van Sant's "Paranoid Park." Felix Andrew: director, cinematographer, editor. Dane La Chiusa: titles and original drawings. Joel Shelton, composer. Additional music: "Songs" by Ethan Rose, "Sangue de Bairro" by Chico Science e Nacao Zumbi. Made in 2006. Length: 27 minutes

For detained immigrants who can’t pay their bond, for-profit companies like Libre by Nexus offer a path to reunite with their families. But for many, the reality is much more complicated. “Libre” sheds light on one of many hidden costs of reunification for immigrant families.

The Beastie Boys look back on a period of the group's history that spanned from their groundbreaking 1989 album "Paul's Boutique" to the Lollapalooza tour supporting "Ill Communication."