Midwife to the Upper Class

An experimental silent film made with a team of three. Humanity is being wiped out and the last people left are friends May and Pearl. The main themes of the film are friendship that gives strength and hope, as well as current concern for the future of humans and our nature. Could we start over or was this it?

A young girl inhabits an isolated island with her scientist father and communicates with a reclusive author of the novel she's reading.

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

God and Satan war over earth; to settle things, they wager on the soul of Faust, a learned and prayerful alchemist.

Troy has resorted to speed dating, where he meets Cassandra, who uses tarot cards to skip the awkward get-to-know-you phase, only Cassandra's flirting turns into an ominous prophecy.

In 19th-century Styria, isolated teen Lara's quiet life is upended by the arrival of mysterious, beautiful Carmilla, a female vampire with whom she develops an intense, homoerotic bond. As Lara's life slowly drains, themes of forbidden desire, identity, and the supernatural are explored, culminating in Lara's discovery of Carmilla's vampiric nature and a confrontation with her ancient lineage.

Two oversouls having a conversation about what the craziest experience they have ever had was, going to Earth.

A bloody little short challenging today's views on body politics.

The journey of 3-year-old Tomy into the magical clown-world beyond his bedroom-wall and his struggle to come back in one piece.

An alternative interpretation of the series' start.

Based on a story by Stephen King, "Otto" is the story of an affected man that from a fatal incident, product of his sense of justice, leads him to develop a feel of guilt that goes from fear to resignation through different forms of human behavior.

[…] A reel was shot of the Noh drama Momiji-gari (Maple Leaf Hunters, or Viewing Scarlet Maple Leaves), in which Danjuro played opposite Onoe Kikugoro V (1844-1903) as an ogress who has disguised herself as the Princess Sarashina. Filmed by Shibata Tsunekichi in the open air on a windy day in November 1899, Danjuro would allow only the one take, so that when his fan blew away in mid-performance the scene had to stay. The film re-emerged at the Kikikan theatre in 1907 where it was a great success and inspired a wave of fiction filmmaking based on traditional Japanese narratives. (cont. http://victorian-cinema.net/danjuro)

The Christmas tree isn't the only thing green in this new holiday classic. Shrek is back and trying to get into the spirit of the season. After promising Fiona and the kids a Christmas they'll remember, he is forced to take a crash course in the holiday. But just when he thinks he has everything for their quiet family Christmas just right, there is a knock at the door.

A young boy makes a snowman one Christmas Eve, which comes to life at midnight and takes him on a magical adventure to the North Pole to meet Santa Claus.

Kirikou's Grandfather says that the story of Kirikou and The Witch was too short, so he proceeds to explain more about Kirikou's accomplishments. We find out how little boy became a gardener, a detective, a maker of pottery, a merchant, a traveler and a doctor.

A mysterious boy from the country side collects stars and sends them to every city child who is unable to see the stars through the foggy urban sky.

Experimental filmmaker and color cameraman here collaborate in a surrealistic retelling of the old myth. But this is a dream fantasy with no real parallel to Pandora, replete with striking symbols where everything is larger than life--the silhouetted image of a mother and an infant, the profiled view of two sculptured heads spouting smoke and fire.

A woman flees from sinister forces, caught somewhere between a fever dream and a waking nightmare.

The Lord of Catan stars Amy Acker and Fran Kranz as a young married couple whose friendly game of Settlers of Catan plunges them into a vortex of madness and despair.

Gina, a modern business woman in her late forties, has a lover named Adrian, a journalist, who she sees once in a while just to have sex. They are both attracted to the historic figure of Pancho Villa: he admires his power while she admires his virility. As Gina helps Adrian to write a book about Villa, she discovers the similarity between Villa's relation to women to that of Adrian and hers, and that Villa's revolution never included her, nor the rest of the female half of the human species. Can the love of a woman and a man survive machismo?